Monday, June 8, 2009

Monday, Tuesday, Wine and Cheese

If you're located in the greater Philadelphia, PA and/or Wilmington, DE areas and are still wondering how best to spend Monday and Tuesday evenings (that's tonight and tomorrow just to be doubly clear), wonder no more. There are still a very limited number of spots available at each of my Monday/Tuesday double-header events. So come on out, enjoy a little cheese, and taste some great wines along the way.

  • Monday, June 8, 5:00 – 6:30 PM
    Early Summer Wines and Cheese ($25)
    Kick start your week. I’ll be leading an early evening wine and cheese pairing seminar today at Wilmington, DE wine bar, Domaine Hudson.

  • Tuesday, June 9, 6:30 – 8:00 PM
    Get Your Eurail Pass ($50)
    Not much more than 24 hours later, I’ll be back in action and back at the podium at Philly’s Tria Fermentation School, where I’ll lead a guided tour through some great value wines of Western Europe, with stops in France, Spain, Italy, Germany, Austria and Slovenia. (As I write this only three seats remain in TFS's intimate classroom space, so act fast.)

Thursday, June 4, 2009

Marigold Kitchen: Southern Roots, Spring Flavors

In one way or another it’s been said here before but it bears repetition: Sunday has long been a personal favorite evening for dining out. It can be a great way to put a cap on a long week, kick start the week to come, avoid the free-for-all of Friday/Saturday night dining and, in the best cases, find a chef performing at his or her relaxed best.

When not one but two friends – one local and one from out of town – asked me for Sunday dining ideas recently, both with the caveat that the restaurant(s) be BYOB, I realized that Sunday is not necessarily the ideal day to catch the Philly BYO scene in full swing. Many of the places that first came to mind are closed on Sunday. In fact, one spot that I’ve written up before as a Sunday destination has since closed its doors on Sunday nights. Then it hit me. Marigold Kitchen. At $30 for three courses, Marigold offers one of the best Sunday dining deals in town. Besides, I realized that the last time I’d been was for Executive Chef Michael Solomonov’s swan song, just before he moved on to open and head the kitchen at Zahav.

Marigold Kitchen’s “new” chef, Erin O’Shea (she’s actually been on board since 2006), has gained quite a solid reputation over the last year for the new direction she’s established, almost completely transforming the restaurant’s focus from the Euro-Israeli blend of Solomonov’s tenure to what can arguably best be described as New Southern cooking. Chef O’Shea’s grits alone have garnered attention in the major local press. I was jazzed to check out the big picture, but those grits just had to be the starting point.

Byrd Mill Stone-Ground Grits with Mussels Sautéed in Herb Butter

There’s no point in arguing with Rick Nichols’ assessment of Erin’s grits (see the link above). They’re toothsome, firm and flavorful, a complete and welcome departure from the gluey or soupy, starched white grits most of us are accustomed to; here there’s no need for additional pats of butter, syrup or other condiments to bring the flavor. Add to those grits a fistful of plump, juicy, herb-laced mussels and you have a dish of pure simplicity that made for a great starting point.

Any other wine blog readers out there remember Rouge and Blanc? Retired blogger Andrew Hwang – my “out of town” friend – took me up on my Marigold Kitchen suggestion and, by sheer coincidence, ended up with a reservation at the same time as ours. The recommendation pressure was on, as he’d come all the way from Brooklyn just for dinner, to celebrate his wedding anniversary with his lovely wife Kance and their adorable son Austin (who was particularly intrigued by the pickled fiddlehead ferns that topped Marigold’s carrot soup starter).


Cured Pork Tenderloin with Asparagus, Warm Bacon Vinaigrette and Stewed Eggplant

Though not as focused in its presentation and conception as my first course, there was no disputing the quality of the raw ingredients in my main. Local asparagus, seasonally fresh, sat atop a dollop of stewed eggplant spiked with what tasted to me like harissa, showing that O’Shea still gives an occasional tip of the hat to the North African and Middle Eastern culinary influences of her Executive Chef/predecessor. The loin of pork was a touch over-salted but was otherwise cooked to perfection and intensely flavorful.

Slow Baked Halibut with Country Ham Broth, Fava Beans and Sunny Egg

My wife’s main course; I tasted only a forkful, so it’s here more for eye candy than commentary. I will say that, like my pork dish, it was heavy on the seasoning but otherwise very well executed, showing a fine balance between delicate preparation and the hearty flavors of its country traditions.

