Showing posts with label Wine Bar. Show all posts
Showing posts with label Wine Bar. Show all posts

Tuesday, May 25, 2010

Vinoteca Centro Storico

There's something afoot in Serralunga. In this tranquil hilltop town of only 300 or so inhabitants, there's a sudden surge in renovations, perhaps the result of in influx of new money or maybe just of a revived thirst for renewal. Adjacent to the town's main square and its scenic overlook, major construction is underway at Azienda Agricola Vigna Rionda, where owners/winemakers Franco and Roberto Massolino are adding a floor and a rooftop terrace to create updated, separate accommodations for their winery's trade and public visitors. And not more than three or four hundred meters from there, a short walk down the winding cobbled streets through the town center to the base of Serralunga's old tower, there's something else afoot.

Just past the dog – he actually lives a couple of kilometers away, I'm told, but he's always there – and just through that door lies one of the most lively, inviting café/wine bar combos one could imagine, whether in Serralunga or elsewhere.

That place is Vinoteca Centro Storico. The name couldn't be much more straightforward: a wine bar in the center of the old historic town. Nor could the mission be much simpler.

Owners Alessio Cighetti and his wife/partner Stefania turn out what is an essential Piemontese experience, combining the simple pleasures of food and wine and making the pairing accessible to any and all who walk through their doors.

Stefania's food is the essence of simplicity. Think of it as home cooking — consistently good, hearty, classic Northern Italian home cooking — and you're on the right track.

Aside from a couple of hapless grissini, carne cruda pretty much had to be the first dish to meet my gullet on arrival in the Langhe on my recent trip, and Stefania and Alessio were only too happy to oblige. Ravioli in a sage-butter sauce — another Piedmont classic — rounded out my entry lunch.

Balancing the simple soulfulness emanating from Stefania's cucina, Alessio has put together a pretty damn satisfying wine list. The local offerings aren't anything to snub a nose at, with verticals of Monfortino and other top Baroli offered alongside more humble options in Langhe Nebbiolo, Langhe Bianco and, yes, even French wine. Actually, it's French wine, and a very particular sort of French wine, upon which Centro Storico has really built its equally particular reputation.

In this town of less than 300 residents, Alessio sells over 1500 bottles of Champagne a year. He's put together a list that rivals if not betters any I've seen here in the US, with big names such as Salon and Krug resting alongside gravitas-laden options from the likes of Philipponat (a vertical of Clos des Goisses, anyone?) and Diebolt-Vallois, all peppered with hipster-chic offerings from producers such as Cédric Bouchard, Ulysse Colin and Jérôme Prévost. And it's all priced more than fairly, about the same if not a tad less than what you'd pay at retail here in the States. Poured by the glass during my visit(s) was Champagne Doyard's "Cuvée Vendémiaire" Extra Brut, a sumptuously rich Blanc de Blancs from Vertus that displayed the breadth of aroma and body brought on by extended lees-aging. Lovely stuff and, ironically, more or less the first wine to whet my whistle in Nebbiolo-land.

There are a mere four or five tables on the ground floor and about the same upstairs, a few more outside when weather permits. Just enough space to accommodate the mix of wine loving locals, travelers and regional producers who frequent the place. Don't miss it if you're ever (or when you're next) in the area. I came pretty damn close to calling it home base during my stay... and I'm already missing that carne cruda and Champagne combo.


Vinoteca Centro Storico
Via Roma, 6
Serralunga d'Alba (CN)
ITALY
+39 0173.613203

Thursday, October 8, 2009

NorCal 2009, Day Five: The Allure of Terroir

Not having been to San Francisco for the better part of a dozen years, it was eye opening to walk through the Mission District, our first stop upon driving into town, and see just how much things have changed. It’s not that gentrification has put a complete whitewash on the neighborhood. No, it’s still got a certain undercurrent of grunge to it. But it’s become hipster central. Bike shops, record stores, cafés and indie boutiques dot every corner and – just like in Philly – it seems everyone's riding a fixie (or at least a single speed). There’s still quite a divide between Mission itself and Valencia, just one block away, where most of the hipstrification has occurred. But changed it all has. Whether that change is for the better is, I’m sure, a matter of debate among longtime SF residents.


