Showing posts with label Domaine Ricard. Show all posts
Showing posts with label Domaine Ricard. Show all posts

Monday, July 26, 2010

TDF 2010 Stage 20: Longjumeau to Paris Champs-Élysées

The peloton winding down one of the final laps of the Champs-Élysées in this year's Tour. I'd love to be there to witness the spectacle one day.
Image courtesy of Fotoreporter Sirotti.

As many reading today will realize, my daily coverage of the 2010 Tour de France is drawing near to its close. The Tour finished in exciting fashion yesterday, with the now traditional slow dance — full of camaraderie and publicity opportunities — through the suburbs of Paris, followed by a ceremonial entrance onto the Champs-Élysées and finally ending with eight fast and furious circuits around the Champs, from the Jardin des Tuileries at one end to a 180 degree turn just short of the Arc de Triomphe at the other.

It's been nearly ten years since I was last in Paris, a shortcoming that's sorely in need of remedy. I've walked the boulevards and parks along the Champs-Élysées, stared up at the Arc and back down at the dizzying traffic 'round the Place Charles de Gaulle but never have I been there on that special day in late July when, as it has for the last 35 years, the Tour de France passes through, shutting down the grands boulevards for its swan song, the last of its annual 20-21 stages.

The idealist in me imagines sitting at a café table outside a little bar à vin on the Champs-Élysées, snacking and sipping the afternoon away while watching the peloton zoom by in the final throes of competition. The realist in me knows that no wine bar I'd enjoy could possibly afford the rent on such a prestigious stretch of real estate. And besides, I'd never be able to see anything over the throngs of fans, ten-deep so I'm told, that line the sidewalks. So, I suppose I'd have to settle for a brown bag lunch and a bottle or two to share with friends, that is assuming the local gendarmerie would tolerate such behavior. In either scenario, I could easily imagine enjoying wines such as those below.

The 2009 Rosé de Loire "Le P'tit Rosé" from Domaine Ricard and 2007 Morgon Côte du Py" of Jean Foillard would be perfect choices for a hot July afternoon on the streets of Paris. Bright, focused, terroir-driven expressions of the winegrowing arts, yet both unabashedly gluggable and perfect served with a refreshing chill.

Some of the most memorable stage finishes on the Champs-Élysées in the last 25 years have been the results of individual exploits: Greg Lemond's defeat of Laurent Fignon to claim the stage and overall victory in the 1989 Tour and Frankie Andreu's near success in a solo breakaway in the 1994 Tour come immediately to mind. More often, though, the Champs-Élysées is the sacred battleground of the field sprinters, as was the case this year and last with Mark "The Manx Missile" Cavendish taking out stage honors in beachstorming style.

Mark Cavendish celebrating his fifth and final stage victory of the 2010 Tour.
Photo © Roberto Bettini.


Then there's another kind of memorable entirely... regard, the Tashkent Terror on the Champs-Élysées in 1994.



Up next: Le Tour in review, a thank you or ten, and a look forward to next year.

Monday, March 22, 2010

Throwing a Changeup

Sometimes I wish I didn't know.

Tasting Vincent Ricard's most recent release (summer/fall 2009) of "Le Vinsans Ricard" a few days back, I would have guessed — and it took me a while to put my finger on the flavor and aroma signatures — that it was produced from Romorantin. I wasn't tasting blind, so that guess would have been made in full knowledge that the wine comes from the Loire, from Thésée in particular, not far from Cour-Cheverny. Romorantin country. The Monaco of Loire vine footprints.

What I do know is that this batch of naturally pétillant "Vinsans" was produced from Sauvignon Blanc. I sell the wine (when it's available) in the course of my day job, where it's part and parcel of my work to know such things. Anyone could find out that it's Sauvignon, as Ricard tells us so in succinct fashion on his website. But Vincent chooses to make no mention of the vine on the wine's label. He easily could, as it is not an AOC-designated wine, just a humble "Vin de Table Mousseux;" but again, he doesn't. I kind of like it that way. It keeps the focus on the wine, not the grape. It lets what's in the bottle speak for itself.

The previous release of "Vinsans," circa summer 2008.

If you rewind to a year earlier, you'll find that notion reinforced by the fact that the previous couple of releases of "Vinsans" — the first two ever if I'm not mistaken — were produced from Gamay. Gamay with traditional maceration on the skins, so we're talking about what was previously a sparkling red wine. Again, there was no mention of variety on the label. In fact, the only labeling changes from batch-to-batch were minor typographical and layout adjustments.

The change proved tricky from a retailer's perspective, as shoppers who'd fallen in love with the red, Gamay-based version and were excited to see the wine back on the shelves had to be alerted to the fact that the wine was now white, was now Sauvignon. Without holding the bottle up to the light, there would have been no way for them to see the difference. Why warn them? Why does it matter? Expectation. I can only imagine how many of the bottles would have been returned, along with an "I thought this was supposed to be red...."

As a consumer in my own right, albeit one who spends a good deal more time than normal thinking about things like this, I like the unheralded shift. The surprise. The fact that it keeps the focus on what is in the bottle, not on what is supposed to be in the bottle.