Dessert


With four in our party and four desserts on offer, there was only one real choice: order everything. Clockwise from top left: Tapioca Pudding with Lime, Vanilla and Pineapple; Lemon Trio; Apple Spice Cake with Caramel Sauce and Buttermilk Ice Cream; and Dark Chocolate Terrine with Candied Orange and Sweet Sour Cream.

Our servers justly touted the tapioca pudding, which was sublime. The apple spice cake, too, was addictively good, so much so that we had a terrible time wresting it from one particular member of our company. Only the lemon trio left me at all cold, not for any shortcoming really, more because I’m just not a big fan of the tart/sugary blast of citrus dominated sweets.

What about the wine for the evening? I’ve already written up our selections, utilizing far fewer words than is my wont. Stemware at Marigold is good quality and the food is quite wine-friendly, so it’s definitely a worthy spot to take a good bottle or three. Our bottle of Nicolas Joly's Coulée de Serrant may have been pushing that concept a bit too far but that’s only because its unique characteristics make it a wine that really needs to be served at home (and with extreme patience) to be fully appreciated.

This is not a Marigold.

The central stairway in Marigold’s main dining room hearkens back to the building’s history as a boarding house, which tenants once accessed by passing through the restaurant. The stairs now provide access to two smaller dining rooms, the larger of which is used for regular service on Friday and Saturday, and both of which are available for private parties. Methinks I sense a wine dinner somewhere in my future.

Between the room’s warm ambience, great company and Marigold Kitchen’s heart-warming food, I think we all agreed that it was a Sunday evening well spent. Wine dinner or not, I’ll definitely be headed back soon.

Marigold Kitchen
501 S. 45th Street
(at Larchwood) [map]
Philadelphia, PA 19104
215-222-3699
Marigold Kitchen on Urbanspoon

Sunday, May 31, 2009

One Word, Two Words, Three Words, True Words

Enjoyed a great meal with friends and family at Marigold Kitchen last weekend. As I opted not to take detailed wine notes, I thought this would be as good a time as any to respond in kind to some of my peers' demonstrations of anti-verbosity. So here you have it, the first (and very possibly last) installment of rapid fire reviews at MFWT. One word, two words, three words -- on three wines. Hopefully, my friends and gracious readers, you will forgive me the luxury of photos.


Vouvray “Cuvée Tradition,” François Pinon 2006
Apple.
Ambient cave.
Definitely not corked.


Savennières-Coulée de Serrant “Clos de la Coulée de Serrant,” Nicolas Joly 2004
Massive.
Jerez honey.
Definitely not oxidized.


Nebbiolo d’Alba Valmaggiore, M. Marengo 2003
Extracted.
Hollow leg.
Definitely not elegant.

Thursday, May 28, 2009

The Pleasures of Jacques Puffeney's Poulsard and Pot Pie

The poultry, egg, lamb and pork purveyor at my local farmers market sells turkey pot pies. In the world of farmers markets, such an item is referred to as a “value added product” – something that’s not a direct product of the land or farm but is produced (or processed) from the farm’s goods. The pot pie has become a near weekly habit for me since its introduction at the market last year; in a way that’s odd, as there’s really nothing outstanding or out of the ordinary about the pies. They’re about as simple as simple gets: a reasonably good pastry crust filled with chunks of white and dark meat turkey, potatoes, onions, peas, carrots and a somewhat bland, creamy sauce. It’s that simplicity that makes them work so well for me. Not only are they satisfying; they’re also a perfect foil to any number of styles and varieties of wine. Satisfying and wine friendly? That’s my kind of value added product. Last week’s pie paired quite nicely with….

Arbois Poulsard “M,” Jacques Puffeney 2005
$30. 13.5% alcohol. Cork. Rosenthal Wine Merchant, New York, NY.
Puffeney’s wines may be a little pricey for a typical midweek repast, but I’ve been on vacation the last couple of days so I figured why not give myself a treat. Straight from the bottle, this is lean and firm in both acidic and tannic impact. Its color is a completely transparent, pale ruby, tinged green/orange at the rim. With a few moments to settle, aromas emerged of red tea, rose petals, teak and tart cherry fruit. Like its color, the wine’s flavors are delicate but intensely penetrating. If you’ve been looking for a “light” wine to serve with hearty fare – think duck, beef daube or, why not, pot pies – this may be your ticket.