The new development I was really looking forward to, though, was in the pipeline for later in the afternoon. A first time visit to Terroir (aka, Terroir SF), where natural wine, little if any of it from California, is served up by a handful of guys who are passionate about what they’re pouring, what they’re spinning, the vibe they’re making, and how it all comes together in a little storefront spot on a quiet, somewhat neglected block of Folsom Street.

In light of the timing of Eric Asimov’s piece – in which I play a referentially credited supporting role – on New York wine bar The Ten Bells in this week’s New York Times (with a cross-post at The Pour), comparisons between Terroir and The Ten Bells seem only inevitable.


Terroir's by the glass list on the day of our visit.

In one sense they’re actually quite different. The Ten Bells (check out my recent write-up) is a bar that just happens to feature a small but eclectic and fantastic selection of natural wines. Terroir, on the other hand, is actually a wine shop, albeit one that looks and feels much more like a casual wine bar. Their by the glass list is similar in scope to that at TTB, with a dozen or so decidedly natural wines poured by the glass on any given day. The bottle list at Terroir, though, is long and deep, the kind of list that can take an hour to digest if one is so inclined. And every one of those bottles is available for retail sale. For now, the wine bar is the dominant part of the business but that may change as the shop matures, especially if the owners are able to execute their goal of establishing an e-tail presence.


Terroir co-owners, Luc Ertoran and Dagan Ministero.

In a larger sense, however, the two spots share a great deal in common. I’ve found few wine-oriented bars in this country that share a similar sense of spirit, fun, passion and comfort. As dangerous as is The Ten Bells for a certain ilk of wine lover, Terroir might just be even more potentially addictive. It’s warmer, softer or “homier,” as my pal Wolfgang, the “wine writer from San Francisco,” called it. There’s pretentiousness to be found in both, I suppose, if you go looking for it. But at root, Terroir is just a place run by guys who take their wine seriously and want to share the common experience that great wine can evoke with the people who find their way in the door. There’s no guarantee you won’t be greeted with a mild dose of attitude, though that’s perhaps less likely than in the past given the recent departure of founding partner Guilhaume Gerard, who has left Terroir in order to pursue other ventures in the wine world. But you’re much more likely to be turned on to something new and to have fun, whether it’s geeking out or just enjoying the company of friends, in the process. The inimitable Joe D. sums it up:
“The sad thing is that only 10 Bells and Terroir in San Francisco have this ambiance. You would think there would be copycats cropping up all over the place. Part of what makes these two wine bars unique is the owners and staff at both places travel frequently in Europe, meet and make choices in the cellars, and know the vignerons on their list. They are not waiting around to taste wines from importers and wholesalers, but are going out into the vineyards to find wines that they love.”

Joe’s thoughts may be considered a little biased given that his portfolio features heavily on the lists at both Terroir and The Ten Bells, but I think he’s actually pretty dead-on. It’s the clear love of wine at the very root of the shop’s mission that makes Terroir such a fantastic place to hang (though the excellent vinyl collection certainly doesn't hurt).


Our starting pours. Bonus points to anyone who can ID all three. (Hint: they're all from the by-the-glass list.)



In a somewhat freakish twist, it turned out to be an almost all New Jersey affair. At one point or another, just about everyone in the place (Sunday afternoon is a very mellow time to visit Terroir, btw) had lived in the Garden State – my wife and I, our friends Steve (at left, above) and Stacy (far right), their friends Dan and Maria (center), the chef from a local restaurant, another guy who just happened to stop by for a glass on his way elsewhere…. Co-owner Dagan Ministero, it turns out, grew up at the Jersey shore. Only Luc was left out....


Our Sunday afternoon visit, conceptualized as a quick stop for a glass or two before dinner, quite naturally morphed into a four-hour affair. No one wanted to leave, plain and simple, so we didn’t, at least not until the closing bell.

Terroir
1116 Folsom Street
San Francisco, CA 94103
(415) 558-9946
Terroir on Urbanspoon


Addendum:

Such was the draw of Terroir, and my comfort/fun level once there, that I felt no compunctions about spending a solid chunk of Sunday there even in full knowledge that I’d be right back the next night for a little pre-planned wine blogger mash-up. Monday night’s get together almost had its legs cut out from under it, though, when it was reported that Terroir had suffered water damage late the night before as the result of flooding in the apartments located upstairs. Luckily, things were cleaned up enough for the show to go on, so Joe Manekin of Old World Old School, Cory Cartwright (who now works at Terroir) of Saignée, Wolfgang Weber of Spume (and Wine & Spirits Magazine), wine nut and Disorder man extraordinaire Slaton Lipscomb, Emily Straley, Dagan (who had no choice in the matter), and I all got together to share a few glasses and talk about life, wine and, of course, music. I won’t even attempt tasting notes from the evening’s festivities, as Joe’s already provided the full lowdown at OWOS.