Thursday, March 4, 2010

MFWT Turns Three

MFWT has its third birthday today. It's been a quick three years yet somehow it also seems like I've been at it much longer than that.

On the eve of my bloggiversary, I considered celebrating by opening something above and beyond my usual Wednesday night selection but, given that I was dining alone, I decided against it. In the spirit of ascetic relativism, I opted to save that "special" bottle to share with friends and loved ones and instead popped open an everyday value from, you guessed it, the Loire.

I've been meaning to write-up this wine ever since Jim Budd of Jim's Loire mentioned to me that he'd never seen or heard of it, in spite of having visited with Vincent Ricard at Domaine Ricard on multiple occasions. So, this one's for you, Jim....

Touraine Sauvignon, Domaine de la Potine (Vincent Ricard) 2008
$12. 12.5% alcohol. Composite cork. Importer: Petit Pois, Moorestown, NJ.
Domaine de la Potine is an eight-hectare property situated on hillsides overlooking the Cher, not far from the village of Thésée yet separate and distinct from the main property at Domaine Ricard. This is the only wine produced from la Potine, 100% Sauvignon from 20-25 year-old vines planted in clay and limestone (argilo-calcaire) dominated soils, farmed to yields of about 55 hl/ha. Unlike at Domaine Ricard, where everything is harvested by hand, about 30% of the vines at Potine are machine harvested. To prepare for what the machines can't see, Vincent and his team pass through the portions of the property destined for machine picking about two weeks prior to harvest to remove any rotted or otherwise less than perfect fruit.

The grapes are crushed in a pneumatic press, the must racked off the skins and moved into steel tanks for a three-week fermentation at controlled, relatively cool temperatures, followed by four-to-five months of aging on the fine lees before the wine is bottled. As with all of Vincent's wines, the farming at Potine is organic with the addition of selected biodynamic principles, fermentation is conducted on the ambient yeasts and sulfur use is kept to a bare minimum.

Year in and year out, Potine is a solid value, delivering simple pleasure via direct citrus fruit and fresh-mowed flavors and crisp, refreshing acidity. For those that love their Sauvignons to burst with primary fruit or to serve as an easy-drinking aperitif, the '08 may have been at its peak during the summer and autumn months. It has now grown leaner and shed some of its sweeter-fruited flavors, bending more to a firmer mouthfeel and an herbal, slightly bitter, more table-oriented flavor profile. Last night's bottle was showing grapefruit pith and jalapeno, in particular. Though not quite as ripe or mineral as "Le Petiot," the entry-level Sauvignon from Domaine Ricard proper, at $12 a bottle, "La Potine" delivers a pretty solid expression of Touraine Sauvignon.

So, what would you have opened?

Monday, February 1, 2010

Winter at Talula's Table

This, the fourth and final installment of "What We Did During the Big Bachelor Party Weekend," takes us almost all the way back to the beginning, back to the lowest key, highest toned night of the three-day fest. The big splash. Dinner for four in the kitchen at Talula's Table.


Four guys (including me behind the lens), representing three time zones and four regions of the country, formed the core group of the weekend's revelers. You may recognize the man of honor, Steve Litvin (at right), from my fall adventures in Northern California. Steve came all the way from Monterey, where he is a postdoctoral researcher at Stanford University's Hopkins Marine Station, to celebrate his impending nuptials. Joining us were his old college water polo pals Carleton Yoder (at left), who's now based in Vermont, and Todd Dolan, who flew in the day before from Denver, Colorado. Carleton and Steve had both eaten with me at Django when it was under the purview of Talula's owners, Aimee Olexy and Bryan Sikora, but Todd was a virgin diner.


While the rest of the weekend may have revolved primarily around some of Philly's best spots for beer, tonight it was all about good food and wine. Though late in January 2010, the Winter 2009 menu at Talula's was (and still is, as of this writing) in full swing.


Hors d'oeuvre
with
Vouvray Brut, Foreau (Clos Naudin) NV
Since my last visit, the kitchen has changed things up just a bit, sending out a series of small bites to the diners lingering in the market area rather than plating a single amuse bouche at the dinner table. I'd left my camera back in the kitchen, so you'll have to do without pics, or any real details for that matter, of the three nibbles we were served. Suffice it to say they were as tasty, artful and soulful as is most everything done at Talula's. With them, we toasted a fine start to the evening with Foreau's Vouvray Brut, which, though not on the same plane as Huet's vintage Vouvray Pétillant, was still pretty darn good.


Short Stack, House-Smoked Smoked Trout, Shaved Pickled Carrots, and Pennsylvania Maple Syrup
with
Mittelrhein Bacharacher Riesling Kabinett trocken, Ratzenberger 2006
There seems to be a mini-movement of late to pair fish eggs with something sweet. It may sound odd but it works on the same principle of "sweet and salty" that makes chocolate covered pretzels so good. And, when done right, it works. Here, the sweetness was delivered ever-so-subtly by the essence of maple syrup that permeated the "short stack" of tiny little pancakes. Along with excellent quality smoked trout, this was a standout first course — even if the Vermonter among us was perturbed that it included maple syrup from PA — that paired quite nicely with Ratzenberger's dry Riesling.



