Parker Rants at Bibou's Expense

Consider a recent statement from a regarded critic:

"...the food was as great a bistro fare as one can imagine...the snail ragout, boudin noir, terrine en crout, out-of-this-world beef marrow bones as well as superb stuffed pig's feet with foie gras over a bed of black lentils had me in Rabelaisien Nirvana."

Then consider this:

"...better yet [there was] no precious sommelier trying to sell us some teeth enamel removing wine with acid levels close to toxic, made by some sheep farmer on the north side of his 4,000-foot foot elevation vineyard picked two months before ripeness, and made from a grape better fed to wild boar than the human species....we all know the type-saving the world from drinking good wine in the name of vinofreakism."

Seems kind of hard to believe they were uttered by the same person yet they were, by none other than the wine advocate himself, Robert Parker. Apparently, Parker dined a few nights ago at one of my favorite restaurants in Philadelphia, Bibou. That's him in the photo (above right), arms draped over the couple behind Bibou, Charlotte and Pierre Calmels. You can view the photo and quotes above, along with a laundry list of what Parker drank, in their original context at Philadelphia Inquirer columnist Michael Klein's blog, The Insider.

What really strikes me about the above diatribe is not so much the obvious case of diarrhea of the mouth but rather the fact that Robert Parker found it necessary to turn a simple moment — a photo op and a chance to send some much deserved praise the way of an excellent neighborhood bistro — into a self-serving opportunity to protect his own crumbling hegemony. What he's trying to protect against, lest I've left you scratching your head, is from what he obviously views as the culprit of his seemingly waning influence: the conversely increasing influence, erosive as Parker apparently views it, of independently voiced — and often freely disseminated — current trends in wine thought. Clearly, the emperor is piling on the moth balls in his own defense.

I could easily see someone thinking, "Okay, McDuff, you're just taking this as your own Parker-like opportunity to put a spin on things, to self-promote." But I have no such illusions of grandeur. If Parker was thinking of any one person, it may have been Alice Feiring, true-wine advocate extraordinaire and author of "The Battle for Wine and Love: or How I Saved the World from Parkerization." However, I think what Parker was actually having a meltdown over is, again, the ever increasing influence of an ever increasing number of voices being publicly expressed in the wine world. Bloggers, writers, sommeliers, retailers, bulletin board subscribers, distributors and importers, heck, maybe even collectors....

It's not really about what Parker called "vinofreakism." Rather, there is an undeniable backlash, though it's hardly universal, against what another wine critic, Eric Asimov, has coined "the tyranny of the tasting note." In this context, perhaps it's even more appropriate to think of as the tyranny of the wine rating system. Parker, like many of his peers at other major wine publications, has built his empire upon it and he is now clearly feeling the pinch.

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On a more grassroots, more down-to-earth level, what I'm just as galled by is the possibility that Parker's diatribe might actually turn-off some true wine and food lovers to the idea of dining at Bibou. What a nasty case of guilt-by-association that would be.

Parker was right about at least a few of the things he was quoted as saying in Klein's article. The food at Bibou is indeed top-notch, an example of French country/bistro cuisine at its finest. And, as I pointed out in my original review of Bibou, everything about the BYOB, from the ease of its food to the quality of stemware and service, makes it a great place to take a broad variety of wines, be they classic or adventurous, heavy-hitters or simple pleasures.

The very same dish of foie-gras stuffed pig's trotters over a bed of lentils, mentioned by Parker, was a highlight of my last visit. Rich it was but over-the-top, as it might sound, it was not. All its elements were in harmony.

On that same August trip, the 2007 Chablis of Gilbert Picq showed much better than Nicolas Joly's Savennières "Les Clos Sacrés" 2005.

Likewise, Coudert's 2007 Fleurie "Clos de la Roilette Cuvée Tardive" was in a prettier spot than the 2006 Arbois Poulsard "Vieilles Vignes" from Tissot.

The real star of the lineup, though, was a bottle of 1997 Château Musar, eloquently expressive and a delight with the pig's foot and lentils.