It turns out that the flood damage has taken its toll after all. I don’t have full details on the extent of the damage but I do know that, as of this past Monday, October 5, Terroir has closed its doors for approximately one month to allow for repairs. That’s a long time for a small business to close, but something tells me these guys will come back ready and rarin’ to go, maybe even with a few new discoveries made in the course of their forced vacations.

Be sure to check Terroir's website for updates before planning your next trip and, in the meanwhile, please join me in wishing the guys best of luck with the repairs.

Wednesday, August 26, 2009

The Ten Bells

The Ten Bells is mysterious.

Not having done a photo study before my first visit to The Ten Bells, I walked back and forth on the short block of Broome Street that runs between Orchard and Ludlow with nary a sign of the place. Literally, that is… no sign. Not even a number to signify the address I’d scribbled on a piece of scrap paper in the wee hours of the morning before taking the early train up to New York. It was only after narrowing down the options then spotting an empty Dard & Ribo bottle as I peered through one of the few unobscured window panes at the spot where I’d stopped that I knew I was in the right place.

The Ten Bells is dark.

It’s one of the few gripes I’d heard about the place. It’s so dark you can barely see what you’re drinking. It’s so dark that I didn’t even bother trying to take my own pictures. (The first two shots here are borrowed, with thanks, from Melissa Hom’s shoot for New York Magazine.)

The Ten Bells is dangerous.

Or at least it would be were it in my neighborhood. If you can squint hard enough to read the wine list, scrawled and crammed onto the chalkboards that flank the east and west walls in The Ten Bells, you’ll find a tremendous array of natural wines from artisan growers, priced fairly and chosen with care by Fifi, Jorge and the rest of the Ten Bells crew.

The stemware may be too tiny to show off the full charms of those wines – about the only other common gripe I’ve heard (or could imagine) – but that makes sense given the marble bars and tight quarters that would wreak havoc on larger, more fragile glasses. It’s also befitting of The Ten Bells vibe. There’s nothing precious about the place. And while there’s a wild wine list, it’s a real neighborhood bar first, a “wine bar” second. The staff behind that bar seemed just as happy to serve up cold beers and shuck oysters on a hot August night as they were to pour glasses of Alice and Olivier De Moor’s 2007 Sauvignon St. Bris from magnum.

My cohort Wolfgang and I agreed that we could drink wines like these – the Burgundy from De Moor and Philippe Bornard’s 2007 Arbois-Pupillin Ploussard “Point Barre” – every day. That Ploussard from Bornard, in particular, was a joy to drink. So brightly hued it could have been fresh-pressed juice; pure, lively and focused, with nothing to weigh down the mind, body or palate.

The food’s no afterthought, either. A lightly smoky, barbecue glazed octopus and potato dish was a standout. Sherry-laced sautéed wild mushrooms, a comfortingly simple dish of brandade, and a generously heaping plate of sliced Serrano ham rounded out a more than satisfying meal, pieced together from The Ten Bell’s small plate menu.

Definitely a dangerous place…. The joint may get crowded as the night wears on, but it’s a good buzz. And as long as they’re serving it up like this, I’ll keep heading back.

The Ten Bells
247 Broome Street [map]
New York, NY 10002
(212) 228-4450
Ten Bells on Urbanspoon

Thursday, December 18, 2008

Cooper’s Brick Oven Wine Bar


A combination of hunger and curiosity lured me into Manayunk earlier this week to venture a first look at one of Main Street’s newest dining scene entries, Cooper’s Brick Oven Wine Bar. Visiting a new place immediately after it’s been written up in the major local newspaper does not generally fall under my definition of a grand idea. However, the usual buzzing effects of a relatively positive review – two bells from the Philadelphia Inquirer’s Craig Laban, in this case – were negated by the combination of foul weather and the Tuesday night doldrums. Not the greatest night for the restaurant, I’m sure, but good for us, as my pal Phil A. Dining and I had no problem snagging choice spots at the bar and lingering over a casual meal.


