Showing posts with label Wine. Show all posts
Showing posts with label Wine. Show all posts

Sunday, April 29, 2007

Napa: A Day of Contrasts, Part One

When working in the wine trade, it becomes quite common for wine visits – part pleasure, part work – to be intertwined with personal vacation. Case in point: when making a long overdue trip to visit some good friends in Monterey, California earlier this year, I couldn’t pass up the opportunity to take them along for the three-hour drive up to the Napa/Sonoma heartland for a few days of wine exploration. After two very relaxing days investigating the Sonoma, Russian River Valley and Healdsburg areas, we capped things off with a whirlwind of a day in Napa. Our choice of winery visits that day, Harlan Estate and Stony Hill Vineyard, proved to be a most unusual combination, a stark study in contrasts.

Morning session – Harlan Estate:
As it stands today, Harlan Estate is the end result of the classic California modest-to-magnificent entrepreneurial success story. A butcher’s son, founder Bill Harlan grew up in Southern California. As an adult, he and some friends founded Pacific Union Realty, where Bill quickly amassed a fortune through strong investments and a good head for the market. When the wine bug eventually bit, he leveraged his capital to become a partner in Merryvale Vineyards. During his tenure at Merryvale, Bill’s dream, to create a Napa Valley equivalent to the First Growth châteaux of the left bank of Bordeaux, eventually gave birth to what is now Harlan Estate. He spent roughly ten years purchasing and piecing together the six original properties that now make up Harlan’s 240-acre spread. Today, forty acres are under vine, with a pure focus on hillside vineyards; the remaining 200 acres consist of building lots and protected forest area. Since their first vintage in 1990, Harlan has quickly built a reputation for producing one of the most highly sought after and expensive wines in the state, appearing on just about every major critic’s top-five list of most collectible California “cult wines.”

Before I proceed too much further, I should warn you: don’t get your hopes up, wine country tourists. Harlan is not typically open to visitors. As a rule, they accept only one visit per week, always by appointment only, almost always by a member of the trade or a large-scale, existing customer. I lucked my way into an appointment via the trade route as I work at a shop which is one of the few retail outlets in the country for the wines of Harlan. Again, don’t get your hopes up, shoppers. Every bottle is pre-sold. The wine never makes it onto the shelves. It probably doesn’t in any store. Frankly, Harlan could get away with never accepting visitors. They’d still sell every bottle they make. But any good marketing mind knows that allowing an occasional peek at the elite builds demand and anticipation. To that end, Harlan Estate employs a full-time hospitality and PR manager, Ted Davidson.

Ted’s job began well before our arrival. I don’t believe I’ve ever received so many confirmation and informational phone calls and e-mails for a single winery visit. His last call provided details for a detour, through the vineyard paths of neighbors on the valley floor, around some unannounced road work on the lane leading up to Harlan’s unmarked, private drive. Once through the electronic security gate, we wound up the switchback drive to find Ted ready to guide us into an appropriate parking position. Our first stop on the tour was less than typical. A set of wooden stairs led to a wooden landing built into the hillside looking down onto Harlan’s lower vineyards and the valley below. Waiting on the landing were five Riedel flutes and a chilled bottle of Bollinger NV Brut Champagne – not a bad way to get things started. We enjoyed our early morning glasses of bubbly while learning a bit about the history, mission and landscape of the estate, our discussion intermittently accented by snips from the pruning shears of the Central American field crew working the vines immediately below us.