So, I hope my point in this second half of my own little diatribe is even more obvious than that expressed in part one. Go to Bibou. Take good wine. Enjoy the company of good friends. Eat well. And leave the agenda where it belongs.



Bibou
1009 South 8th Street
(between Carpenter and Washington)
Philadelphia, PA 19147
215-965-8290

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Fleurie "Clos de la Roilette," Coudert 2009

As if I don't have enough of a backlog already, ranging from producer visits in Piedmont all the way back in May through to yet to be covered trade tastings in New York last week, I'm headed back into the fray today. Back to New York, for the last handful of the September onslaught of portfolio presentations. (If it's quiet here for a couple of days, you'll know why.) Something tells me the following wine is likely to make an appearance; if not, it'll be missed.

Fleurie “Clos de la Roilette,” Coudert Père et Fils 2009
$20. 13% alcohol. Cork. Importer: Louis/Dressner, New York, NY.
Enjoyed with grilled sausages and salad on Sunday, again with pizza — the "omnivore" from my local parlor — last night. Coudert's 2009 "Clos de la Roilette" is drinking beautifully on point. Fresh, bright and finely detailed red fruits — like wild strawberries, firm little raspberries and ever so slightly tart red cherries — combine with lively acidity and gentle but balancing tannins to deliver a truly fine expression of Fleurie from this estate and this vintage. Quite the trifecta. This should develop gracefully over the next several years but it's drinking so well right now that I may not manage to save any.

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IDSK Volume 3

After briefly alluding in my last post to a recent IDSK collaborative dinner, I realized I’d been remiss in not posting at least a little detail about the event. But first, for those that missed my report on Volume 2 back in July, a quick injection of background information seems in order. IDSK is an acronym for the recent collaborative efforts between Alexander Talbot of Ideas in Food and Shola Olunloyo of StudioKitchen. These are two chefs – one a long time Philly resident, the other a recent transplant – who both approach their craft with passion and intensity. If you’re into culinary artistry, the nuts and bolts of molecular gastronomic technique, or simply enjoy ogling near daily doses of some pretty high zoot food porn, their blogs both deserve to be on your reading list.

The theme at this recent outing was a combination of the exploration of subtlety of flavor coupled with malleability of form and textural contrast. Though I found the evening’s food somewhat less delicious overall than at IDSK2, there was still no lack of pleasure to be found in the moment. As always, the experience was helped along by a charming cast of dining companions, which by bizarre coincidence on this night included Tesco Vee's old college roommate, with whom I partook in a little reminiscing about the DC hardcore scene of the early-to-mid 80s.

It’s been long enough now (the dinner was held back on October 2) that I won’t belabor this post with intricate details of each course. Instead, I’ll just let Shola’s photos do the talking; you’ll see what I meant by my above food porn reference.

Hiramasa
broken icicle radishes, crab applesauce



Peanut Pumpkin
roasting jus, dona engracia



Matsutake Mushrooms and Bartlett Pears
hot and cold, raw and cooked



Chestnut Soup
gala apples, bacon bits



Warm Hiramasa
vadouvan, eggplant



Russet Potato Gnocchi
parsley, tender garlic, powdered raclette



Twice Cooked Scallop
chorizo, black cabbage, beef fat consomme



Whey Poached Beef Strip Loin
braised shank, red cabbage: raw and cooked



Adelegger 17 Month
yellow tomato jam



Apple Pie and Coffee


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In the old days at StudioKitchen – these dinners are BYOB – Shola had always presented a menu long enough in advance to allow for specific wine pairings. He and Alex have more recently taken to fine tuning their final menu right up to the last moment. As such, they encourage their guests to bring whatever they’d like to drink. For me, that means packing up a wide range of wines with an eye toward versatility and food friendliness. Of course, they’re all things I’d like to drink as well. On this night, I ended up sharing just about everything I’d brought with my fellow diners. No pictures to do the talking this time, so some quick notes seem in order.