At its initial serving temperature, I found the aromas and texture a tad off kilter so I put the bottle out on the porch for a while (on what was probably one of the last cool nights of the season). Sure enough, at a slightly cooler temp – and no doubt helped along by a little more air – the wine felt gentler and found its focus. Scents of potpourri and spice were even clearer. And the wine’s natural acidity magnified and built upon the flavors of the meal. If you’re looking to try a bottle and happen to be in a hurry, decant it. After an hour, it was even more openly tasty, closer to what I remember from my last tasting when the wine had clearly benefited from some time in the glass.

It bears repeating from that occasion, by the way, that, “’M’ is one of two cuvées of Poulsard produced by Puffeney from all of 1.2 acres planted to the vine on his property. It’s named for Jacques’ daughter Marie, who favors a fruity-style expression of Poulsard.” It also bears adding that Puffeney’s Poulsard undergoes 15-20 day fermentation in tank, followed by malo in old oak foudres. The wine is then barrel aged for 24-30 months, depending on the vintage, before being bottled with neither fining nor filtration.

I wasn’t quite as enamored with “M” on day two, as it faded more quickly than I would have expected. The aromas were still quite enchanting – red apples and apple skin, more teak and a whiff of sunny beach and ocean air (perplexing given the wine’s mountain origins). However, the wine had lost some of its nerve and complexity; its tension had completely relaxed, almost gone slack. Lovely red fruit kept it from being a complete let down, though. Not a bad treat, all things considered, and definitely a fine companion to two days of pot pie.

Wednesday, May 27, 2009

Trois Vins Ricard

Regularly tasting through the full line-up of new releases from a single producer is part and parcel of working in a wine shop that cares at least a little about its products. Even though sip-and-spit tasting has its drawbacks, working through several wines from a single producer at one sitting is one of the best ways, short of an actual winery visit, to get a handle on what that producer is really all about.

Such tasting is something, I expect, far too few of us do at home. Economies of scale (not enough people to share with) and economy, plain and simple, both get in the way. For me, a certain level of jadedness acts as a deterrent as well. It’s increasingly rare that I get jazzed enough about a single producer’s full range of new releases to want to take them all home at once. But the motivation still occasionally presents itself, most recently with three new arrivals from Vincent Ricard. The good value/Loire Valley/natural wine trifecta may have had more than a little to do with it. My more than abiding interest in the estate, ever since visiting Ricard in 2004, figured in there as well.


Touraine “Les Trois Chênes,” Domaine Ricard 2008
$20. 13% alcohol. Cork. Petit Pois, Moorestown, NJ.
This was quite the buzz a couple of weeks back when two leading wine e-tailers offered it, at drastically different price points, via e-mail blasts on the same day. I didn’t mind a bit, as the momentary hype brought more than a few “researchers” to my profile of the estate.

“Les Trois Chênes” is arguably Vincent Ricard’s flagship wine. He makes other Sauvignons (his specialty), at lower and higher price points, but this one really captures the balance between his terroir, natural farming and talented winemaking. The Sauvignon comes from a single vineyard of 50+ year-old vines planted on their native rootstock in sand dominated and silex (flint) laced soils. The fruit is hand-harvested in several tris and then sees a slow, three-month barrel fermentation, part of the wine’s total eight-month aging regime, which includes occasional bâtonnage, in barriques.

The end result is not so much creamy and opulent as it is densely packed, firm and sappy. Things open up with a big blast of mineral soaked lemon drop fruit, with a very energetic, full mouthfeel. The vibrant fruit soon yields to the wine’s resinous, structural wood influence. More fruit returns with aeration: kumquat, mango and lemon oil. At the approach of ambient temperature, the woody notes combine with the Sauvignon to form a distinctly spearmint driven aromatic profile. It’s even good at room temp. Only recently bottled and shipped, this has yet to find its harmony but all the voices are definitely there and definitely singing.

The healthy state of Ricard’s vineyards (picture from February 2004) are in stark and welcome contrast to the chemically blasted stretches of Touraine vineyards that Jim Budd (of Jim's Loire) has been on a justified rampage about of late.


Touraine “Le Clos de Vauriou,” Domaine Ricard 2008
$12. 12.5% alcohol. Composite cork. Petit Pois, Moorestown, NJ.
“Le Clos de Vauriou,” as its name implies, is another single vineyard bottling hailing from the family’s small plot of Gamay. Theoretically, Vincent makes this wine only in good vintages, though 2008 marks its third or fourth consecutive release so it may well be on its way to becoming an annual staple. After a 20-day maceration and primary fermentation in steel, “Vauriou” undergoes its malolactic fermentation in barriques and sees only the lightest filtration before bottling.