The terraced vineyards at Harlan spread across the hillsides of their property over an elevation range from 200-1200 feet. The dips and curves of the Oakville Grade provide for a diversity of exposition and slope, leading to the identification by Harlan’s vineyard manager of over 60 different block characteristics. Typical to the terroir of Oakville, which includes a high percentage of Napa and Sonoma volcanic soil, Cabernet Sauvignon rules the roost, representing about 80% of the estate’s plantings. Vines are rounded out by Merlot (10%) as well as Cabernet Franc and Petit Verdot which together comprise the remaining 10%. About 40 different plot and vine-specific barrel selections are made by the winemaking team, giving them a great degree of flexibility and nuance when determining the final blend in any given vintage. Fruit is not put into production here until the sixth or seventh leaf; vines are considered mature at 15-20 years depending upon site and variety. With yields ranging from 1.5 to 2.5 tons per acre, fairly low by Napa standards, concentration and quality are sought first and foremost. Roughly 20% of each year’s crop – produce from the youngest vines and fruit not quite up to grade – is sold off anonymously on the local market. Anonymity is strictly maintained to avoid possibility of brand dilution via the creation of “Harlan Vineyard” bottlings by any other producers.

The biggest parts of the typical visit, a walk through the vineyards and a tour of the cellars and winery, turn out to be Ted’s simplest. We set not one foot in a vineyard, viewing the plants and earth only from our perch on the hillside deck and from the upper driveway. And the winery is the epitome of simplicity. Harlan makes only two wines, both red and both relatively non-interventionist. As a result, equipment is kept to the highest quality basics. Because bottling is simultaneous for both wines and done only once per year, hiring a mobile bottling unit is preferred to owning and maintaining in-house equipment. Most primary fermentation (about 80%) is carried out in open-top oak casks, with the remaining 20%, mostly for the Merlot and Cabernet Franc, conducted in steel. Aside from space for the vats, a bladder press, de-stemmer and a few other necessities, the majority of the pristinely clean, unadorned yet handsomely designed space is given over to barrel storage. To support the richness and structure of their fruit, Harlan uses 100% new barriques in which their wines age for 26 months, resulting in three vintages resting in barrel at any given time. Cooperage is of the highest quality. The center exterior portion of each barrique is intentionally “painted” with a coating of its contents, giving the barrel room a warm, organic yet highly manicured aura. We were not offered barrel tasting samples.

For our final destination, Ted led us into the hospitality section of the winery, a single, high-ceilinged, exposed beam room with a lounge area, tasting/dining table and one of Mr. Harlan’s three private wine libraries (books, not bottles). Floor-to-ceiling glass doors span each length of the room and, in warmer weather, can be opened to admit the hillside breezes and provide a panoramic view of vines and benchland forest. In this “hunting lodge chic” room, the hopes of something to taste would finally be realized. First though, all of us relaxing in the black leather arm chairs in the sitting area, Ted took the opportunity to provide us with a fuller understanding of the concept of the estate.

As mentioned earlier, Bill Harlan’s original and continuing vision is for his property and wines to be thought of in the same way one might consider the greatest estates of Bordeaux. When one mentions Château Latour or Château Lafite-Rothschild, the idea goes, there is little need to mention that they are located in Pauillac and, in theory at least, there should be no need to mention grape variety. They are known simply as “Latour” and as “Lafite.” This aim is reflected in the branding campaign, the labeling and the packaging of Harlan’s two wines. In addition to elegant and consistent artwork, the labels simply state the name of the wine and the place of origin. Grape names do not appear and there is no “story” on the back label. Also like many of the most respected estates of the Médoc, Harlan produces only two wines: their first-quality wine, Harlan Estate, and a second wine, The Maiden. The Maiden is not intentionally crafted to be gentler, simpler or cheaper; rather, it is an honest second wine, produced from the younger vine fruit of the estate and from barrel selections that do not make the cut for the first wine. And like the great growths of the Gironde, Harlan’s wines are expensive. The most recent releases, straight from Harlan’s mailing list, were priced at $350 and $100 per bottle. Good luck finding them at those prices once they hit the retail and secondary markets. Harlan Estate, in particular, can at least double in value as soon as it hits the shelf or the auction block. They are wines only for the wealthy, the lucky and the foolhardy; that said, the wines are good.

When we finally got down to the business of tasting, we realized that we were, after all, being offered barrel samples. The final blend of the 2004s had been racked for bottling just days earlier; the half-bottles of each wine we’d spied on the coffee table had been pulled from the bottling vat that very morning.

