Showing posts with label Jenny and François. Show all posts
Showing posts with label Jenny and François. Show all posts

Sunday, September 19, 2010

Highlights from the Jenny and François Portfolio Tasting, Fall 2010: Take Two

My previous post, which covered roughly half of the wines that left me most impressed at the fall Jenny & François Selections portfolio tasting, wound down with my promise to keep the Loire reportage to a minimum. I should have known — hell, even you should have known — I wouldn't be able to keep it to just one producer. There's only a little more Loire, though, before we move further afield. So, let's launch back into action, right about where I left things in part one....

Strangest Taste Sensation:
Under usual circumstances, tops in this category may have gone to the 2009 Touraine Amboise "Ad Libitum" from Domaine la Grange Tiphaine, in which the primary flavor signature was a dead ringer for cherry Sucrets®. (Had to check to see if they even make those any more. They do.) But then I tasted the 2006 Coteaux du Loir "Gravot" from La Grapperie, a blend of Pineau d'Aunis, Côt and Gamay. Sticking my nose in the glass immediately evoked one of those scent memories that was totally singular yet that I couldn't quite nail down.... Was it the aroma of freshly broken open milkweed? Maybe poke? (Both things I remember, albeit cloudily, from my childhood.) Mentioned it to the young lady from Uva Wines who was working the Grapperie table and she said it reminded her of horseradish. Damned if that wasn't it! Horseradish, on the nose and on the palate. Only the watering eyes and head rush were missing. Crazy or not, "Gravot" is now on my shopping list.


A Few Gems from the Rhône:
I managed to sidle up to the main Rhône table just in time to score one of the last pours from a magnum of Eric Pfifferling's 2006 Domaine de L'Anglore Vin de Table "Comeyre," a Carignan dominated red with a dash each of Grenache (presumably Noir) and Clairette. A really lovely example of Carignan-driven wine — barky, dark berry fruit with chocolate and spice accents. Rustic but simultaneously classy.

My real faves from the Rhône, though, were the reds from Hervé Souhaut at Domaine Romaneaux-Destezet. Actually, Souhaut's 2008 Vin de Pays Syrah did nothing for me, but the rest of his line-up more than made up for that. His 2009 "La Souteronne," a varietal expression of Gamay stemming from 60-80 year-old vines, was dense, taut and darkly mineral; couldn't help but get a kick out of it being labeled as 12.34% alcohol, either. Souhaut's 2009 Saint-Joseph was a little on the lean and mean side but nonetheless a really fine example of St. Joe, firmly tannic and bristling with black olive and violet aromatics. The '09 Saint-Joseph "Saint Epine," from 100 year-old Syrah vines, was the real star, bringing the extra meat that its little brother was lacking, not just in terms of body but also in the aromatic sense. This had that dark, brooding, meaty aromatic character I love in the Northern Rhône, almost like bresaola in this case, along with an assertive streak of cracked pepper and spice. Really solid wine that I'd love to have around for the cooler weather and a nice roast leg of lamb.


Ass Has Never Tasted So Good:
If there's an area where the Jenny & François portfolio reaches greater breadth than in the Loire, it's unquestionably the big melting pot of the south of France. There are a surprising number of artisan Bordeaux estates and a handful of little gems in the greater Southwest — such as Clos Siguier, whose 2007 Cahors was showing quite nicely — but the real strength, at least numerically, is in the Languedoc-Roussillon. As with Sablonnettes in the Loire, though, there was one estate whose wines really stood out for me: Domaine des 2 Ânes.

You'll forgive me the almost unforgivably bad inter-language pun of this section's heading (I hope). Hey, I expect it got your attention. If it made you cringe, too, so be it. An Âne, you see, is a donkey (aka, an ass), two of which (more now, as you'll see below) are used as beasts of burden at the wine farm of Magali and Dominique Terrier. I'm sure there's a wink and a nod in there somewhere, some awareness of double-entendre, but there's certainly no relationship to a rather unfortunate American expression sometimes used to describe things that, well, don't taste good.