I have to say, this wine was in the back of my mind when writing (and responding to the comments) on my recent posting regarding some of the inherent risks taken by those making natural wines. When bottles of the 2007 version of “Vauriou” were on, they were delicious – full of juicy, grapey fruit, a pleasure to drink. But there was a spate of bad bottles, gone to one degree or another to vinegar. Whatever the issue was, and I’m guessing acetobacterial spoilage, it seems to have been avoided in 2008, as I’ve tried several bottles that are sound, consistent and even more delicious than the good ones from last year. The grapey, gulpable goodness is still there, but it’s also accented by fine tannins, chalky minerality, a spike of white pepper and very snappy texture. There’s a definite inky/graphite element on the nose as well, along with an enticing twist of blood orange. Very food friendly; at the price, it’s a serious candidate for a by-the-case summer red.

Touraine “Le Vilain P’tit Rouge,” Domaine Ricard 2007
$19.50. 12.5% alcohol. Cork. Petit Pois, Moorestown, NJ.
Childlike renderings of trees, purple grapes dangling above a glass, a devil clinging to a goblet’s stem…. The paintings on Ricard’s labels are all the work of Tours-based artist, L. Bouro. In a comment left here some time ago, Brooklynguy mentioned finding the labels off-putting. I can see that, as I’ll almost always steer away from critter labels. However, a growing number of producers in the natural wine set seem to be going for fun or quirky art on their labels; I’m thinking of Puzelat/Tue Boeuf, Le Briseau/Nana Vins & Cie, and Marcel LaPierre, just to name a few. Point is, I kind of like Vincent's labels, though it certainly helps that I know the winemaker behind them and know that they both capture his spirit and reflect something of the essence or story behind each wine.

Going on memory, the 2007 release of “Le Vilain P’tit Rouge” seems a bit less rich than the 2006. Based on my note for the ’06, though, it’s certainly more similar than it is different, perhaps influenced by the fact that it’s again a blend of 90% Côt (Malbec) and 10% Cabernet Franc. There’s some funky-monkey happening on the nose – dark and sour, loamy and wild. It’s loaded with black cherry fruit backed by flavors of clove, charcoal, hung beef and coarsely ground black pepper. There’s lots of texture, too. Definitely a wine for food; to quote my tasting buddy, "Côt and duck is good." (That's a pic of his oven-roasted wild duck, by the way; gamy and damn tasty.)

Sunday, May 24, 2009

Thierry Puzelat’s Gamay "Pouillé"

Intent on getting a better understanding of the wines of Thierry Puzelat, I bought a slew of them a few months back. Well laid plans of drinking them each in consecutive fashion (not on one night, mind you) didn’t quite work out, so I’ve instead been checking in with them rather randomly, whenever time, spirit and menu have aligned. The most recent subject was very much to my liking.


Touraine Gamay "Pouillé," Thierry Puzelat 2006
$18. 13% alcohol. Cork. Louis/Dressner, New York, NY.
Relative to “Le Tel Quel,” which I’ve written about here before, “Pouillé” is arguably Thierry Puzelat’s more serious – perhaps substantial would be a better word – expression of Gamay. In this case, the fruit comes from Puzelat’s own vineyards, which he purchased from Michel Oger. Situated near Clos Roche Blanche in the commune of Pouillé, the 65 year-old selection massale Gamay vines are planted in argilo-silex (clay and flint) soil that’s been farmed biodynamically for the past fifteen years. Following fermentation, the wine is aged in old oak casks until bottling, without filtration, in the summer following the harvest.

I dug its initial aromas – classic to many of Puzelat’s reds in my experience – of fresh, sweet barnyard, root beer and spice, and sweet, dark red fruits. Very ample in the mouth, where the sweet fruit followed through. And very unlike fruity-style Beaujolais (whereas “Telquel” bears a strong family resemblance). Its richness was buoyed by snappy acidity and a little prickle on the tongue. On day two, that kernel of bright, sweet red fruit persisted, bearing Gamay’s signature along the way. That said, if I’d tasted this blind, between the wine’s rich texture and dark aroma I’d have guessed there was some Côt at play. Though subtler and not as energetic in its second day, its details – perhaps because of that calmer state – were a bit easier to assess. Soft tannins, medium acidity, plenty of spicy red fruit and those trademark sweet-earth aromas, which this time reminded me of moist licorice root mulch.

Though perhaps an unusual expression of Gamay, this bottle of “Pouillé” was unmistakably alive – and very definitely a pure expression of its origins.