Winter Kale Soup, Burgundy Snail Tortellini, Toasted Garlic, Rich Tomato Fondue
with
Touraine "Les Trois Chênes," Domaine Ricard 2008
The snails may have hailed from Burgundy but the combination of hearty greens, garlic and tomato made me think of Sauvignon. So, with no St. Bris in hand, to the Touraine we went. The wine was delicous, tropical at first whiff then quickly morphing toward citrus oil-laced, sappy fruit and an intensely mineral finish; a real head-turner for Carleton and Todd who are primarily red drinkers. The soup was in turn delicious, the kale preparation itself taking center stage, cooked, as Steve put it, in such a way as to retain all of the kale's flavor while subduing its bitter, tough tendencies.



Winter Squash Crème Brulée, Cranberry Influence, Chocolate Dipped Chester County Bacon
with
Coste della Sesia Rosato "Rosa del Rosa," Proprietà Sperino 2007
Reactions to this course were mixed, a couple of the guys listing it among their faves while I wasn't so sure. The squash soufflé was delicious in and of itself, but I wasn't entirely sold on the chocolate covered bacon. I know it's another iteration of the sweet and salty principle but, for me, it can be too much of a good thing. There's no question that it was done well, though.

As for the wine, I've been thinking, since it was first produced a few years back, that Proprietà Sperino's rosato should hold up to a little cellaring. While this was hardly old, at two-years plus of age it was indeed showing very well, still full of the watermelon rind essence of its youth but also having developed a rich core of cured meat and vanilla cream flavors, along with a classically Nebbiolo-driven nose of rose petals. Very vinous, too.



Saffron Marinated Monkfish, Lemon Scented White Beans, Chorizo and Fried Herb Panada
with
Touraine "Le Clos de Vauriou," Domaine Ricard 2008
Yes, it's that wine. Again. Blame it on Chef Sikora, who brought it out and insisted on sharing it with us when he saw we'd brought another wine from Vincent Ricard. It was hardly a natural match with the food (the rosato might have been the way to go) but it's a versatile enough wine that things still worked out just fine. The fish dish was another of my favorite courses of the night, not just for the deliciousness of the monkfish itself but even more so for the interplay between the white and black beans, the chorizo, the fish, the saffron overtones and the way that the dish's seasoning, handled incredibly adeptly, tied everything together.



Confit of Canadian Goose, Cider Glaze, Cheddar Polenta, Smoked Onions, and Goose Juice
with
Chinon "Les Picasses," Catherine et Pierre Breton 2004
Though not the evening's last savory course, this was without doubt the heavy hitter of the evening, full of rich, heady, meaty flavors. The polenta is from Anson Mills, the cheese crisp topping made with Cantalet.

I got a kick out of Brooklynguy's recent potluck post and thought he was dead-on when associating good Chinon with the rich, fatty, salty flavors of confit (duck, in his case). The Bretons' 2004 "Les Picasses" was, for me, the most natural, satisfying pairing of the night, its own richness offset by the naturally vibrant acidity and tongue-cleansing texture of well-structured, well-balanced Chinon. I'd planned to save this, my last bottle, for several more years but the bachelor of honor has been on a C&P Breton groove ever since I turned him on to both versions of "La Dilettante" at Terroir back in the fall and I wanted him to try one of their more intensely structured wines. Hey, why save when you can share?



Venison Tenderloin, Potato-Turnip Purée, Caramelized Brussel Sprouts, Raisin-Red Wine Sauce
with
Alexander Valley Marlstone Vineyard, Clos du Bois 1995
Another killer course. I've probably said it here before, in fact I'm sure I have so I'm not even going to go back and look... Bryan has a gift when it comes to cooking game. The venison was meltingly tender and incredibly flavor intensive, infused with the exotic influence of pâté spices and balanced by the subtle sweetness of the wine reduction sauce. Those brussel sprouts didn't suck, either.

The wine? This one might surprise some of my regular readers. Yes, it was highly polished and not loaded with clear sense of place, but at 15 years, Clos du Bois' Marlstone Vineyard cuvée, a Bordeaux blend, was still fresh and vibrant. Plenty of life left to go, in fact. I don't have much experience with more recent bottlings, so I can't say where the wine has headed since, but this was made back in that turning point era between 1994-97, when California Cabs were just starting the leap into their high alcohol, high extract, not-so-food-friendly era. At 14.2%, this was balanced and played just fine with the deer.


Got Goat? A Goat Cheese Collection with Roasted Chestnut Jam
with
Coteaux du Layon "Cuvée S," Château Soucherie (Pierre-Yves Tijou) 2001
In the last few months, the cheese course at Talula's has moved away from the traditional tri-milk mixture toward a single-milk theme, still with a classic progression from mild to more pungent flavors. Soucherie's "Cuvée S" was still a baby. Very fat and honeyed. Even though delicious with the cheese, it turned out to be a better match with the dessert course.