The Maiden 2004 offers a lush, forward mouthful of plum, raspberry and blueberry fruit with a subtle hint of menthol, all framed by ripe, fine-grained tannins. The wine is built to last but already, before even undergoing its destined sixteen months of pre-release bottle aging, eminently drinkable. Less than 1000 cases of The Maiden are produced each year and it is offered for sale only via the estate’s mailing list. Contrary to popular myth, you need not “know someone” to get on Harlan’s list. Anyone interested can sign up and all will be offered a limited number of bottles of The Maiden in the first year. It will, however, typically take three or more years of purchasing The Maiden before access to the Harlan Estate bottling is offered. Once you’re offered Harlan, your previous allocation of The Maiden is turned over to new customers.

Not much remained at this point of our visit other than the pièce de résistance. Harlan Estate 2004 is seriously good juice. Black cherry in color and opaque at its core, it shows a lovely tint of ripe cherry red at its rim. The flavors are bigger, more powerful and brooding relative to The Maiden. Its tannins are firmer and more muscular. One senses a serious expression of the Oakville hillside terroir, not loaded up with unwieldy winemaking flourishes. Flavors of concentrated black currant, blackberry and roasted meats prevail, with tremendous length on the finish. Winemaker Bob Levy targets a 20 year peak for this wine, well beyond the current trend for a 5-10 year apogee at most Napa wineries. By contemporary standards, its alcohol content is reasonable at 14.5%; its balance is impeccable. I’d love to have some of this in my cellar. At $350+ per bottle though, I can’t afford a drop of the stuff – and Ted wouldn’t sell me any that day, even if I could. At least two-thirds of Harlan’s limited 1,500 case production is sold directly to mailing list customers. The balance goes primarily to high-end restaurants and to a very limited number of retail outlets.

At the end of the morning, when Ted made it clear that our time was done, it was hard not to leave feeling impressed. Harlan’s property is one of the most spectacular, not in ostentation but rather in natural position, in Napa wine country. It was also hard not to feel like we’d been rolled through a highly practiced exercise, seeing and hearing only what is desired. And tasting, it seems, only by luck. If not for the recent racking of the 2004’s, I was left wondering if we’d have been served any samples. Even on visits to Latour and Lafite in the winter of 2004, in full knowledge that I was not representing a buyer of their products, I was offered at least two or three vintages of the marquee wine plus several back vintages of the second wines. But then, their production levels are about ten times that of Harlan – and their history and experience centuries longer. It will be interesting to see how the vision at Harlan Estate stands the test of time.

Stay tuned for a report on part two of the day. Our visit to Stony Hill Vineyard would prove to be another world relative to the morning’s adventure.

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Recommended reading:

Sunday, April 22, 2007

To Swirl or Not to Swirl?

When conducting tutored wine seminars, I often demonstrate basic tasting techniques. Foremost among those techniques, I always stress the importance of sniffing. I see far too many people just grabbing a glass of wine and chugging away. Slow down folks! Taking a good whiff of a wine before sipping is a great way to preview what’s to come on the palate. And I always find it interesting to discover the similarities and the differences between aroma and flavor.

An easy way to enhance the sniffing experience and to increase one’s overall enjoyment of the wine experience is to master the art of the swirl. Whether on a table top or freeform, left-handed or right-handed, there’s a point to it beyond just trying to look like a member of the cognoscenti. The act of swirling coats a greater surface area of the glass with a thin layer of liquid, encouraging dispersal and evaporation of esters – the aromatic compounds in wine. By swirling, you’ll get a much more complete exposure to the range of smells, good or bad. And that should increase not just your overall enjoyment of imbibing but also your understanding of what differentiates one wine from the next.