Jochen Ratzenberger’s 2003 Bacharacher Kloster Fürstental Riesling Sekt showed the ripeness of the vintage in its rounder, bigger mouthfeel than in more typical years but was still a delicious way to start the evening.

As is my friend Bill, I’m convinced that one could very successfully pair Riesling with nearly everything that Shola cooks. So, for the first course or two, Riesling it was. Johann Peter Reinert’s 2005 Wiltinger Schlangengraben Spätlese halbtrocken, to be exact, which showed a whiff of sulfur when first poured but was also beginning to develop some lovely mineral pungency. Great, cleansing acids and lots of yellow plum and green apple fruit, as well. Excellent food wine. As I’ve said here before, Reinert’s wines are super under-appreciated.

That all-Riesling fest will have to wait until next time, as next up was the 2004 Viré-Clessé from André Bonhomme. This was much more developed than I’d have hoped or expected, showing some premox character in its slightly oxidized entry, followed up by poached pear and walnut on the palate. It improved as its temperature rose but not enough to make anything near a full recovery.

A bottle of 2006 Coudert Fleurie “Clos de Roilette” was screamingly good, showing amazing, even atypical levels of richness but still full of focus. Totally on point, though it’s got years ahead of it, and a great match with the garlic-potato-parsley combo in the gnocchi course.

Last up was a 1998 Gigondas from Château du Trignon, which gave the “Roilette” a serious run for its money. I’ve been disappointed with some other ’98 Southern Rhônes I’ve opened over the past year or two, as they’d either not gone anywhere or already begun to fade. This, though, was a lovely expression of Grenache, all crushed red fruits and garrigue, with the elegance that comes to wines like this only with age.

Finally, some music with which to bring things to a close. It’s not quite the same Meatmen mayhem as 20+ years ago but, even if you didn’t follow the link earlier on, I know you were just dying to see Tesco Vee in action.

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Quick Notes on Menand and Coudert

Yesterday morning, I finally found the time to download the photos I took at last week’s Michael Skurnik portfolio tasting in New York. Problem is, I’ve run up against a case of writers’ block when it comes to summing up my thoughts about the event. So just a couple of quick tasting notes today, on two solid but very different Burgundian reds I’ve recently enjoyed.


Mercurey Premier Cru “Vielle Vigne des Combins Cuvée Prestige,” Domaine Menand Père et Fils 2005
Price unknown. 13% alcohol. Cork. A Murray-Sykes Selection, Exclusive Wine Imports, Richmond, VA.
Medium-dark ruby in the glass, with a dark nose of blackberry and black cherry. The sweet-fruited front palate is followed by a clamp of firm tannins on the finish. Very ripe and fruit forward, in a relatively modern style, accented by a well-integrated touch of oak. Still very primary, though there’s also an attractive mineral/loam combo happening on the mid-palate. Overall, the wine’s approach is on the simple side but there’s enough stuffing here that it could develop into something interesting over the next five years. In any event, it’s delivering easy, straightforward pleasure today.

There’s next to no information, by the way, available on Menand Père et Fils. Nothing on Wine Searcher, mostly dead links (including a defunct website) on Able Grape…. Anybody out there have any details?


Fleurie “Clos de la Roilette,” Coudert Père et Fils 2007
$22. 13% alcohol. Cork. Importer: Louis/Dressner, New York, NY.
A little tighter than when last I tasted it, Coudert’s Fleurie nonetheless delivers a nose suggestive of wound-up energy, full of brambly red fruit and pencil lead. Slightly rustic, really, really good… and maybe my shortest tasting note yet. I’d be very happy to drink this on a regular basis.

Highlights from the Skurnik gig to come when I break through the wall….

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Notes from Fright Night

As much as I loved Halloween as a wee lad, the idea of sitting home alone on Friday night, handing out candy to scores of costumed kids, my dogs barking frantically in the background, just wasn’t calling my name this year. The idea of hanging out with friends, preparing a casual meal and tasting through a few wines, though, sounded like just the thing. What better way to pass the time between the few stray trick-or-treaters wandering their neighborhood?