Organic Champlain Triple from Champlain Valley Creamery
On top of being an all-around great guy and huge beer and wine lover, our friend and fellow diner Carleton Yoder is the owner and head cheese(maker) at Champlain Valley Creamery. Though he started his business with a focus on producing fresh cream cheese, which is still one of his primary products, his triple cream cow's milk cheese has quickly become his best seller over the past couple of years. We brought along a few discs of it for the crew at Talula's to try and Kate Stroh, Talula's resident sous-cheese monger, plated one up for us as a surprise course.


Clementine Chibouste, Lemon Curd, Citrus-Champagne Sauce
and
La Colombe espresso
After such a hearty, wintry meal, it was a smart choice to serve a dessert course that was only lightly sweet, its focus more on tangy, refreshing seasonal flavors. That light hand with the sugar helped it to pair so well, as mentioned above, with the sticky Loire Chenin from Soucherie. The coffee was just a digestive. Decaf for me, as I can't handle caffeine much past noon any more, that is unless I want to be staring at the ceiling at 4:00 AM.... As the espresso cup indicates, Philly-roasted La Colombe is now the coffee of choice at TT.

C'est tout! Thanks, Steve, Carleton and Todd, for providing the impetus for such a great meal. See you again in March, my friends.


Talula's Table
102 W. State Street
Kennett Square, PA 19348 [map]
610-444-8255
Talula's Table on Urbanspoon

Previous visits:

Tuesday, November 10, 2009

Vincent Ricard's "Le Clos de Vauriou"

Touraine "Le Clos de Vauriou," Domaine Ricard 2008
$12. 12.5% alcohol. Composite cork. Importer: Petit Pois, Moorestown, NJ.

No high-fallutin' tasting note today. Just a quick nod to what's been one of my favorite everyday vins de soif of late. After a couple of recent vintages where "Le Clos de Vauriou" was a bit hit-or-miss due to issues with bottle variation and/or acetic acid bacteria, the 2008 has been rock solid. It delivers a mouthful of joyous fruit, abounds with character and pairs admirably with a damn wide range of dishes. I said it in May and I'm sayin' it again.... Ever so slightly tart acids, energetic texture, berries, pepper and a blood orange kick make it one of my most memorable $12 bottles of the year. As young Vincent Ricard promises/predicts on his website, "Vauriou" is indeed now throwing a deposit of fine, suspended particles, giving the wine a somewhat cloudy appearance but rendering it no less delicious than when it first came ashore.

Oh yeah, just in case you were wondering, "Le Clos de Vauriou" is varietal Gamay. File it under mid-week recession busters.

Thursday, August 20, 2009

Scenes from Tuesday's Therapy Session

Had a great time pouring wine at Bicycle Therapy on Tuesday. A pretty decent crowd showed up to check out the new urban commuter bikes from Globe.

The Globe lineup ranges from a slick little fixie all the way up through some pretty serious workhorses. The very low key designs remind me of retro/classic British cruising bikes crossed with the utilitarian sensibility of Worksman's industrial bikes. The integrated racks on several of the models not only look pretty cool but are strong enough to handle designated driver duty.

Lola the shop dog took a moment to chill and chew before the crowds showed up for the main event.

Dan, Specialized's local sales rep, gave a quick seminar on the concept and merits of the Globe line of bikes, while his regional manager, Mike, performed a QA test on a glass of the 2008 Touraine Sauvignon "Le Petiot" from Domaine Ricard.

Fastidious wine blogger that I am, I somehow forgot to snap a shot of the juice I poured for the crowd that evening. I did deliver a seminar of my own, though, on a natural wine foursome that included the Sauvignon mentioned above as well as the delicious Gamay-based 2008 Touraine "Le Clos de Vauriou" from Vincent Ricard; the 2008 Muscadet Sèvre et Maine Sur Lie "Vieilles Vignes," made by Pierre Luneau at his daughter's estate, Château les Fromenteaux; and the 2007 Côtes du Rhône "Bout d'Zan" from Hélène Thibon at Mas de Libian.

I did, however, manage to catch a post-sacrificial shot of the mighty tasty hazelnut torte provided by local cyclist and entrepreneur of all things fudgey, Liz Begosh of Betty's Speakeasy, which is located just around the corner from Bicycle Therapy at 2241 Grays Ferry Avenue.

Did I mention that there was local beer on hand, too? No bike shop is complete without some.

Wednesday, May 27, 2009

Trois Vins Ricard

Regularly tasting through the full line-up of new releases from a single producer is part and parcel of working in a wine shop that cares at least a little about its products. Even though sip-and-spit tasting has its drawbacks, working through several wines from a single producer at one sitting is one of the best ways, short of an actual winery visit, to get a handle on what that producer is really all about.

Such tasting is something, I expect, far too few of us do at home. Economies of scale (not enough people to share with) and economy, plain and simple, both get in the way. For me, a certain level of jadedness acts as a deterrent as well. It’s increasingly rare that I get jazzed enough about a single producer’s full range of new releases to want to take them all home at once. But the motivation still occasionally presents itself, most recently with three new arrivals from Vincent Ricard. The good value/Loire Valley/natural wine trifecta may have had more than a little to do with it. My more than abiding interest in the estate, ever since visiting Ricard in 2004, figured in there as well.