An increasing number of restaurants, recognizing the importance of wine to the overall dining experience, have incorporated a form of the swirl called “seasoning” into their sommelier services. A small bit of the wine to be consumed is poured into your glass and swirled while tipping the glass, coating the entire inner surface before being poured into the next glass where the process is repeated. The idea is both to remove any remaining vestige of dish soap or lint from a polishing cloth and also to prepare the glass for receipt of the small test pour and, once the wine is accepted, a full pour. Think of it as full-service swirling. It takes only an ounce or so to season the stemware for the entire table. Babbo, Mario Batali’s flagship Manhattan restaurant, has developed a reputation for seasoning glasses. It’s the kind of practice that can lead to rather spirited discussions between admirers and detractors.

Of course, there are times when swirling can be a bit over the top. I occasionally find myself absentmindedly swirling a glass of water. A coworker’s boys grew up swirling their milk, a trick learned from their dad but a practice they quickly unlearned in the school cafeteria. For adults, the habit can be harder to break.

As important as swirling is to the wine experience, it is anathema to tasting and analyzing spirits. Swirling wine, remember, helps to release beneficial aromatic esters from the thin coating distributed inside the glass. Do the same with your favorite straight spirit, though, and you’ll quickly find yourself with a snoot full of little other than the burn of alcohol. When making the switch from fermented beverages to distillates, the rules change. Once the alcohol percentage crosses into the twenties and higher, the nature of the drink becomes more volatile. The higher rate of evaporation occurring in drinks of greater strength is enough, glass left still, to lift and release the full aromatic spectrum. Swirling will only intensify the perception of alcohol which will, in turn, obscure the more subtle and pleasing aromas of the libation itself. And sniff that after dinner grappa gently, my friend. Wine rewards deep breaths; spirits punish them.

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If you're only going to own one glass...

Wednesday, April 18, 2007

The Rieslings of Weingut Ratzenberger

Looking down at the St. Jost vineyard from the small footpath cut into the top of its hillside, perched high above the village of Steeg, it’s amazing to believe that vines can grow there at all, much less that people farm them by hand. Knowing the potential quality of the wines that emanate from the slope, it’s equally hard to believe that some of the owners of parts of this vineyard – and many like it throughout the Northern Rhein, the Nahe and the Saar – have chosen to let their land lie fallow. The work is just too hard. Thankfully, Jochen Ratzenberger perseveres.

Representing the second generation of estate production at Weingut Ratzenberger in the village of Bacharach, Jochen works 25 hectares of vines planted mostly to Riesling along with some Spätburgunder (Pinot Noir) and small quantities of Grauerburgunder (Pinot Gris) and Rivaner (Müller Thurgau). The property is based primarily on three Einzellagen (single vineyards). Posten, which is closest to the river, and Wolfshöhle, next up the valley, both lie above the village of Bacharach. Furthest from the river is St. Jost, spanning a larger elevation range above the tiny town of Steeg. The valley, which runs east-west, perpendicular to the Rhein, provides a perfect and necessary southern exposure to the entire property. In all three sites, slate of varying shades of blue and black – the same stone used for roofing the buildings in town – dominates the soil and provides a tough foothold for man and vine. The wines that Ratzenberger coaxes from these sites are without peer in the commune of Bacharach and can certainly be ranked among the best of the entire Mittelrhein region.

Capping off the better part of a week in the Philadelphia and New York areas, Jochen stopped by the shop yesterday to taste through some of his current releases with me and the rest of the crew. Following are some notes on what we tasted and what we learned along the way.
  1. Bacharacher Kloster Furstental Riesling Sekt Brut 2001: Year in and year out, this is one of the most special wines I sell. Made in the Champagne method, including riddling by hand courtesy of Jochen himself, this single vineyard sparkling Riesling spends five years on its lees before disgorgement. Always a clear expression of both site and vintage, it’s a wonderful pairing with oysters and other shellfish and makes a splendid aperitif. The 2001 vintage is drinking wonderfully, crisp, completely dry, showing a very fine mousse and brimming with lightly toasty notes of apple and peach. The Kloster Furstental einzellage is located one valley to the south of Ratzenberger’s primary property. Its soil base is richer in loam than to the north, its rows are more widely spaced and its orientation opens it to the winds blowing along the river. All of these factors combine to make it a dry site with very strong vines, ideal for production of perfectly healthy fruit. Botrytis does not occur here and grapes can hang long on the vine, in some vintages into February. Jochen makes only two wines from the Kloster Furstental – Sekt (from an early picking) and Eiswein.

