Johann Peter Reinert, Patrice Rion and René Renou – Notes from a Sunday

Today’s notes all go back to the same Sunday session from which yesterday’s write-up of Jacky Truchot originated. Though I initially intended to cover all four wines at once, the Truchot piece – once I got rolling with it – quickly took on a life of its own. I wouldn’t want the other three wines to feel neglected (though one of them would have been better left alone), so here we go….

Saar Wiltinger Schlangenbraben Riesling Spätlese, Johann Peter Reinert 1993
$18 on release. 8.5% alcohol. Cork. Importer: Petit Pois, Moorestown, NJ.
Much more developed than when last tasted about two years ago. Fully mature but not showing the petrol aromas so common to old Saar wines; instead, its bouquet is loaded with scents of orange oil and white flowers, along with a suggestion of partially botrytis-affected fruit that I hadn’t picked up in the past. Its texture was very soft and comforting, though it was certainly not without grip. The wine’s mineral and fruit-driven flavors have completely integrated, rendering a slightly saline, savory core. Preserved lemons, wintergreen, sweet dill and nougat all emerged as the wine developed in the glass, with a slow move toward room temperature revealing the wine’s acidity and mineral depth even more clearly than when cool. Quite delicious (that should be clear, I hope), though I believe it has reached its full potential.


Nuits-Saint-Georges Premier Cru “Clos des Argillières,” Domaine Michèle & Patrice Rion 2001
$52 on release. 13% alcohol. Cork. Importer: Petit Pois, Moorestown, NJ.
While I ended up comparing the wines of Jacky Truchot with those of David Duband in yesterday’s post, this is the wine we actually tasted alongside Truchot’s Chambolle. Totally different terroir and very different winemaking approach, but it’s still educational to taste comparatively like this. Though three years older, Patrice Rion’s wine is younger in its developmental curve and is still in a fairly reductive state. Quite tight when first uncorked, it then opened up relatively quickly, revealing aromas of tobacco and concentrated black fruit, along with plenty of firm, spicy plum and blackberry fruit on the palate. A half-hour later, though, it shut right back down. “Les Argillières” is considered by many to be one of the top, if not the top, crus in the commune of Prémeaux, located at the southern end of Nuits-Saint-Georges. (The ½ acre “Les Argillières” and 10.4 acre “Clos des Argillières” are two climats within the same Premier Cru.) Patrice’s wine is showing more force than finesse at the moment but it does suggest the potential for better things to come with age.


Bonnezeaux “Tri de Vendanges,” René Renou 1999
$13 on closeout. 13% alcohol. Cork. Importer: Robert Kacher, Washington, DC.
The color was fine – lighter than expected if anything – but that’s about the only positive thing I can say for this. Flabby and smelling of paint, rotten corn and, vaguely, vomit. I didn't expect much given the closeout price... but what the hell happened here?

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Exploring Burgundy: Bourgogne Aligoté

Bourgogne Aligoté is best known in two respects.

First, it’s “the other white grape” of Burgundy. It’s not unfair to think of Burgundy as Chardonnay country (along with Pinot Noir, of course). Arguably the finest Chardonnay based whites in the world emanate from the famed enclaves of the Côte de Beaune: Meursault Perrieres, Le Montrachet, Corton…. The list goes on and on. Less obviously, there’s also the occasional row or plot of Pinot Blanc, which can be anonymously blended into some of Burgundy’s regional whites, particularly in the Côte de Nuits. But if it’s Aligoté, the label is required to tell you so. The AOC authorities don’t want it to be confused with Burgundy’s pride and joy. This reasoning is not unjustified, as Aligoté is certainly a vine of less noble heritage and potential than the Chardonnay.

Second, Aligoté is most frequently consumed as the base for kir. Take a glass of crisp, lean, dry, neutrally flavored white, add a teaspoon or so of cassis (or framboise, pêche, etc.) and, voilà, you’ve got one of France’s most popular aperitifs. Aligoté, naturally a high acid variety, is also a vine which happily gives high yields. This combination is all too often a recipe for thin, tart, austere wine. What better way to make it drinkable than by adding some fruity, sweet deliciousness? Because Aligoté is not a terribly profitable proposition in any producer’s portfolio, its vines are most often relegated to vineyard sites on the fringe: the high and low slopes or spots with less than perfect exposure. However, combine a good site, an agreeable growing season and the skills of a conscientious farmer and producer and Aligoté has the potential to give wines of moderate complexity, with more acidity than Chardonnay, and with the ability to stand alone.

As an AOC, Bourgogne Aligoté is one of the easier to understand of Burgundy’s many and diverse appellations. Just take the overall region and add the name of the vine, c’est tout! There’s a kink though, just as with basic Bourgogne Rouges and Blancs. Without knowledge of the wine’s producer there is no way to know the specifics of its place of origin. The potential exists for Bourgogne Aligoté to be blended from fruit sourced from the Mâconnais in the south all the way through and to the Yonne Department in the north. There’s nothing inherently wrong or inferior about regional blends, most typically produced under the auspices of the négociant houses. However, I do believe that a more clearly defined – and frequently more characterful – sense of place emerges from the sub-regional or site specific cuvées, often the produce of Burgundy’s smaller growers. Combine this question of origin with the issues of farming and yields described above and you’ve got the conundrum of Burgundy in a nutshell. I’ve said it before. In Burgundy, even more so than elsewhere, know your producer.

Bourgogne Aligoté, Domaine Michèle & Patrice Rion 2005
When Patrice Rion originally purchased a little plot of Aligoté, located in the commune of Chambolle-Musigny, it was with every intention of grubbing up the vines and replanting the field to Pinot Noir. Given that it was mid-season and the vines were already under fruit, Patrice and his wife Michèle decided to ride out the year. It turns out that their very old Aligoté vines were not only healthy but also gave forth naturally low yields of high quality fruit. The resulting wine turned out to be surprisingly rich – medium bodied by White Burgundy standards but far more concentrated than the “typical” Aligoté. Several years on, the Rion’s are still happily growing and producing Bourgogne Aligoté in Chambolle-Musigny.

When first twisted open, poured, swirled and sniffed, the 2005 Aligoté gave an immediate impression of oak inflected richness. On the palate, that richness was followed by hints of lime zest, juniper berry, sappy minerality and very nervy acidity. Paired with food – I enjoyed a plate of scallops, chanterelles with parsnips, and potato bacon hash that night – the oak receded to the background and a creamy, lemon custard nuance emerged. Two days later, the second half of the bottle was still going strong. That lemon custard note had moved up front, along with suggestions of pear, vanilla and mace. Its texture was firm, compact and even, finishing with a blade of acidity. This is a hidden gem with the potential for some serious enjoyment over the next couple of years.

$20 on release. 12% alcohol. Imported by Petit Pois/Sussex Wine Merchants, Moorestown, NJ.

For a more complete accounting of Domaine Michèle & Patrice Rion, including their full range of reds produced in 2005-2006, check out Bill Nanson’s posting in the summer edition of Burgundy Report.

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