Touraine “Les Trois Chênes,” Domaine Ricard 2008
$20. 13% alcohol. Cork. Petit Pois, Moorestown, NJ.
This was quite the buzz a couple of weeks back when two leading wine e-tailers offered it, at drastically different price points, via e-mail blasts on the same day. I didn’t mind a bit, as the momentary hype brought more than a few “researchers” to my profile of the estate.

“Les Trois Chênes” is arguably Vincent Ricard’s flagship wine. He makes other Sauvignons (his specialty), at lower and higher price points, but this one really captures the balance between his terroir, natural farming and talented winemaking. The Sauvignon comes from a single vineyard of 50+ year-old vines planted on their native rootstock in sand dominated and silex (flint) laced soils. The fruit is hand-harvested in several tris and then sees a slow, three-month barrel fermentation, part of the wine’s total eight-month aging regime, which includes occasional bâtonnage, in barriques.

The end result is not so much creamy and opulent as it is densely packed, firm and sappy. Things open up with a big blast of mineral soaked lemon drop fruit, with a very energetic, full mouthfeel. The vibrant fruit soon yields to the wine’s resinous, structural wood influence. More fruit returns with aeration: kumquat, mango and lemon oil. At the approach of ambient temperature, the woody notes combine with the Sauvignon to form a distinctly spearmint driven aromatic profile. It’s even good at room temp. Only recently bottled and shipped, this has yet to find its harmony but all the voices are definitely there and definitely singing.

The healthy state of Ricard’s vineyards (picture from February 2004) are in stark and welcome contrast to the chemically blasted stretches of Touraine vineyards that Jim Budd (of Jim's Loire) has been on a justified rampage about of late.


Touraine “Le Clos de Vauriou,” Domaine Ricard 2008
$12. 12.5% alcohol. Composite cork. Petit Pois, Moorestown, NJ.
“Le Clos de Vauriou,” as its name implies, is another single vineyard bottling hailing from the family’s small plot of Gamay. Theoretically, Vincent makes this wine only in good vintages, though 2008 marks its third or fourth consecutive release so it may well be on its way to becoming an annual staple. After a 20-day maceration and primary fermentation in steel, “Vauriou” undergoes its malolactic fermentation in barriques and sees only the lightest filtration before bottling.

I have to say, this wine was in the back of my mind when writing (and responding to the comments) on my recent posting regarding some of the inherent risks taken by those making natural wines. When bottles of the 2007 version of “Vauriou” were on, they were delicious – full of juicy, grapey fruit, a pleasure to drink. But there was a spate of bad bottles, gone to one degree or another to vinegar. Whatever the issue was, and I’m guessing acetobacterial spoilage, it seems to have been avoided in 2008, as I’ve tried several bottles that are sound, consistent and even more delicious than the good ones from last year. The grapey, gulpable goodness is still there, but it’s also accented by fine tannins, chalky minerality, a spike of white pepper and very snappy texture. There’s a definite inky/graphite element on the nose as well, along with an enticing twist of blood orange. Very food friendly; at the price, it’s a serious candidate for a by-the-case summer red.

Touraine “Le Vilain P’tit Rouge,” Domaine Ricard 2007
$19.50. 12.5% alcohol. Cork. Petit Pois, Moorestown, NJ.
Childlike renderings of trees, purple grapes dangling above a glass, a devil clinging to a goblet’s stem…. The paintings on Ricard’s labels are all the work of Tours-based artist, L. Bouro. In a comment left here some time ago, Brooklynguy mentioned finding the labels off-putting. I can see that, as I’ll almost always steer away from critter labels. However, a growing number of producers in the natural wine set seem to be going for fun or quirky art on their labels; I’m thinking of Puzelat/Tue Boeuf, Le Briseau/Nana Vins & Cie, and Marcel LaPierre, just to name a few. Point is, I kind of like Vincent's labels, though it certainly helps that I know the winemaker behind them and know that they both capture his spirit and reflect something of the essence or story behind each wine.

Going on memory, the 2007 release of “Le Vilain P’tit Rouge” seems a bit less rich than the 2006. Based on my note for the ’06, though, it’s certainly more similar than it is different, perhaps influenced by the fact that it’s again a blend of 90% Côt (Malbec) and 10% Cabernet Franc. There’s some funky-monkey happening on the nose – dark and sour, loamy and wild. It’s loaded with black cherry fruit backed by flavors of clove, charcoal, hung beef and coarsely ground black pepper. There’s lots of texture, too. Definitely a wine for food; to quote my tasting buddy, "Côt and duck is good." (That's a pic of his oven-roasted wild duck, by the way; gamy and damn tasty.)

Tuesday, September 2, 2008

A Natural Pair from the Touraine

If, as a friend recently quipped, $20 is indeed the new $12, then that never ending search for every day wine values continues to lead this taster to the Loire more regularly than any other wine region. Even though the good old $9-12 Muscadet is starting to become an endangered species, there’s still a ton of great stuff in the under-$20 range to be found along the Loire’s 630-mile path. I carted two examples along for the ride to a new BYO in my neighborhood just a few nights ago.