Chef Bruce Cooper, long-time owner of Manayunk institution Jake’s Restaurant, launched his new, partly eponymous endeavor just last month in the storefront immediately adjacent to Jake’s. Cooper’s is an inviting spot, mixing contemporary and rustic elements in its décor, with warm lighting, a cool stone bar, amply sized booths and a colorful wall of wine setting the tone for the space. There’s an immediate sense of potential, too, in the new restaurant’s offerings.

Cooper’s eclectic and much better than average beer list includes local standouts like Sly Fox Pikeland Pils and Philadelphia Brewing Company’s Walt Wit on top, along with solid choices like Stone IPA, Brooklyn Brown Ale, Saison Dupont and La Chouffe in bottle.


Our first plates were both well executed. Maple brussels sprouts (from the kitchen at Jake’s) were fresh and flavorful, a light glazing of maple syrup accentuating their own inherent sweetness. If only they’d been kicked up a notch by the presence of a little bacon (or other tasty treat – read on…), they could have been stellar. Crispy skin duck confit was the star dish of the night, featuring moist, perfectly salty, fat-preserved duck leg along with tender roasted potatoes, scented by floral herbs and a spike of vinegar. The brussels sprouts included with this dish found what those in the separate plate were missing, deeper caramelization and an infusion of duck fat. The kitchen could use a little work on its pacing, as all four of our dishes were delivered in rapid succession, but that’s a kink that should easily work itself out with a bit more expediting experience.

The brick oven and the wine bar, the supposed stars of the show, on the other hand, didn’t do enough for me to demonstrate they’d earned their spots on the restaurant’s marquee.

Cooper’s wood fired pizzas are built on a relatively thin, cracker-like crust, a style I enjoy when it’s done right. As my dining partner rightly pointed out though, our crusts weren’t just undercooked, they also lacked flavor. Topping combinations are interesting, including several vegetarian options, but show the conceptual influence of a chef with a sweet tooth.


Our pizzas: Fiorella’s Fennel Sausage, with tomato and banana pepper; and Short Rib, with parmesan, onion, horseradish cream and port sauce.

With twenty-seven wines poured by the glass – twenty-nine if you include the “Cheap White” and “Cheap Red” offered in carafe – there’s theoretically something for everyone at the wine bar. The list makes a sweeping gesture toward diversity, offering up choices from ten countries on five continents and representing varieties from Grüner Veltliner to Alvarinho to Verdeho in the white department, from Sangiovese to Tempranillo to Primitivo among the reds.

The selections are universally commercial in style, though. Those that we sampled were not quite manipulated or manufactured to the point of “wine-like beverage” status but were lacking in any real character. Pricing is tough, too. Glass pours range from $6.50 for a Chilean Sauvignon Blanc to $18.50 for a single-serving bottle of Piper-Heidsieck Champagne. Based on a listed six-ounce pour, there’s no break given for full bottle purchases; standard markup looks to be about four times retail. Pricing issues aside, a good wine bar needs to offer more than a list that covers a bunch of grape varieties. The simple steps of offering half-pours and putting a little more effort into choosing wines with some soul would go a long way toward making Cooper’s a viable wine bar rather than a bar that just happens to serve a bunch of wines.


In spite of my gripes with the wine program and some shortcomings in the brick oven department, Cooper’s does show some real potential. “The Jake Burger” sounds more than tempting enough to draw me back, maybe for a new installment of A Burger and a Beer. Our starter courses were good enough to suggest there’s talent at work in the kitchen. And the overall concept, from bar to vibe to drinks list, adds an element of wining and dining style that had previously been missing from Manayunk.

My biggest question is not whether Cooper’s Brick Oven Wine Bar will succeed. Rather, I wonder what its effect will be on the future of its parent restaurant, Jake’s. The two spots are joined by an open archway and share a common hostess, while Jake’s has eliminated its original bar to make way for additional seating. The end result is a spot that feels, sitting at the bar in Cooper’s, much more like one restaurant that has an upscale, quiet room than two restaurants that just happen to share a bar. Is it the beginning of the end for a Manayunk institution? Only time will tell.