And then there were three.
As you may already have figured out from the borrowed photos in Friday's post, I couldn't bring myself to break out my camera at the tasting.... But I also can't bring myself to post this reasonably lengthy second chapter without throwing in at least an image or two. So, here's a shot of Magali Terrier of
Domaine des 2 Ânes with the farm's, ahem, 3 ânes.
(Photo courtesy of Jenny & François.)

Magali and Dominique's entry level 2008 Corbières "Premiers Pas" ("first steps") was delicious — juicy, fresh, dark-fruited but light on its feet, and very pleasantly spicy. Their 2008 Corbières "Fontanilles," the next step up, was earthier and more tannic, coupled with much more profound aromatics and greater structure, yet still utterly enjoyable. I'd love to pair it, right now in fact, with grilled lamb chops. As so often seems the case with line-ups from this part of the world, I liked their top wine, the 2007 Corbières "L'Enclos," less; it was just as well made as the others but beginning to step a little too far into the realm of the big, boisterous and intentionally impressive to suit my current preferences. All three wines represent seriously good value.


It Wasn't an All French Affair:
It should be glaringly obvious by now that the J&F portfolio focuses overwhelmingly on the wines of France. In the last couple of years, though, they've begun to branch out more and more into other European countries. They've even made a small inroad into distribution of American wine. The single American producer with whom they're currently working, California's Tony Coturri, just happened to be the only producer on hand at the tasting, where he quite convivially poured his big, bold, honest wines — a style that matches the man — for the relatively euro-centric crowd. I won't go into any greater detail than that for now, but you'll find a nice write-up on a few of the entries from Tony's line-up over at Karen Ulrich's blog, Imbibe New York.

I've been hearing/reading a good bit about the wines from the Tuscany estate Colombaia but had not gotten around to trying them until this tasting. I particularly enjoyed Colombaia's 2008 Toscano IGT Bianco, a 50/50 blend of Trebbiano and Malvasia, for its charming aromas of sweet cereal grains, and flavors of blanched hazelnuts and delicate minerality (11.5% alcohol didn't hurt, either). From a simple quaffability perspective, I liked their Sangiovese-dominated 2007 Toscano IGT Rosso as well, though I found that its very forward expression of natural wine making practices somewhat obscured the wine's sense of place.

It was one of the last wines I tasted on the day that really stopped me in my tracks — a Spanish red called Els Jelipins. It was the 2005 vintage and the only wine, so far as I know, produced each year by Glòria Garriga and Oriol Illa, with a little help from their daughter Berta, at their winery that is also known as Els Jelipins, located about 75k to the west of Barcelona. Another first experience for me, so, rather than me trying to tell you about its background, I'd suggest you check out the piece that Linda Milagros Violago wrote for 31 Days of Natural Wine back in '09. Let's just say the wine was warm, plush and sexy (not a word I use often or lightly), beautifully balanced and startlingly, delicately nuanced for a wine of such hot climate richness. Drinking it made me feel good. A bottle will set you back a pretty penny but, if you can lay hands on one from their tiny annual production, methinks you'll find it worth the splurge.

I couldn't help but like the artwork on the rather minimalistic Els Jelipins website — bike, hearts and all.


And Finally, The Wine I'd Most Like to Have Cases of for Daily Enjoyment:
Certainly I'm not the only person who gets asked on a regular basis, "So, what's your favorite wine?" For me, it's an unanswerable question. There are just too many great wines and too many variables that go into the experience of each and every one. On this occasion there were some show stoppers, like the Saint-Joseph "Saint Epines" from Hervé Souhaut, like Jacques Lassaigne's rosé Champagne, and like the '05 from Els Jelipins that I've just finished waxing rapturous over. Of all the wines in the room though, the one I'd most like to have a stack of in the cellar is one of a much easier nature: the 2009 Arbois "L'Uva Arbosiana," produced by Evelyne and Pascal Clairet at Domaine de la Tournelle.