Touraine Sauvignon “No. 2,” Clos Roche Blanche 2007
$16. 12.5% alcohol. Nomacorc. Importer: Louis/Dressner, New York, NY.
The more I drink from Clos Roche Blanche, the more I'm convinced that proprietor Catherine Roussel and winemaker Didier Barrouillet are producing some of the best values in the wine world. Period. Their “No. 2” is a lovely example of the purely fruit-driven side of Loire Sauvignon Blanc. Very clean aromas border on the tropical. Lime juice and tonic drive the middle of the palate, while peach skin and ripe gooseberry flavors liven up the edges. Texturally, it’s round right up front, even a little pillowed, but its acidity vibrates through on the finish with a buzz that makes the mouth water. I drank this over the course of four days – something I rarely do – and, while the acidity had faded somewhat on day four, its fruit held up admirably. Adept with food and certainly viable as a sunny day quaff.

Touraine “Le Vilain P’tit Rouge,” Domaine Ricard 2006
$18. 12.5% alcohol. Cork. Importer: Petit Pois, Moorestown, NJ.
The ’06 version of “Le Vilain” is a blend dominated by Côt, to the tune of about 90%, rounded out by a dash of Cabernet Franc. It’s shed a bit of its baby fat since I last tasted it – and become all the more interesting, if perhaps a tad less friendly, for the change. The Malbec (called Côt in the Loire) makes a clear statement via a nose full of wild, gamy red and blue fruits accented by a touch of smoke. Those aromas translate to similar flavors on the palate, backed up by a solid arc of acidity and tannins that are cool, firm and slightly tangy. More sour than bitter. This cries out for food – think duck or roast pork – and should do interesting things in the cellar over the course of the next five years or so.

Don’t let the cutesy label scare you away. I can’t say there’s no eye to marketing in its design. Mainly, though, it just captures young vigneron Vincent Ricard’s wry sense of humor and strong attachment to making expressive, natural wines. I’ve written about the story behind its name in the past, so I won’t make this post any longer by repeating it here.

Wednesday, January 30, 2008

Domaine Ricard: Growing in the Touraine

Vincent Ricard farms seventeen hectares of vineyards in the Touraine, located outside the village of Thésée la Romaine, near the banks of the river Cher and not far from Chenonceau, in the heart of central Loire Valley château country.

Vincent Ricard, circa 2005 (photo: B. Celce)

When first I met Vincent in February of 2004, he was a young man of 27 years, just beginning to get his feet wet yet already taking a strong stance in the Touraine wine scene. Actually, given his relative youth, his experience was fairly extensive. He returned to his family's property in 1998 after a two-year internship with Philippe Alliet in Chinon and a short stage with François Chidaine in Montlouis. It took him only a year from that point, with help from his father, to declare and incorporate Domaine Ricard. Like so many other young vignerons before him, Vincent was the first in his family to make the move to winemaking following many generations of family farming. Prior to 1999, the fruit grown by his family had always been sold to the local cooperative. It’s only in the last dozen years, he told us, that a small handful of producers in the Touraine, mostly young guns like Vincent, have moved to estate bottling and export market sales.

The large, hodgepodge Touraine AOC is still dominated by négociant houses and production of commercial vin ordinaire. That dominance has created a market – supported by self-fulfilling INAO guidelines – that expects very simple, fruity, quaffable and eminently uninteresting wines. Ricard, in contrast, aims for structure on the palate, the possibility of bottle aging and the development of secondary characteristics. His philosophy does not stem from his time in oenology school where he tells us, “Average methods are taught.” Rather, he’s taken influences from the people he’s worked with like Alliet and Chidaine and placed himself along with them, as he sees it, among the avant-garde. He’s not shy about considering his wines atypical to the region or about occasionally butting heads with the INAO. Along with a few of his peers, he is pushing for the establishment of a new appellation for his immediate area. If granted, this new AOC – Chenonceau – would allow for reds based on Malbec (Côt), Cabernet Franc and Gamay as well as whites from Sauvignon Blanc.

The entrance to Ricard's winery (photo: B. Celce)


In spite of all his ambition and a flair for the modern with his labeling, when it comes down to nuts and bolts, Vincent is essentially a farmer. He’s interested in making wines that speak of their place. He’s not looking to expand his property or production, only to increase quality. With that in mind, his ideal would actually be to shrink his estate to a more focused and compact twelve or thirteen hectares.

For the time being, he makes do with all seventeen. At only 20 meters above sea level and gently rolling at best, his property is essentially flatland wine growing country. Here, although exposure still plays a role, it’s not the hillside which is most important as much as are the simple raw materials of soil and vine. Ricard’s terroir consists primarily of sand and silex-based topsoil above clay and chalk based subsoil. His vines average 60 years of age, with some parcels as old as 80. Cultivating primarily Sauvignon Blanc, Vincent also grows Côt (Malbec), Gamay and small amounts of Cabernet Franc, Cabernet Sauvignon and Chardonnay, the latter a trickle-over influence, perhaps, from nearby Cheverny. Overall production is approximately 75% white and 25% red, with nearly 75% of the wine sold on the export market.

Vincent Ricard in the vineyard (February 2004).