Muscadet Sèvre et Maine “Amphibolite Nature,” Domaine de la Louvetrie (Joseph Landron) 2007. $14. 11.2% alcohol. Importer: Martin Scott, Lake Success, NY.
Jo Landron’s “Amphibolite Nature” spends minimal time on the lees, thus delivering a purely fruit-driven expression of Muscadet that’s perfect, particularly given its low alcohol, as an aperitif. That’s exactly how we treated it. The bottle had actually been opened the prior day. What was left was showing quite nicely, with pretty lime pith and mineral scents followed by melon, crisp peach and a dash of white pepper on the palate. Very refreshing.

Bourgogne Aligoté, François Mikulski 2006. $20. 12% alcohol. Nomacorc. Importer: Elite Wines Imports, Lorton, VA.
Right up front, this delivers a nose of sour rocks and pear skins, aromas that eventually become riper and rounder. Nice front palate flesh is contrasted by bracing acids and grippy texture on the finish. In the big picture, it’s a simple wine. But it’s a pretty serious Aligoté, one that delivers admirable concentration, balance and ripe lemon-lime fruit.

Bourgogne Rouge, Domaine Chevillon-Chezeaux 2006. $22. 12.5% alcohol. Cork. Importer: Weygandt-Metzler, Unionville, PA.
A touch tighter and tangier than the handful of other basic ’06 Bourgogne from the Côtes de Nuits I’ve tasted thus far but delicious nonetheless. Griotte and lightly brined green olive scents follow through in the mouth, carried along on a light-bodied, brightly acidic frame with silky texture and measurable persistence. This was my first encounter – and a promising one – with the wines of Philippe Chezeaux.

Fleurie “Les Garants,” Domaine du Vissoux (Pierre-Marie Chermette) 2007. $25. 13% alcohol. Cork. Importer: Weygandt-Metzler, Unionville, PA.
I sold Vissoux’s wines years ago and now terribly miss having convenient access to them. Pierre-Marie Chermette makes some of the most fruit-rich, concentrated Beaujolais out there. They tend to show tons of primary fruit on release, sometimes tight, sometimes forward, but take time to really blossom. This is on the forward side of the curve right now, explosively fruity – crushed raspberries, violets and blueberries – on the nose, round, vibrant and juicy in the mouth. But it’s painfully young, both grapey and chalky. The pieces are all there – excellent balance and fine bones. It just needs to be forgotten about for a few years.

Fleurie “Clos de la Roilette Cuvée Tardive,” Coudert Père et Fils 2007. $26. 13% alcohol. Cork. Importer: Louis/Dressner, New York, NY.
The differences between the Fleuries of Coudert and Vissoux in ’07 (as in most years, I expect) are like night and day. It was a treat to taste them back-to-back. “Cuvée Tardive” is already showing much more serious, vinous character than Chermette’s wine. Earthy, pale ruby red in color, its nose, which is really lovely, hints of wild red berries, fresh thyme and black pepper. It’s even lovelier in its impact on the palate, tense and serious. Absolutely spot-on with flank steak sandwiches topped with caramelized onions and red peppers, served on onion rolls. This too is built to last, but it’s going to require serious willpower not to drink it now.

Carema “Etichetta Bianco,” Luigi Ferrando 2004. $37. 13.5% alcohol. Cork. Importer: Rosenthal Wine Merchants, New York, NY.
This was the rollercoaster of the night. Tight, closed, even a little musty when first opened, after about an hour it blossomed into a fantastic expression of high altitude Nebbiolo. Leather, herbal red fruit, vanilla and rose petals, none of which were apparent at first, came out of hiding. Aromas of drying cigarette tobacco followed, even a touch of sweet seaweed flavor. Another thirty minutes, though, and it clamped shut again, tight, tangy and wacky. Whether drunk now or later, coming to grips with this will take a patient temperament and an open mind.

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