  2. Bacharacher Riesling Kabinett trocken 2003: Ratzenberger’s village wines, produced only at the Kabinett trocken and QbA levels and labeled simply as Bacharacher with no vineyard designation, come from a cross-section of all three vineyards on the main property, usually dominated by fruit from Wolfshöhle. The warm, dry growing conditions of the 2003 vintage lend a creamier than typical structure to this bottling. The stoniness of all of the estate’s wines is present, soft yet dry, with hints of apricot on the palate. Jochen prefers this wine with fresh water trout caught in the streams near his home. Try it at home with any mild to medium flavored fish.

  3. Steeger St. Jost Riesling Spätlese trocken 2002: Looking back on my notes from a visit to Weingut Ratzenberger in February 2004, we tasted this very wine shortly after bottling. Three years on, it’s developing wonderfully. Spätlesen trocken, late picked wines fermented to total dryness, give a more intense, vinous flavor profile than that found in earlier harvests and lesser degrees of dryness. That vinosity shows itself aromatically, with intense scents of minerals, peach and lime zest and greater body in the mouth. These elements, combined with textures resulting from a higher-acid vintage, make this a great choice for pairing with oilier fish such as salmon or with game birds. The St. Jost vineyard, with its high elevation and soil base of slate, clay and sand, is ideal for this style. The only other wines made there are a Kabinett halbtrocken and a Großes Gewächs.

  4. Steeger St. Jost Riesling Kabinett halbtrocken 2003: The tasting order selected by Jochen surprised me here, as I would have expected to taste this before the Spätlese trocken. No matter, the wine is delicious. Very delicate and gentle, it shows crystal clear flavors of peaches and canned pineapple melded to soft yet refreshing acidity. This is incredibly versatile with lighter foods of all kinds, makes a wonderful aperitif and would hold its own with a wide range of modestly seasoned Asian cuisine.

  5. Bacharacher Posten Riesling Spätlese halbtrocken 2002: Now the order begins to make sense, a clear progression from trocken to halbtrocken and on to sweeter styles. The aromas of this wine are the most intensely mineral yet, showing hints of what many refer to as petrol married to rich tones of apricot and a lush, persistent and lively mouth feel. Full body, lively acidity and a nuance of sweetness make this suitable for pairing with fatty birds and rich sauces. Posten’s proximity to the Rhein and its somewhat sheltered position, both contributing to light morning fog, make it an ideal site for the production of late harvest and botrytis effected styles. From here hail most of the Auslesen, Beerenauslesen and Trockenbeerenauslesen produced by Ratzenberger.

  6. Bacharacher Riesling Kabinett 2003: Not yet for sale, this was tasted from a sample bottle. It reminded me instantly of the 1998 Bacharacher lieblich wines. Soft and broad across the palate, its transparent flavors of white peach and slate, subtle acidity and very low alcohol (8%) make this a classic aperitif style. I’m already looking forward to its availability.

  7. Kloster Furstental Riesling Eiswein 2002: Back to the vineyard where the tasting began, this time with the showstopper. Real, handmade, farm grown Eiswein is a rarity in Germany. Some producers, depending on their vineyard sites, might only produce three or four bottlings per decade. Because of the special characteristics of Kloster Furstental though, Ratzenberger is able to make Eiswein, albeit in tiny quantities, in most years. Sporting 250 grams of residual sugar and 20 grams of acidity, this is pure nectar, unctuous, tooth coating yet still balanced. Subtler aromas but much more intense flavors emerge than in the earlier pickings – lemon and lime oils, kumquat, papaya, passion fruit and orange blossom honey. Its best possible serving scenario is straight up. If you must eat, pair it with a slice of good foie gras. But please, please don’t serve it with sweets; at $135 for a half-bottle, it would be the epitome of waste.