Cooper’s Brick Oven Wine Bar
4367 Main Street (Manayunk)
Philadelphia, PA 19127 [map]
215-483-0444
Cooper's Brick Oven Wine Bar on Urbanspoon

Wednesday, November 26, 2008

Grower Champagne Dinner at Domaine Hudson

As often as I extol the virtues of sparkling wine’s place at the table, it’s far from often that I have the opportunity to sit down to a five course dinner paired exclusively with Champagne. That’s just what I did last night, though, courtesy of an invite from Tom Hudson, owner of Wilmington, Delaware’s Domaine Hudson (and a semi-frequent commenter on this blog).

The evening's lineup.

In addition to overseeing the day-to-day activities at Wilmington’s only wine bar, Tom coordinates an occasional series of focused tasting and wine dinner events. This latest shindig paired the food of executive chefs Jason Barrowcliff and Mark Doto with selections from the Champagne portfolio of Terry Theise. Unable to attend himself, Mr. Theise, I’m told, personally selected the Champagnes on offer after contemplating the menu the chefs had designed for the affair. In the absence of Terry or one of his usual representatives, Tom invited Linda Collier, proprietor of Collier’s Wines in Centreville, Delaware, to provide color commentary for the evening’s proceedings. The real stars of the show, though, were the Champagnes that not only spoke for themselves but also spoke, more often than not, in harmony with the food on offer.

Green Eggs and Ham – warm poached egg, herb emulsion, spinach, crispy pancetta and warm shallot compote on brioche
with
Champagne Brut “Tradition,” Gaston Chiquet NV (Dizy)
The first duo set a tough standard, one of those pairings where everything harmonized really well. The initially reductive characteristics of the Champagne clicked, right off the bat, with the salty, smoky flavors of the pancetta crisp. As the wine warmed, its Meunier dominated flavors became more apparent, showing touches of nut bread, pear and red flowers, all of which flavors were heightened by the richness of the egg protein and sweetness of the caramelized shallots on the plate.

Prosciutto and Arugula with toasted walnuts, fig, shaved parmiggiano and orange-vanilla vinaigrette
with
Champagne Grand Cru Sec “Cuvée Tendresse,” Jean Milan NV (Oger)
I’m still not a big fan of Milan’s “Tendresse.” I just can’t get my arms around its highly perfumed, slightly confected being. On this night, it was tasting, straight up, like the “liqueur” from a jar of maraschino cherries and that, my friend, wasn’t helping me come to terms with it. All of that said, this was one of those pairings where food helped the wine to make more sense. The Champagne worked with what was essentially a salad course in much the same way as can a Riesling Kabinett from the Mosel or Saar, its combination of delicate sweetness and high acidity playing nice-nice with the notoriously difficult combination of greens and vinegar. The sweetness of Prosciutto certainly didn’t hurt, even if the dish would have been even better minus the insidious influence of a few drops of truffle oil.

Pan Seared Day Boat Scallop with exotic mushroom-goat cheese strudel and herbed truffle-carrot broth
with
Champagne Premier Cru Blanc de Blancs “Fleuron” Brut, Pierre Gimonnet et Fils 2002 (Cuis)
Truffle oil again… but this time it worked, courtesy of the vinosity and well developed mineral flavors of Gimonnet’s vintage “Fleuron.” At once rich and delicate, the wine showed elements of sandalwood and white chocolate, marrying naturally with the sweetness of the scallops, carrots and mushrooms. As with the Chiquet, “Fleuron” really developed with air, its grippy texture and phenolic concentration becoming more apparent via its upward shift in temperature. Lilacs and baking spices emerged on the nose and the wine displayed excellent length. This time, the Champagne may just have stolen the show, even though this was my favorite dish of the night.

Roasted Barrel Cut Rib Eye with sage-pepper coulis and parmiggiano polenta
with
Champagne Premier Cru “Sélection” Brut, Marc Hébrart NV (Mareuil-sur-Ay)
Tom admitted to being skeptical as to whether Champagne could hold up to a beef course, a doubt I’m sure he wasn’t alone in holding. I wasn’t among the doubters, though, as I’ve had many a black fruit driven Champagne with more than enough structure to stand up to red meat. As it turned out, Hébrart’s “Sélection” was indeed up to the task. Even if nothing was added via its combination with the steak, it held its own, tasting pretty darn decadent along the way. It was actually the streak of tomato coulis painted down the middle of the plate that threw the wine for a loop, with a zesty tang that was too assertive for the wine to match.

