But where to start? I've definitely fallen into the same trap as others, where Spanish wine begins and ends with R. Lopez de Heredia, along with the occasional dalliance with Sherry. Aside from that, too much of what I have drunk over the last decade has been either dried out and bereft of expression or pumped up into something jammy and homogeneous. Recently, however, I've made some intriguing initial excursions into Ribeira Sacra, a tiny, hilly, cool climate area of Galicia that's been receiving loads of attention of late from wine writers such as Eric Asimov and Gerry Dawes. I enjoyed an eye-opening bottle of Guimaro's Ribeira Sacra "B1P" at NOPA in San Francisco earlier this fall and more recently checked in with the following, a recommendation from both Old School Joe and the Spanish wine buyer at NYC's Chambers Street Wines.

Ribeira Sacra Summum "Alodio" Mencía, Enológica Témera (Bodegas Costoya) 2008
$15. 13% alcohol. Diam. Importer: A José Pastor Selection, Vinos & Gourmet, Richmond, CA.
Enológica Témera is a small estate, with five hectares of vines and an annual production of about 4,000 cases, located in the Riberas do Sil subregion of Ribeira Sacra. Winemaker Carlos Costoya's entry-level red, this cuvée of "Alodio" is a varietal expression of the local vine Mencía. (There's a white version as well, made from Godello.) Though this is true Mencía, rather than the Galician strain of Cabernet Franc that is also rather confusingly known as Mencía, there's nonetheless a familial resemblance here to cool climate Cab Franc.
Medium purplish-red in the glass, it leads with simple, direct aromas of fresh red fruit – cherries and cassis, mostly – and finishes with a very soft, round texture marked by refreshing acidity. It reminds me, as hinted at above, of a fruity, bistro-style Chinon crossed with the warmer scents of a clean, medium-bodied Côtes du Rhône. After a half-hour in the glass, its aromas reach a higher tone, giving scents of blueberry skin and violets. From there, the wine remains very consistent, practically unchanged in fact, into its second day, moving just ever so slightly into the tarter end of the red fruit spectrum.
If I've a complaint, it's that the wine seems overly polished, its edges removed to the point that its texture is slightly glossy. The lack of any overt winemaking signatures, however, lead me to think that this soft simplicity is most likely the product of young vine fruit, fruit that hasn't yet reached a deeper expression. I'll look forward to seeing where it leads in future vintages. And in the meanwhile – this is a reasonably good value at $15 or less per bottle – I'd hardly say no to "Alodio" as an added option in my ever developing rotation of no-nonsense, every day wines.