Vincent believes strongly in the merits of natural farming. Exposed to biodynamic principles through his work with Chidaine and well versed in organic techniques, he picks and chooses the farming practices which make the most sense for his vines and his wines. Herbicides are never used. He allows grass to grow between every row, though he may eventually cut back to every other row to reduce the nitrogen richness the grasses impart to the soil. Vines are cut and trained later in the spring than typical to delay bud break, to protect the young shoots and buds from frost damage, and to forestall Sauvignon’s precocious ripening tendencies.

Even taking those precautions is not always enough to avoid loss in as northerly a situation as the Loire. In 2003, the season just preceding our visit, frost occurred on April 27, very late into the season, causing the loss of about 30% of all buds and, hence, a tremendous reduction in yields for the year. We’d heard a very similar tale of frost damage and reduced yields just the day before when visiting François Chidaine in Montlouis. 2003 would also turn out to be a shorter than usual growing season. Following a summer and early autumn of high heat and little rainfall, harvest began at Domaine Ricard on August 28 – nearly three weeks ahead of the typical schedule.

In the cellar:

As is common in the Loire, Ricard’s winery is built directly into a hillside on the property. It’s little more than a purpose-excavated garage cum cave, shaped like a small airplane hangar and suited perfectly, given its natural temperature control, to the utilitarian rows of cement vats and small-to-medium sized barrels. Despite the simple subterranean surroundings, the cleanliness of the space was immediately apparent. That cleanliness – a good sign at any winery – is particularly important here, as Ricard entirely eschews the use of sulfur within his crush, fermentation and aging regimens. Developing wines are casked tightly to prevent oxidation or spoilage. A light filtration, if necessary, and very low dose of sulfur are applied only at bottling time. Malolactic fermentation is not encouraged and rarely occurs for the whites, though it's not forcibly prevented.


Evolution can be seen in Ricard's cave between 2004 (photo at left: E. Tuverson)
and 2005 (at right: B. Celce)


Touraine Sauvignon “Pierre à Feu” 2002 (from bottle)
Varietal Sauvignon Blanc, from a plot of flint and silex rich soil, farmed to average yields of 40-45 hl/ha. The vineyard is visibly strewn with egg to fist sized pieces of pinkish white flint, a geology that continues into the subsoil. Rubbing two of the stones together gives a faintly smoky, gunflint aroma. Temperature controlled fermentation and aging in cement vat. Following a damp summer, warm temperatures in September and into October allowed for late ripening and resulted in a later than typical harvest. Light bodied, with bright acidity, lemony fruit and good persistence. The flintiness of the vineyard site shows through in the wine’s bracing minerality.

Touraine “Les Trois Chênes” 2002 (from bottle)
Also varietal Sauvignon, though not indicated on the wine’s label. The name of this bottling comes from a stand of three old oak trees that once grew on the site. 40-60 year-old vines give naturally yields of 30 hl/ha. The vines are on native rootstock, as the phylloxera louse does not take well to the extremely sandy soil of the vineyard. The richness of the fruit from this site lends itself to barrel fermentation, with battonage performed twice weekly during fermentation and continuing post-fermentation depending on the clarity of the wine. Time in barrel varies depending upon vintage conditions. A distinct undercurrent of minerality is provided courtesy of the presence of silex in the sandy top-soil as well as by the calcaire sub-soil in the vineyard. Citrus elements are supplemented by riper, pear-toned fruit and rounder mouthfeel. Ricard prefers a relatively warm serving temperature – 15 to 16 degrees Celsius – as cold will mask the richness and texture of this cuvée. Let’s just say that serving conditions in his cave on a brisk February morning were far below that ideal.

Touraine “?” 2002 (from bottle)
Here, the young Ricard’s willingness to bend rules, design modern labels (a large question mark cut-out adorns the bottle) and push the envelope of “Touraine typicity” came into more obvious relief. Primarily Sauvignon, this cuvée comes from vineyards farmed to yields of less than 20 hl/ha. What else is in the wine? “?” Maturity is pushed to the max. Fruit harvested at 14.7% potential was finished to 14% with 6 grams of residual sugar. Fermentation is done in new barriques with 20% malolactic. Oak, sweetness and fruit forward characteristics are held in check by acidity and physiological concentration, with an intense core of stony minerality again showing through.

Touraine “Cuvée Armand” 2002 (from bottle)
This is a small production bottling from a second tri from the “Les Trois Chênes” vineyards. It is named after Vincent’s great-grandfather, who sold some of the family’s wines in Paris from 1880-1900. It’s also Vincent’s statement/experiment as to Sauvignon’s potential to create a full range of wines from sec to richly demi-sec in style, just as with Chenin in Vouvray and Montlouis. He feels that, “Sauvignon is being made generic and terroir-less all over the Loire.” This is one of his efforts – interpret it as you might – to fight against that trend. Harvested at 16% potential, the 2002 was finished intentionally demi-sec to 13% alcohol with 35 grams of residual sugar. Loads of ripe, exotic fruit, with minerality still managing to find a foothold.

Touraine Sauvignon “Pierre à Feu” 2003 (assembled from barrel)
Very smoky and mineral on the nose, with lower acidity and richer texture compared to the 2002. Overripe grapefruit, along with a hint of cantaloupe, on the palate. To be bottled in about a month.