Warm Berry Crisp with vanilla ice cream
with
Champagne Premier Cru “Le Demi-Sec,” A. Margaine NV (Villers-Marmery)
Well, four out of five ain’t bad. I don’t think even a fully doux Champagne could have withstood the berry crisp’s triumvirate of acidic fruit, high sweetness and tongue numbing, mouth coating frozen dairy product. Margaine’s demi-sec was blasted out of the water. The dessert was actually quite tasty, just not the pairing. Even after finishing the crisp it was tough to discern any detail in the wine. Theise had apparently warned Tom that this might be the case.... I’m generally a proponent of wine following food but here’s a case where it might have been best to tailor a dessert specifically for the wine. Milk chocolate beignets, perhaps? Or a lightly sweet apple tart?

No harm done, though. Just as we can sometimes learn more about someone based on what they don’t like versus what they do enjoy, the occasional awkward pairing is an integral element in learning the ins and outs of the greater food and wine experience.

Gimonnet's 2002 "Fleuron" was the wine of the night.


Domaine Hudson
1314 N. Washington Street
Wilmington, DE 19801
(302) 655-WINE
Domaine Hudson Winebar & Etry on Urbanspoon

Wednesday, November 12, 2008

Sunday in the Parc, Part One – Sunday School Edition

A recent Sunday afternoon gave me a chance to spend some time in a neighborhood I generally tend to circumvent. Home to the wealthy and fabulous (and haunt of those aspiring to be), Rittenhouse Square’s energy, for me, tends to be driven more by style than by substance. The park itself, nonetheless, is the most popular and bustling of our fine city’s many public squares. On a pretty day, it can be a great place, in spite of – or for some, because of – the crowds, to take in a dose of Philadelphia’s natural beauty. And like any of Philly’s neighborhoods, it’s not without its gems, both subtle and shiny.

On this particular late October day, strolling somewhat aimlessly through the east side streets of Rittenhouse, I was pleasantly surprised to find the doors swung wide at Tria. They’d opened earlier than usual at their 18th & Sansom outpost in hopes of recouping some of the cash flow lost as their usual crowds emigrated elsewhere over the previous nights in search of screens on which to catch the Phillies’ post-season run. I teach wine classes on a regular basis at Tria’s Fermentation School and stop into both of their wine bar locations as often as I can, whether for a late night nibble (their truffled egg toast makes my short list of best bar snacks in town) or an early evening taste. This was the first time, though, that I’d made it in for Sunday School, their special offering of one wine, one cheese and one beer at half-price, with a new line-up every Sunday. Call this a shill if you’re feeling cynical, but I was digging the opportunity to taste a few new things without breaking the bank.

(Image courtesy of Tria.)

As good as was the locally produced pairing of Otterbein Acres Cheddar and Victory Brewing Company’s wet hopped “Harvest Ale,” it was the wine that stood out from the trio. Friulian producer Valter Scarbolo makes an expression of Pinot Grigio he calls “Ramato,” where half of the fruit macerates on its skins for four days followed by completion of fermentation in a mixture of oak tonneaux and steel. After fermentation, the 2006 spent nine months resting on its lees followed by a further six months of bottle aging prior to release. The resulting wine is a true “gris de gris,” more rosé than white but not entirely either. While it lacks the wild character and orange, oxidative style of the more intensive skin contact whites from Scarbolo neighbors such as Josko Gravner and Stanko Radikon, like them it benefits from being served at cellar temperature. Starting out cold, it offered up ripe, sweet-fruited raspberry and kiwi sensations – pleasant but simple. With time to open and, more importantly, warm up a bit, its aromas became more compelling – wild strawberries and dried herbs came to mind. And the tannins extracted during that four-day maceration became more apparent, lending the wine a textural component and refreshingly bitter flavor stamp that helped it to rise above typical Pinot Grigio expectations.

The mid-day sun streaming in through Tria’s Sansom Street windows lent an air of relaxed conviviality that’s all too rare in Rittenhouse haunts. The peace it offered made for a perfect prelude to further exploration of the neighborhood. More on that to come soon….

Tria
Rittenhouse Square location
123 S. 18th Street (at Sansom)
Philadelphia, PA 19103 [map]
215-972-TRIA
Tria on Urbanspoon
Blog Widget by LinkWithin