Friday, May 22, 2009

Early June Triple Header

For three consecutive days in early June, you’ll find me at some of my favorite spots around the greater Philadelphia area, where I’ll be spreading the word and sharing the joys of three of my favorite things: wine, cheese and cycling. All of it, I might add, is yours to be enjoyed on the cheap – three great ways to get the summer started right without blowing the budget in the process.

  • Monday, June 8, 5:00 – 6:30 PM
    Early Summer Wines and Cheese ($25)
    On June 8, I’ll be leading an early evening wine and cheese pairing seminar at Wilmington, DE wine bar, Domaine Hudson.

  • Tuesday, June 9, 6:30 – 8:00 PM
    Get Your Eurail Pass ($50)
    Not much more than 24 hours later, I’ll be back in action and back at the podium at Philly’s Tria Fermentation School, where I’ll lead a budget-oriented tour around the wines of Western Europe. Tria’s June course schedule was just announced yesterday and the class is already close to being booked, so act fast.

  • Sunday, June 7, 9:00 AM – 3:30 PM (approximately)
    TD Bank Philadelphia International Cycling Championship
    Finally (actually firstly), if you’re wondering where to find me on Sunday, I’ll be spending the day at the TD Bank Philadelphia International Cycling Championship. This year’s race, which nearly didn’t come to fruition after organizational costs increased and sponsorship decreased, will mark the 25th running of the Philly Classic. I’ll be continuing a personal tradition that must be going on about 20 years now, through all five banks (Core States, First Union, Wachovia, Commerce, TD), hanging out on Lemon Hill, taking in the sun – it’s never once rained in the history of the race – and most likely a beer or two. Come on out. It’s a blast. And unless you feel the need to spring for a VIP-area pass, it’s absolutely free.

Thursday, May 21, 2009

Malo in a Bottle

Some say that to break the rules, one must first know the rules; that to produce great art, no matter how abstract, one must first master the fundamentals.

One of the things I love most about natural wines is their intrinsically unpredictable nature. Winemakers, no matter how talented, take known risks when they choose to ferment using only natural yeasts, to minimize or even abolish the use of sulfur in the vineyards and in the cellar, to work in a relatively noninterventionist manner.


Cour-Cheverny "Les Sables," Domaine Philippe Tessier 2005
$19. 14.5% alcohol. Cork. Potomac Selections, Landover, MD.
In spite of its slight haziness, the strongest first impression made by Tessier’s “Les Sables” was not visual but rather aromatic, one of those scents that you know without a doubt, even if you can’t immediately pin it down. In this case it was butter cream… butter cream icing to be exact. The wine was confounding in other ways as well: drinking like a cross between mead, Chenin and Ribolla; definitely sporting a few grams of residual sugar although feeling completely dry; there was even raspiness in its texture, lending the wine an assertive, intensely textured mouthfeel. The aromas and flavors: just as unusual…. Along with that butter cream icing there were primary notes of melon, honey and orange oil; at one moment, there was a suggestion of slight oxidation, maybe even flor; at the next, the wine smelled intensely autolytic, almost like a richly yeasty style of Champagne; and finally, on day two, it was gin that I smelled, right down to the juniper berries and pine.

There were definite signs – from general cloudiness, to the occasional stranded solid to a distinctly petillant prickle – that this went through at least partial malolactic fermentation in bottle. Does that make it a flawed wine?

If you compare my notes with those of The Uncorker, there’s little question that we tasted two very different examples of the same wine. So, there’s bottle variation in the mix as well. Another fault?

That all depends, I suppose, on how you look at things. If wine is indeed a living thing, there’s no reason why there shouldn’t be differences, whether subtle or extreme, from bottle to bottle. Of course, the more extreme, the more difficult it becomes for the market to bear the wine.

My pals Jeremy (of Do Bianchi) and Cory (of Saignée) checked out the skin fermented Chardonnay from Natural Process Alliance at Terroir SF a little while back. Another example of malo in a bottle – even if the “bottle” is steel. Judging from Jeremy's photo, it was darker and cloudier than Tessier’s Cour-Cheverny, but you get the idea.

The occasional wacky bottle of natural wine would most likely be taken in stride, even embraced, at wine bars like Terroir in San Francisco or Ten Bells in New York, where the staff and clientele alike seem ready and waiting for such possibilities. On a wine list at a suburban restaurant, on the other hand, things might get dicey.