Touraine “Les Trois Chênes” 2003 (assembled from barrel)
Very fat and creamy, with low acidity but a concentration of physiological matter that keeps the wine from flabbiness. Showing peachy and smoky fruit but not yet integrated.

Touraine “?” 2003 (from barrel)
Oak is more obvious, at least at this early stage, than in the 2002. Also showing some heat and over-the-top fruit. Still fermenting, the wine as tasted was at 14% and 8 grams RS.

Touraine “Cuvée Armand” 2003 (from barrel)
Ripe and honeyed, with flavors of pear nectar and candied licorice. 2003 was a natural year, given low yields and high heat, in which to produce demi-sec wines; this was 13.5% with 40 grams RS when tasted.

Vincent pulls a sample from cement vat. If you inspect the photos above, you'll see that the vats were relocated to a new portion of the cellar following our visit to make room for more barrels. (photo: B. Celce)


Before shifting our palates to red wines, Ricard primed us with a bit of viticultural background. As recently as 40 years ago, Côt – the local name for Malbec – was virtually the only red variety grown in this part of the Touraine. However, much of it has since been replanted due to Côt’s tendency toward extreme variability from vintage to vintage. Vincent believes in Côt for his terroir – it’s less of a risk now due to very careful rootstock selection – but also cultivates Cabernet Franc and a small amount of Cabernet Sauvignon to allow flexibility in blending and making a wine that best represents the characteristics of any given growing season. He is against the practice of specific clonal selection in the vineyard, preferring natural selection as he wishes to avoid the risk of homogeneity.

Touraine “Le Vilain P’tit Rouge” 2002 (from bottle)
When Vincent first produced this Touraine rouge, the INAO inspectors, upon tasting a sample, denied him the Touraine AOC, proclaiming the wine atypical because of its structure and concentration. He was forced to label it as Vin de Pays, which, at least in theory, lowers the sale price and increases the difficulty of marketing the wine. After Ricard sold out his entire production, the INAO inspectors granted AOC status in the following vintage. The name, which can be translated in many different ways, i.e., “The Nasty Little Red,” is meant as a thumb of the nose to the authorities.

In 2002, “Le Vilain” was a field blend of equal parts Côt and Cabernet Franc. Previously the selected varieties had been fermented separately and assembled prior to bottling. With the 2002 vintage, he moved to co-fermentation (in cement tank) to allow the varieties to marry their attributes at an earlier stage. The resulting wine had substantial grip, medium acidity, bell pepper and smoky aromas, and wild black cherry and cassis fruit.

“Le Vilain P’tit Rouge” 2003 (from barrel)
Again a co-fermented field blend, in 2003 the blend for “Le Vilain” shifted to roughly equal thirds of Côt, Cabernet Franc and Cabernet Sauvignon. Tasting from barrel, the wine still on its lees, our sample was naturally reductive yet showed rich, juicy fruit, very dark color, creamy textures with a firmly tannic backbone, and lower acidity relative to the 2002. Hints of bay leaf and bell pepper showed on the finish. Vincent, as of February, planned to leave the wine in barrel until June or July. Due to its concentrated nature, he suspected the wine might again be denied AOC status when the inspectors arrived to sample. Though I’m not certain, it very well may have been denied AOC; the 2003 never appeared on the US market.

Touraine “L’Effrontée” 2002 (from bottle)
Our final taste would take us back to Sauvignon, a very atypical Sauvignon. “L’Effrontée” – literally “the challenge” or “the confrontation” – is a late harvest, 100% botrytis affected, varietal Sauvignon Blanc from a site near the river purposely selected for the possibility of making a botrytized wine. Only four or five other producers in the Touraine produce a Sauvignon in this style, which is more typically reserved for the Chenin-based wines of the region. Logically, Ricard went to his friend François Chidaine for help and advice on making the wine. The fruit is harvested in a single tri with 30 people picking to bring in yields of less than ten hectoliters per hectare. In 2002, fruit was harvested on November 7-8. The finished wine was beautifully clean, with grapefruit, lavender, honey and minerality lingering on a very long finish. Its 110 grams of RS were kept afloat by edgy, chalky acidity.

The wines of Domaine Ricard might easily be viewed as modernist. In a good sense, they are. Vincent pushes the envelope of style and fights against the average. Yet he does so through the application of natural farming techniques, not through heavily interventionist manipulation in the winery. His wines may not be for everyone; he’s not shy of subtle sweetness in some of his Sauvignons or of intense textures and aromas in his reds. Yet the minerality that shines through in even the richest whites and the varietal and local typicity in his reds speak to his belief in the terroir of his little slice of the Touraine. This is a Domaine and a young wine grower worth watching.

Addendum: Much to my chagrin today, though perhaps to the benefit of my note taking capabilities in 2004, I went without a camera through the duration of this trip. One of my traveling companions has provided photos from some of the other stops but shots from a few of our visits, including this one, are conspicuously short in supply. I am indebted, therefore, to Bert Celce, author of the fantastic blog Wine Terroirs, who agreed to share some photos from his 2005 visit at Domaine Ricard. Thanks Bert! Label images were borrowed from Domaine Ricard’s website.
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