Looking at Jochen, with the flavors and textures of his Eiswein still lingering on my palate, it’s hard to imagine the dedication it takes to produce these wines. Always affable and perpetually relaxed, he tells us of the incredible toils of making his Beeren- and Trockenbeerenauslesen. It takes one person an entire day, selecting one berry at a time, to pick enough to make a single half-bottle. I’ve seen, in person, the guide wires used by Jochen and his picking and pruning crews to hold themselves in place while working the perilously steep hillside vineyards. And I’ve seen the tiny amounts of “topsoil” that must be carried back up the hill and redistributed after hard storms and at the end of the season. I would wonder how he justifies it all – perhaps thinking him mad – if I’d never tried the wines. They are Bacharach-Steeg in a bottle. They make it all worthwhile. Gladly, I think he enjoys them even more than I do.

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Recommended reading:

Monday, April 16, 2007

Wine Course: Loire Valley Overview

Registration is now open for my upcoming course at Tria Fermentation School and the seats are going fast. On Tuesday, May 15, I’ll be walking a group of two dozen through an introduction to some of the fascinating wines of France’s Loire Valley. Here’s what we’ll be sampling and discussing:

Sparkling wine:
  • Ampelidae “Armance B” NV
White wines:
  • Château Les Fromenteaux Muscadet Sevre-et-Maine Sur Lie “Clos du Poyet” 2005
  • Domaine Étienne Daulny Sancerre “Clos de Chaudenay” 2004
  • Domaine des Baumard Savennières 2002
Red wines:
  • Domaine Ricard Touraine “Le Clos de Vauriou” 2006
  • Fabrice Gasnier Chinon “Les Graves” 2005
  • Domaine du Carrou (Dominique Roger) Sancerre Vielles Vignes “La Jouline” 2004
Moelleux wine:
  • Prince Philippe Poniatowski Vouvray “Clos Baudoin” 1990
The registration fee of $50 is inclusive of wine, cheese and the course itself. Sign up for the last remaining seats at Tria’s website. I hope to see you there.

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Recommended reading:

Sunday, April 15, 2007

My Mixed Case

I don’t always get the chance to read the Wednesday food section of The New York Times so it’s a real pleasure when I do. It’s also not terribly frequent that I feel compelled to comment on or quote another wine dude’s article but I have to say that Eric Asimov nailed something quite primal in this week’s installment of his column, The Pour. The tenet of the article is summed up tidily by its title: To Study Wine, Buy and Drink. People ask me virtually every day how they might learn more about wine. “What books should I read?” “Do you guys teach classes?” The best answer really is simple. Drink. Drink regularly. Drink different. Most important of all, pay attention to what you drink. Keep notes, no matter how basic, on the experience.

As someone who spends his days working in a retail wine shop, I was particularly happy that Asimov recommended a good wine salesman as the consumer’s most important link to this learning process. He suggests that those in search of knowledge build rapport with a consultant at their favorite shop and then have that salesperson put together a case, half white and half red, to get the ball rolling. We’ve been doing exactly this for years at the shop where I work with our mixed-case samplers. At $125 and $175 respectively, these both come in pretty well below the $200-250 range suggested by Eric. So, in the spirit of the week, I thought I’d compile a list of my own selections based on what’s currently in the shop, with one rosé included among the whites, and targeting the $250 price point.