To quote from the literature on malolactic fermentation used at the University of California at Davis:

“Malolactic Fermentation in Bottle: increases turbidity due to cell growth; produces noticeable gas as CO2; may produce polysaccharides material ( haze and/or ropiness); may raise pH allowing growth of spoilage organisms; and does not allow for control of flavor/aroma profile of wine. Cloudiness or turbidity is objectionable in wine. Many consumers do not understand the source of the cloudiness so equate it with spoilage. The decarboxylation of malate yields carbon dioxide, which will produce noticeable bubbles in the wine. This is again undesired because many consumers do not understand the source of the CO2, so equate it with an inferior or spoiled product. The bacteria may produce other unwanted products that are noticeable in the bottle.… Also if the reaction occurs in the bottle, the winemaker has no control over the process.”

While I expect Philippe Tessier (and other natural winemakers like him) understand and can apply the clinically correct approach taught at UC Davis, he chooses to do things differently, knowingly taking on risks in the process. Tessier farms organically. He vinifies his wines on their ambient yeasts and uses only a soupcon of sulfur at bottling time. He does these things not to make his wines easier to sell or easier for the average consumer to take in stride; he does them because he believes it makes his wines better – truer expressions of both his land and spirit. Whether or not Monsieur Tessier intended for his Cour-Cheverny to go through malo in bottle, and I expect he did not, the wine was still delicious. And I respect the risks he takes, even if it means an occasionally wacky bottle, unpredictable result or negative reaction.

Wednesday, May 20, 2009

Opening Day at the OFM

I've been hurting for words the last few days, thus the relative silence 'round these parts. To keep things rolling in the mean time, here are a few pix from opening day at the Oakmont Farmers Market. At least I'm now flush with fresh veggies and other local goodies!

The opening day crowd, shortly after the 3:00 starting bell rang.

Sue Miller and son, serving up samples of their wonderful cow's milk cheeses from Birchrun Hills Farm.

Donna Demchur Levitsky of Shellbark Hollow Farm, hard at work handing out samples of the farm's goat cheeses, yogurt, kefir, spreads.... Tasty stuff.

The crew from Lime Valley Mill Farm seemed happy with the line forming at their table on their first day ever at the OFM.

Words to farm by, from the Linde family of Lindenhof Farm. My weekly go-to for farm-fresh eggs and poultry.

The Dearolfs of Blueberry Hill Farm are back for year three. Tonight's dinner featured a bunch of the asparagus seen in the below shot of their spring veg offerings.

Monday, May 18, 2009

Oakmont Farmers Market Opens Wednesday

It’s only two days until the grand opening of the third season at the Oakmont Farmers Market, so I thought a little announcement and information might be in order.

There’s big news for the market on two fronts this year. First, the OFM is now an official 501c3 not-for-profit educational organization. Second, and for your greater shopping pleasure, the market will be joined by three new producers:
  • Lime Valley Mill Farm, located in Lancaster County, will be at the market every week, offering organically farmed (not certified) specialty vegetables.

  • As a cheese lover, I’m especially excited to have two of the area’s finest farmstead cheese producers – Shellbark Hollow Farm and Birchrun Hills Farm –join the market this year. They’ll be alternating, once a month each, in the market spot occupied the other two alternating weeks of each month by Spotted Hill Farm.

We’re also very pleased to have the following producers returning for this year’s market:

As in years past, the mission of the market is simple: to provide an outlet for local farmers to present their naturally grown goods directly to members of their own greater communities. The market is producer-only; to be represented, all products must be grown and produced within 100 miles of Havertown. The idea is not only to provide healthy, natural products but also to promote a greater reliance on locally farmed food. Why buy an “organic” apple from Washington State, a blackberry from Mexico, ground beef from Texas or broccoli from China when you can get them and other great seasonal goods from a farm in your own community? When the food on your table doesn’t travel hundreds or even thousands of miles to get there, its environmental impact is gentler and its greater freshness is made that much more meaningful.

The Oakmont Market opens at 3:00 PM sharp this Wednesday, May 21, 2009. Bring your families, bring your shopping lists, bring your tote bags and your appetite, and help to strengthen your community by eating great, locally grown food.

Oakmont Farmers Market

Wednesdays from 3:00 to 7:00 PM
May 20 – September 2, 2009

And as daylight begins to wane...

Wednesdays from 2:00 to 6:00 PM
September 9 – November 25, 2009

In the Oakmont Parking Lot
One block NW of the intersection of Darby & Eagle Roads
2419 West Darby Road
Havertown, PA 19083
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