Actually, I really liked Tournelle's lineup across the board. The 2007 Arbois Trousseau des Corvées was in a tough spot — two of the three bottles I tasted from were quite reductive — but I expect it will come around with time; the other bottle was quite fine. The 2006 Arbois Ploussard de Monteiller hasn't yet found the elegance and grace of the 2004 but it's already very pretty, both delicate and racy. Their 2002 Vin Jaune and 2004 Vin de Paille were both crazy delicious; that Vin de Paille had one of the most incredibly savory noses of the day, erupting with scents of chicken broth, golden raisins, yellow curry, pears and hazelnut cream.

Yet it was what could safely be described as Domaine de la Tournelle's simplest wine, "L'Uva Arbosiana," Ploussard fermented via carbonic maceration then aged for just a few months in old casks prior to bottling, that I could most easily envision myself drinking — and immensely enjoying — day in and day out. Fun and freakin' delicious. C'est tout!

Friday, September 17, 2010

Highlights from the Jenny and François Portfolio Tasting, Fall 2010: Take One

It's the heart of the fall trade tasting season right now. Problem is, I live in Philly and 98% of the portfolio tastings are staged in New York. To make them all, I'd need to rent a place in the city for at least a couple of weeks if not an entire month. Add that to the fact that I'd also have to arrange for mid-term palate replacement surgery and it becomes a complicated prospect. I at least try to make it up for a few, though, particularly those held by importers whose portfolios I really dig, and/or for those where the importer may have gone out of his or her way to extend a personal invitation. Can't do 'em all but I do what I can.

First among those that I was able to attend during this week's voyage north was the Jenny & François Selections fall portfolio tasting, held downstairs at The Smith in the East Village. J&F co-proprietor Jenny Lefcourt, like me, leads classes occasionally at Philly's Tria Fermentation School. Nonetheless, it remains tough at best to find wines from her portfolio on the PA market, making the trip to NYC a necessity in order to experience the full breadth of wines that she and her business partner François Ecot are bringing into the US.

In relatively random order and without further ado, here are some of the highlights from Monday's tasting.

Most compelling bubbly:
The Champagnes of Jacques Lassaigne were delicious across the board but it was his Rosé de Montgueux, a rosé d'assemblage of 80% Chardonnay and 20% Pinot Noir, that really stood out. Not for any greater complexity than the two Blanc de Blancs — quite the opposite if anything — but for the fact that it was just in a great place, bursting with bright red forest fruits and drinking really nicely.

Burgundy, red and white all over:
The first white Burgs I tasted, two Chablis from Jean-Claude and Christiane Oudin, weren't to be surpassed. Their 2006 Chablis "Les Serres" was intensely smoky and iodine, full of the pungent minerality that makes Chablis so, well, Chablis. Oudin's 2007 Chablis 1er Cru Vaugiraut, produced from 70-year-old vines, took a significant step up from there, just as lovely to drink but displaying much greater breed and focus.

Oudin bottle shot courtesy of Brooklynguy.

On the red side, there was one clear standout among a healthy handful of interesting wines: the 2007 Mercurey "La Plante Chassey" of Catherine and Dominique Derain. When last I tasted this (at Terroir SF) it was enjoyable enough, even showed some promise, but six months later it's simply singing. Fantastic acid/fruit balance, with sappy, smoky red fruits leading to a ripe red cherry mid-palate and a finish full of minerals and sous-bois character. Very good wine indeed.

La La La Loire:
Okay, you all know by now how much I love Loire wine. Keeping this concise is tough, as Jenny & François are lucky to work with a very fine range of Loire producers. One stood out for me, though: Domaine des Sablonnettes. I liked their wines across the board, from the 2008 Anjou "P'tit Blanc," which showed structured, intense fruit with waves of minerality, to their 2009 Vin de Table "Les Copines Aussi," a juicy, fresh and easy drinking example of Loire Gamay. The 2008 Vin de Table "Les Copains d'Abord," made purely from the indigenous variety Grolleau, was tougher to love — herbal and intensely wound-up — but in a way that made me want to try. "Buy this for further investigation," read my notes.