McDuff’s Case:
  • Delavenne Brut Champagne NV $38
  • Brunori Verdicchio dei Castelli di Jesi Classico Superiore “San Nicolo” 2005 $15
  • Ratzenberger Steeger St. Jost Mittelrhein Riesling Spätlese Trocken 2002 $20
  • Domaine Ricard Touraine Sauvignon “Pierre à Feu” 2005 $13
  • Andre Bonhomme Viré-Clessé 2004 $21
  • Château Calissanne Coteaux d'Aix-en-Provence Rosé “Cuvée du Château” 2006 $12
  • Isole e Olena Chianti Classico 2004 $21
  • Germano Ettore Langhe Nebbiolo 2005 $20
  • Castel di Salve Salento IGT Rosso “Armecolo” 2005 $14
  • Fabrice Gasnier Chinon “Les Graves” 2005 $14
  • Domaine Olivier & Anne-Marie Rion Côtes de Nuits Villages “La Pretiere” 2003 $25
  • Domaine Combier Crozes-Hermitage 2005 $30

These wines are all estate bottled, naturally made, and clear expressions of their places of origin. You may not like them all but each one should provide a meaningful learning experience.

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Recommended reading:

Tuesday, March 13, 2007

Sunday in Chester County, PA

It's not often I head out to Chester County for fun -- unless it's on two wheels -- but this past Sunday, two forces drew me there with pleasure. One was a visit from a new friend, Anne Saxelby, who I'd met on a recent trip to New York. The other force, drawing us to ChesCo specifically, was the new business of old friends, Aimee and Bryan at Talula's Table in Kennett Square.

Anne had been invited to teach a Monday evening course at Tria's Fermentation School in Philadelphia. When she expressed an interest in coming down early to see the area, which she'd never visited, I offered to play host and show her around. Tying things together, Aimee had stopped in to see Anne at Saxelby Cheesemongers during a reconnaissance mission of New York markets a few weeks earlier and Anne was excited for the opportunity to see Aimee in her new digs at Talula's. So off to Kennett we went. I was jazzed as it would give me the chance to get back and check out the progress of the business.




A quiet moment at Talula's communal table
We arrived at Talula's just after noon to find the store well populated by a mix of locals, friends and Sunday shoppers. It was nice to see people availing themselves of the communal seating areas in the front and central areas of the shop and to see families with children in tow sitting down to impromptu lunches. We did just that ourselves, as Aimee prepared for us a lunch sampler of her husband Bryan's house smoked salmon with candied lemon, local mushroom quiche, smoked scallops, and a selection of olives and cheese. As we munched, we noticed pastry chef Claire Shears periodically passing through the shop with fresh loaves, rolls, baguettes and pastry. A particularly decadent looking tray of sticky buns caught our attention and became the clear target for a quick dessert, washed down with beverages from the coffee/espresso bar at the front of the shop.

In only its second week, there is already some added depth in the shop's selections. I noticed a fuller stock of pastas and dried goods, as well as a few more prepared dishes. Bryan and Aimee's passion for food, energy and attention to detail have brought things up to speed very quickly. They've also had good fortune in putting together a tight-knit team of young barristas and cashiers. A little more confidence with customer communications and a bit more experience with the nuances of the espresso machine and the front of the house should be humming right along with the kitchen and proprietors.

Part two of our mushroom country venture, largely at Aimee's suggestion, was a quick dogleg into Avondale, PA, to visit Va La Vineyards. In over a dozen years living in the Philadelphia area, I must admit this was only the second time I'd visited a Pennsylvania winery and the first visit to any of those producers located in the southeastern corner of the state. Sometimes it takes an out of town visitor to inspire a local to really get out to see his own neighborhood, albeit an extended one.

Va La is a small family based producer, with only seven acres under vine. Though they tout a long history for their farm, including the presence of grape growing and wine making, the current "Home Vineyard" is actually a very recent phenomenon, planted only in the late 1990's. In a spirit aimed at the family's Italian heritage, Va La has chosen to focus its efforts, particularly in the red wine department, on Italianate varieties such as Barbera, Nebbiolo and Sangiovese. Though the producers' hearts are in the right place, the climate and soil characteristics of the mid-Atlantic US are notoriously difficult for site demanding varieties such as these and the end results show the challenge. Sunday's tasting table was focused almost entirely on the winery's red bottlings and, while the wines are in the A-league for the area, the Nebbiolo and Barbera both show dilute structure and atypical flavor and aromatic tendencies. Of the three Italian varietal reds we were offered, the Sangiovese showed most strongly, with at least a hint of its typically dusty red cherry fruit and enough spine to lend it some structure. The most complete red being showed on Sunday was a wine called "Il Rustico," based on a rare vine called Carmine, an American crossing of Cabernet Sauvignon, Merlot and Carignane. Va La is one of the few wineries in the world producing a Carmine dominated red and, while "Il Rustico" earns its name with simple, rustic flavors, it was the only wine on offer which fully matched color, flavor, alcohol and structure with no real damning flaws.

