Showing posts with label Pauillac. Show all posts
Showing posts with label Pauillac. Show all posts

Sunday, July 25, 2010

TDF 2010 Stage 19: Bordeaux to Pauillac

Even after arrivals and departures in towns like Reims, Epernay and Pau throughout the 2010 Tour de France, I think it's safe to say that no stage route screamed more obviously, more de rigueur, of a particular wine or food focus that Saturday's Stage 19 from Bordeaux to Pauillac.

The only full length individual time trial in this year's Tour — more typically there are two, plus a prologue — started in Bordeaux, winding through city streets for 15k before emerging from the relative shelter of an urban setting for the final 37k trek northward along the left bank of the Gironde estuary. Each rider, racing only against the clock, the elements and their own limits, would travel a route more or less identical to La Route du Médoc — the Chateaux road. Each would pass through Cantenac, Margaux, Tayac, Arcins, Beychevelle and St. Julien en route to the finish in Pauillac, home to more estates registered in the classification of 1855 than any other Médocaine commune.

Along with the better part of three weeks of cumulative fatigue, the wind blowing along the vineyard road proved the nemesis of most riders on the day. That wind favored the earlier starters, such as stage winner Fabian Cancellara, and battered the higher placed racers with later start times. I can't remember an eventual tour winner placing so lowly in the final time trial as did Alberto Contador, who finished only 35th on the stage, a major letdown relative to his triumph in the final TT in the 2009 Tour. Nonetheless, it was enough to keep him in the maillot jaune as he finished 31 seconds ahead of his main rival, Luxembourgian Andy Schleck, in 44th place.

The fact that Contador's final margin of overall victory, 39 seconds, exactly mirrors the amount of time that he gained by taking advantage of Schleck's mechanical difficulties in Stage 15 puts a permanent (if only implied) asterisk next to Contador's name in the annals of Tour victors.

Even though I was craving something white and, even more importantly, refreshing to accompany dinner and the stage viewing on a sweltering July night, I gave in to the greater calling of Le Tour and delved into the cellar for something appropriate to the day's finish line.

Pauillac, Château Grand-Puy-Lacoste 1995
Price on release unknown (gift); $125+ on current market. 13% alcohol. Cork. Importer: Seagram Chateau & Estate, New York, NY.
There are the famous three of five firsts, then the somewhat less illustrious twelve of eighteen fifth growths, Grand-Puy-Lacoste generally being considered one of the better performers among that lowest ranking in the commune of Pauillac. From my perspective these days, that's trivia and little else, for I rarely buy Bordeaux of late and drink it with not much more regularity. Though far from bad, this bottle reminded me why.

Actually, there was a lot for someone to like. Still plenty of vigor in the fruit department. Pretty classic structure, with firm, slightly astringent yet well-integrated tannins. It's medium-bodied; a true 13% unlike so many of the Bordeaux I've tasted over the last few years that are still labeled at 13 but drink more like 14.5. There's even a clear sense of terroir, of the classic Médoc gravel, cassis and graphite. But the wood...

It's not that the oak was overly sweet, toasty, chocolaty or (fill in your favorite pejorative barrique-ism). But the wood treatment nonetheless dominated the wine — on the nose, to the tactile senses and on the palate. I found it too obtrusive, as if the barrels had sucked the energy out of the wine while asserting their presence, leaving little sense of purity or pleasure in their wake.

One could argue, and I'm sure some would, that the wine was simply too young. Certainly it had plenty of life ahead of it if left dormant in the cellar. But as dominant as the oak is today, I don't see it ever finding balance.

Up next: Paris, a day late and a bottle short.

Saturday, October 27, 2007

Wine With Bill, VolumeTwo

It helps to keep a wine blog fed with good material when you have some good pals who share your interests and who don’t shy away from opening two (or four or five) bottles at a session. One of my most steadfast tasting partners in that context is my comrade Bill. When first I chronicled one of our tastings, my write-up of the evening spawned some rather prickly feedback, much of it off-line, from several quarters. This time around, I’ll see if I can stay out of trouble. In any event, here are some quick tasting notes from our most recent dinner and tasting venture.

