Showing posts with label Cascina Vano. Show all posts
Showing posts with label Cascina Vano. Show all posts

Tuesday, May 22, 2007

Wine with Bill

Less often than I’d like, I find the opportunity to get together with friends to cook some good food. Recently, I did just that with one of my stalwart food and wine pals, Bill. Inspiration for this occasion was entirely seasonal: a ramp romp. Bill’s friends who live out in the Chester County countryside have a tremendous perennial crop of wild ramps growing right on their property. Having harvested far more than they could consume on their own, a generous “donation” was made to Bill’s larder, giving us the perfect opportunity to explore one of the most fleeting flavors of spring. Of course, it also gave us a great excuse to open a few interesting bottles of wine.

Of late, Bill’s been a much more accomplished wine shopper than I. Frequenting one of his perennial favorites, State Line Liquors, and one of his new troves, Chambers Street Wines, he’s been coming up with some pretty interesting stuff. A couple of the more esoteric bottles from Chambers Street seemed like the perfect place to get started….

Vin Mousseux Aromatique de Qualité Medium Dry “FRV 100,” Jean-Paul Brun NV
Brun produces some of the most natural, idiosyncratic wines of Beaujolais. A recent bottle of his 2005 Morgon is among the best wines I’ve tried this year. He apparently has a lighter side, captured in this oddball of a sparkler. Varietal Gamay vinified in the Méthode Ancestrale results in a pink, semi-sweet, low-alcohol, strawberry scented spritzer. Even odder than the wine was its label, black with reflective lettering reminiscent of circa 1970’s “One Day at a Time” bumper stickers and covered with whimsical, multi-lingual words all beginning with F, R or V – code for effervescent. The label would normally have been enough to scare me away but the contents, simple as they were, were hard not to enjoy. At a mere 7.5% ABV, it would make a perfect cold fried chicken picnic wine.

Beaujolais Blanc “Terres Dorées,” Jean-Paul Brun 2005
Not odd in the vein of the previous bubbly, it’s still fairly rare to find a Beaujolais Blanc on the American market. Brun’s varietal Chardonnay bears much more in common with the wines of Saint-Pourçain, neighbor to the west in the upper Loire district of the Auvergne, than with the Bourgogne Blancs of the Macon just to the north. Lemony, lean, minerally and relatively low-alcohol (12%), this would pair well, in lieu of other more obvious options, with a mixed shellfish platter. It was a bit too high in acid and lacking in fruit to pair well with our first course of braised turkey meatballs over gorgonzola dolce with sautéed ramps, where something equally lively but a bit juicier may have better served.

Muscadet Sevre-et-Maine Sur Lie “Le L d’Or” Domaine Pierre de la Grange, Pierre Luneau-Papin 1995
Though also a mismatch with the ramps and meatballs, this was the most enlightening wine of the night. Common wisdom would have it that Muscadet is wine only for quaffing in its youth. It’s beautiful to see, then, “vin de garde” examples like this that are still fresh and vibrant after ten or more years of ageing. Showing a pale golden-green glow in the glass, developed mineral flavors but still primary fruit and lively acidity, this could last another five or ten years with little problem. My interest in this bottling was further piqued by the fact that I sell Muscadet from Luneau-Papin’s daughter's property, Chateau Les Fromenteaux, where Pierre looks after all of the vineyards and viticultural practices. I’ll have to sock away a few bottles of the 2005 Fromenteaux “Clos du Poyet” for a rainy day with expectations that a knack for quality and structure runs in the family.

As we cleared the plates and started on the final touches for our main course of roast chicken with olives and sautéed ramps, it seemed as good a time as any to narrow down our red options. Bill was chomping at the bit for some good Burgundy. And so it was….

Chambolle-Musigny Premier Cru “Les Sentiers,” Domaine Truchot-Martin (Jacky Truchot) 2003
I first came across Jacky Truchot’s fantastically expressive red Burgundies in the late ‘90s. I remember being shocked at how pale his wines appeared in bottle, almost rosé-like to the uninitiated eye. I’ve managed to stay in touch with the estate through occasional tastings and chance encounters. His 2003s, like most Burgundies, are atypically dark and rich. Yet the finesse stemming from Jacky’s old-school approach in the winery and natural touch in the vineyards still resulted in wines of real class. The 2003 “Les Sentiers” is drinking beautifully, with silky red fruit, delicate, supple tannins, floral aromatics and Truchot’s trademark sprightly acidity. It’s a pity that the estate is no more. Jacky retired after the 2005 vintage with no heirs to carry on his legacy.