Va La will be interesting to watch in the future, as both the vines and the wine making choices mature and deepen. I'd love to see them make the leap to a real commitment to estate based wine making, to a complete reliance on their own vines and property. Though that's already the intent of their mission, it's not yet reflected in the "Vinted and Bottled by..." language on all of their bottles nor in their decision to buy in fruit from other local and regional growers.

Our tasting and look around complete, it was about time to head back to Philly, walk the dogs and move on to our final destination of the evening -- dinner at Marigold Kitchen. But that's a topic for another post....

Thursday, March 8, 2007

A Quick Trip to New York: Day Two

Over the course of a relaxing breakfast, and after seeing Sarah off to work, Peter and I decided on a mellower itinerary for Thursday. Between the forecast for foul weather and a desire to get back down to Philly early enough to have a productive evening, we would be hitting the road mid-afternoon. Accordingly, we pointed ourselves downtown with just a couple of destinations in mind.

Our fourth for dinner the previous evening was a good friend of Sarah's, Anne Saxelby, the young entrepreneur responsible for the eponymous Saxelby Cheesemongers. Our first stop of the day would be her minute but wonderful shop, located in the Essex Street Market (120 Essex Street, between Rivington and Delancey). The focus at Saxelby is clear and simple: American farmstead cheeses. Most of the produce Anne sells comes from dairies where she's spent time working and learning about each purveyor's particular craft. We had the luck and pleasure that day of finding one of those very cheesemakers -- Debby from Meadow Creek Dairy in Galax, Virginia -- hanging out at Anne's stall. After tasting Meadow Creek's produce and a few other of Anne's current favorites, we grabbed some bread with lunch in mind and headed back to the streets.

Winding our way South and West through the fringes of both Little Italy and Chinatown, our next and final destination would be Tribeca's Chambers Street Wines (160 Chambers Street, between Greenwich and W. Broadway). One of Peter's favorite shops, Chambers Street had been on my must visit list for quite some time but I'd somehow never managed to make it. He was keen to get my opinion of the shop and I was keen to visit based on their reputation for service, knowledge and an eclectic selection of small producer wines. Unlike Rosenthal, which we'd visited the day before, Chambers Street is a somewhat more typical specialty shop. Wines are laid out in a reasonably browsing-friendly fashion (though I found it could still be difficult to locate the stock of a selected item without just grabbing the display bottle). And their selection covers a fairly full spectrum of the international market. Like at Rosenthal, however, Chambers' strength was in Europe, most clearly in the Loire, Burgundy, Rhône and Piedmont. While far from being a single distributor shop, there is a particular focus on the French wines of importer Louis-Dressner. Happily, there is also one of the finer selections of Austrian wines I've found in the states, from quality producers such as Alzinger, Nikolaihof, Hirsch and Emrich Knoll.

After spending a nice chunk of time chatting with one of the shop owners and several of the staff, I buckled down to the business of picking out some interesting stuff. After finally culling the options down to a combination of some old favorites and a few new discoveries such as the wonderful Beaujolais of Terres Dorées, we settled up and headed for home. With mixed case in hand -- half for me and half for a good friend back in Wilmington -- we stepped out onto Chambers Street and practically right into a passing, available taxi. Luck seemed to be on our side that day, as the predicted rain had just started to fall....

Back at Pete's, we polished off some mighty tasty sandwiches from the previous night's leftover pork roast, packed up the car and hit the road for points South, bringing to an end a worthy and much enjoyed quick trip to New York.
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