Viré-Clessé “Quintaine,” Domaine Emilian Gillet (Jean Thevenet) 2002
Old school juice. Firm, tightly wired, green and giving a little wood tannin grip. Thevenet’s Viré-Clessé shows loads of acidity and wears its oak well, more in the context of its texture than its flavor and aroma. Though Thevenet apparently pushes for extreme ripeness levels and picks very late in the season, this ’02 hints at the expected outcome of such an approach only in its intense vinosity. It’s still showing young and fresh, with minerality, lemon rind, green apple and a savory vegetal tone on the palate. This is drinking well now but should continue to develop interest in the bottle for at least another five years. I’ve drunk way more than my share of Viré-Clessé over the years. Nearly all of it, though, has been from Domaine André Bonhomme, whose wines are an elegant and pure expression of peaches and cream. The Gillet is in stark but welcome contrast. Terry Hughes at Mondosapore makes some interesting comments about the intrinsic worth and comparative value of Thevenet’s Macon Blancs.

$Mid 20’s. 13.5%. Natural cork closure. Importer: Martine’s Wines, Novato, CA.

Savennières “Cuvée Spéciale,” Château d’Epiré 2005
I’ve enjoyed many a Savennières from d’Epiré in the past and have always thought of them as falling soundly in the strong second tier of Angevin Chenin Blanc producers. Their 2005 came as a bit of a disappointment for me, I regret to say. The problem, I think, was one of runaway ripeness. The wine’s been finished to complete dryness and clocks in at 14% (not atypical). But it finishes with more than a little heat. There are some whiffs of typicity – quince, green gage and lavender. But both fruit and minerality seem a bit lacking. The wine may just need some time to integrate but, based on its awkwardness now, I’d proceed with caution before buying long.

$20. 14%. Natural cork closure. Importer: Kermit Lynch, Berkeley, CA.

Pauillac, Château Mouton-Rothschild 1990
It’s not everyday that I get to taste a first growth Bordeaux. Lord knows I can’t afford to buy any. So it was with a little hiccup of excitement that I spied the bottle of ’90 Mouton among Bill’s possibilities for the evening. As it would turn out, the excitement was unwarranted. Though I suspect the bottle may not have been handled with kid gloves at every step of its journey, it was, no matter how you slice it, a dog – a dirty dog. Apparently the big critics agree to disagree, pointing out, if nothing else, a strong tendency toward bottle variation and questionable winemaking hygiene at Mouton in 1990. Though the wine showed some interesting traits in an academic sense and retained some hints of red currant typicity, my overwhelming sense was of a faulty, tired wine. Aromas of smoked meat, iron and clay dominated, followed up by a faint suggestion of clove. On the palate, the fruit seemed surprisingly dried out for a first growth from a theoretically great vintage. Fully mature, bordering on over it. While I’d love to taste an example with pristine provenance, I’m not sure how much of the disappointment with this bottle I’d chalk up to bad handling over the years versus bad handling at point of origin. The wine’s most redeeming factor? The 1990 Mouton label featured a painting by the abstract/figurative artist Francis Bacon, serving as an homage both to his art and to his memory: “En homage à Francis Bacon qui offrit à Mouton l’une de ses dernières oeuvres.” Bacon died in 1992, after the wine’s vintage but prior to its release.

$250 plus on current retail and auction market. 12.5%. Natural cork closure.

Valtellina Superiore Sassella, La Castellina Fondazione Fojanini 1998
Though I hate to give short shrift to the Gillet Viré-Clessé, this was hands down the wine of the evening. The high altitude, alpine slopes of the Valteline area of Lombardy can turn out some of the most haunting and surprisingly layered examples of Nebbiolo out there. Don’t think power or richness. Instead, imagine delicate color and seemingly, at least at first, sinewy texture. As this wine opened up though, layers of sweet fruit cascaded over the palate. Soft tannins and scintillating acidity gave framework to aromas and flavors of red licorice, violets, and warm spices. As the wine opened up, it reminded me of raspberry pastries – in the best possible sense. At nearly ten years old, it continued to evolve and improve over the entire course of the evening. It also proved an enjoyable match with a supper of roast venison loin, potato purée and sautéed greens.

$16 on release. 13%. Natural cork closure. Importer: currently unknown.

Vosne-Romanée, Domaine Forey Père et Fils 2004
Bill pulled this one out of the cellar as a vino da meditazione. By this point in the evening, relaxed and sated after a good meal, I must admit my note taking dropped off a bit. What I did note and do remember was a bright, high acid wine redolent of young red cherry fruit. A firm, lean mouthfeel delivered good balance but somewhat simple, straight forward fruit. Perhaps it’s just going through a dumb stage but I can’t help but wonder if this Vosne-Romanée will develop any more interest over time.

$45. 13%. Natural cork closure. Importer: Rosenthal Imports, New York, NY.
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