Up to this point, we had yet to touch any of the bottles I’d brought along for the evening. With a bit of effort, I finally convinced Bill to save his ’95 Baudry Chinon for another day. Instead, we pulled the cork on a bottle that I’d almost forgotten in my cellar.

Langhe Nebbiolo, Cascina Vano 2001
Modernist, traditionalist and centrist quibbles aside, Langhe Nebbiolo tend to fall into two camps: those that are produced from the younger vines and declassified fruit in Barolo or Barbaresco vineyards and those that are grown outside of the delimited zones for the big B’s. The former examples tend to be early drinking, gentle and aromatic expressions of Nebbiolo, giving glimpses of the lovely fruit and aroma of Piedmont’s great vine without the intensity of tannin it often delivers. Vano’s wine falls into the latter camp – wines built, because they stand alone, like “baby Barbarescos.” They can carry power and structure combined with fruit and aroma and can provide a wallet-friendly glimpse into the full realm of the Nebbiolo tasting spectrum. They just happen to come from the wrong side of the street.

I knew there must have been a reason that I socked away some of Bruno Rivetti's 2001 Langhe Nebbiolo. There was. Six years on, it was still rock solid. Expansive fruit, merging primary tones with the early beginnings of tertiary characteristics, combined with firm structure and lovely balance to make this wine almost as eye-opening a surprise as the Muscadet had been. Additionally, as much as I liked the Truchot Chambolle, the Nebbiolo matched more adeptly with the zesty flavors of Bill’s chicken and ramps.

By typical standards, we’d properly sated our appetites. However, there were molten chocolate cakes in the pipeline so, since Bill had returned from an earlier trip to the cellar with some “leftovers” from a few days back, we thought we’d finish off with one last taste.

Maury “Cuvée Spéciale 10 Ans d’Age,” Mas Amiel NV
A close relative to the sweet reds of Banyuls and Collioure, Maury paired with chocolate cake is kind of a no-brainer. This ten-year old from Mas Amiel is a great value wine, built in a lot of ways like a 10 year Tawny Port but with slightly lower alcohol and darker, more persistent fruit. In the classic method for sweet red Roussillon wines, the 10 Ans d’Age spends the first year of its life, following fermentation and fortification, in glass demi-johns which are left outside of the winery, exposed to the full forces of sunlight and temperature variation. A further nine years in huge old casks provide a slow, somehow preserving oxidative environment in which the wine develops its final characteristics. Rich yet mellow toffee, raisin, black cherry and raspberry tones ally with low acidity and firm tannic structure to give balance to a measurable level of residual sweetness.

Why shouldn’t all Tuesday nights be so rewarding?

Friday, April 13, 2007

Easter at Osteria

The annual Philadelphia Film Festival is in full swing right now. We had tickets to a self-constructed double feature on Easter Sunday night so we figured, what better day to head for an early dinner at Marc Vetri’s new outpost, Osteria (640 N. Broad Street at Wallace). When calling for a reservation (which is essential) we were denied a table at 5:00 but offered one at 5:30. Knowing that the timing was an effort on the restaurant’s part to stagger tickets in the kitchen, we presumptuously arrived a few minutes after 5:00 as we didn’t want to have to rush through dinner to make our first screening. Greeted at the door by one, then two and finally three suit bound hosts and hostesses, we were told our reservation wasn’t actually until 5:45. After a few moments of deliberation though, we were graciously seated at a spacious two-top near the center of the room, adjacent to the lengthy chef’s bar.

Osteria is a big space, befitting of its setting in a rather wide open section of North Broad Street. High ceilings have been left unfinished, exposing duct work and lending a modern loft look which balances out the warm, rustic tones of the wooden tables and bars. Loads and loads of windows let in plenty of natural light and showcase panoramic views of the church next door – and of the Meineke shop across the street. Taking a page right out of Batali’s book at Babbo, pop music is cranked up fairly loudly. The twist here is that the music is pseudo-Italian. We heard covers of REM and U2 mixed in with some rather insipid Italipop. So much for the soundtrack – we hoped the food would prove to be worth the ear-sore.

The menu is classically Italian in structure, broken into sections for Antipasti, Primi, Secondi and Contorni. A pizza list adds a bow toward the casual intentions of Marc’s new enterprise. Here I must say Osteria is intended to be a more casual and less expensive alternative to Vetri Ristorante. It is. However, a look around at the décor and staff and a quick perusal of the menu make it clear that Osteria is not terribly casual and is quite expensive. Pizzas range from $15-24; antipasti from $10-16; primi are priced in the high teens; entrees land in the high $20s; and contorni at $8-10 a pop could quickly push the entrée ensemble into the $40 range. Do the math and the bill for a multi-course meal adds up fast.

As a saving grace, the modest wine list is, especially for Pennsylvania, quite reasonable. The most expensive bottle I noticed was a good deal at $81, the 2001 Barbaresco “Canova” from Cascina Vano. And most of the list comes in at under $50 per bottle. Though I didn’t ask, the numerous empty bottles of Sassicaia displayed around the room and the rear wall, which is decorated with wooden crate ends from high-end Italian juice, lead me to suspect that there may be a reserve list available for those looking to drop more coin. Of the handful of wines available by the glass, we settled for a couple of different whites – I for a glass of 2005 Pieropan Soave Classico and my wife Lori for some Prosecco – and got down to the business of deciding what to eat.

After listening to the fairly extensive list of daily specials, we opted to work mostly from the regular menu, though it was tough to pass up the Easter special of stuffed spring lamb. Lori opted for an Antipasto and Primo combination; I went with a Primo and Secondo. Here’s what we ordered:

  • Wood grilled octopus, cured lemon, potato and chives (antipasto)
  • Candele with wild boar bolognese (primo)
  • Capon tortellini with sage brown butter (special primo)
  • “Casoeula” braised pork ribs and sausage with cabbage and soft polenta (secondo)
The clear standout was the wood grilled octopus. Nearly whole (headless) baby octopi, incredibly tender and flavorful, were paired with well-chosen flavor enhancers: slivers of preserved lemon, perfectly firm little cubes of potato and quality olive oil. The boar Bolognese served over candele – long, extruded pasta (think of extraordinarily lengthy ziti) – was comforting and hearty, only lightly influenced by tomato, much more highly informed by slow cooking and mellow seasoning. If there was any disappointment to be found, it was in the slightly under-seasoned tortellini. The pasta component was supremely delicate, as was the mild, tender capon filling. The aroma of ample, rich butter rose from the plate but its color and flavors were still on the fresh side, lacking the nutty depth of a well-browned butter sauce. And for me, the sage element was just a little too subtle. The braised pork ribs, offering a perfect balance between the heartiness of braising and the slightly lighter ingredients of encroaching spring, were done to fall-off-the-bone perfection. The rustic sausage, like all of the cured meats on the menu save the Prosciutto di Parma, is made in-house.

To accompany everything, we selected a bottle of 2004 Langhe Nebbiolo “Perbacco” from Vietti, a large but very reliable producer of mostly estate bottled Piedmont wines. At $40 per bottle, it’s one of the best bargains on the list. Though served at too warm a temperature, it showed well – once it cooled down on the table – and worked admirably with most of the food. Warm red wine is one of my biggest restaurant service peeves. Though the bottles were not stored in the worst scenario – the kitchen – they were sitting out in service station shelving units around the room, exposed to the warming effects of sunlight on the back of the wood and computer screens below. I wasn’t kidding when I wrote that the wine actually cooled down once poured and left on the table. There is a wine room, presumably temperature controlled, in Osteria. Even if it means twenty extra steps for the service staff, the reds, not just the whites and beers, should be cellared. Luckily the whites were poured at a proper, slightly cool temperature, circumventing the all too common fate of being served ice cold.

Our early arrival had worked out well, leaving us just enough time to enjoy dessert and coffee before heading to the theatre. The desserts were perfectly acceptable if not memorable. The chocolate flan with pistachio gelato turned out to be nothing other than a well-executed version of the now ubiquitous molten chocolate cake. I absolutely love pistachio gelato when it’s done well; this one was just a little too heavy on the custard and, as a result, on the palate. Polenta budino with giandula delivered a predictably rustic, savory dessert. Its flavors were harmonious and satisfying. In retrospect though, I should have skipped dessert in favor of a pizza or antipasto at the beginning of the meal. Urged on by Rick Nichols’ recent write-up of Vetri’s coffee fetish, I couldn’t pass up topping everything off with a double espresso. I did need to stay awake through two movies after all. A good brew it was, hearty, with just the right bitter/sweet balance and an admirable crema.

With just a little work on some minor service issues and perhaps a rethinking of the music selections, Osteria could easily become one of Philly’s most attractive dining destinations. I’m looking forward to a revisit. The chef’s bar, the salumi plate and the pizza list are calling me now.

Osteria
610 North Broad Street (at Wallace)
Philadelphia, PA 19130
215-763-0920
Osteria in Philadelphia

More recent visits to Osteria:

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