Image courtesy of Putnam Weekley, via Saignée.

There's plenty more on deck but this is getting long and I'm getting tired. Stay tuned for J&F Part Deux, coming soon to a blog near you.

Friday, May 1, 2009

Jenny, François, the PLCB and Me

It’s rare that wines brought into the US by many of our country’s most individualistic importers make their way onto the shelves in Pennsylvania’s state controlled liquor stores. The very nature of the PA system – which treats wine no differently than a widget, flexing its muscle to buy lots cheap rather than focusing on quality – works against the small importer. Once in a while though, a “SKU” or two from the likes of Neal Rosenthal, Kermit Lynch or Rudi Wiest, to name a few, will sneak onto the shelves. More often than not, they find their way there via a distributor’s closeout sale; they’re never marked as such, so it’s a buyer beware situation. Sometimes the deals are good; sometimes they’re too good to be true. Sometimes they’re not a deal at all. Nonetheless, I’ll occasionally throw at least some element of caution to the wind and snap up a bottle or two.

Here are notes on just such a couple of wines I picked up in the last few months. I was so surprised to see anything from New York based natural wine specialists Jenny & François on the shelves in PA that I couldn’t pass up the chance. Call it part of my never-ending search for diversity and deliciousness or, if you’re feeling less charitable, my continuing willful naiveté.


Côtes de Duras Blanc, Château Haut Lavigne (Nadia Lusseau) 2007
$17. 12.5% alcohol. Plastic. Importer: Jenny & François Selections, World Wide Wine, USA Wine Imports, New York, NY.
The Côtes de Duras is a relatively large (over 2,000 hectares) but nonetheless relatively obscure AOC sandwiched between Bergerac to the north and the Marmandais to the south, roughly ESE of Bordeaux. “Un vignoble, une femme, des vins…” reads Nadia Lusseau’s label. Like most of the producers in the Jenny & François portfolio, Mme. Lusseau farms naturally, vinifies her wines on their natural yeasts and adds only minimum amounts of sulfur. Her Côtes de Duras blanc is a blend of 80% Sauvignon Blanc and 20% Semillon. Whether it’s the work of those indigenous yeasts, the effects of slow, gentle pressing or an expression of Duras terroir I’m not sure, but this bears little in the way of the typical Sauvignon/Semillon aroma stamp. There are lots of lime juice and lime blossom flavors and aromas, maybe a little hay, but little if anything in the way of meadow flowers, grass or other citrus elements. In fact, this might easily be taken for any number of other Southwestern whites, brisk, silvery and slightly mineral but otherwise relatively indistinct.

Côtes du Rhône Villages Signargues “Domaine Grès St. Vincent,” Les Vignerons d’Estezargues 2006
$17. 14.5% alcohol. Cork. Importer: Jenny & François Selections, World Wide Wine, USA Wine Imports, New York, NY.
I’ve been struggling to find any Southern Rhône reds that excite me of late. I normally wouldn’t turn to a co-op wine in search of excitement, but there are, of course, always exceptions to the rule. Just think of Produttori del Barbaresco, for example. This wine comes from an atypical cooperative, Les Vignerons d’Estezargues, which since the mid-1990s has been bottling single-estate wines from several of its larger producer-members and, since the late ‘90s, has been following a natural winemaking regime.

Totally unremarkable when first opened, this eventually opened up to show quite a pleasant nose of kirsch, ripe raspberries, black pepper and garrigue. If it’s really 14.5% as labeled, it sure wasn’t showing it. Soft texture, gentle tannins and surprisingly fresh acidity (for Grenache). Though not quite exciting, there was enough vivacity to make it food friendly and to help it go down easy. You’ll find a profile on the Estezargues co-op, along with the usual great photos, at Bert Celce’s Wine Terroirs.

So what was all my introductory griping about?

Though neither of these wines was incredibly distinctive, they were both perfectly sound and perfectly enjoyable. If you're in New York, you should expect to pay about $12 for each of these wines – just about dead-on budget-wise given their overall qualities. At that price, I might even go back for more. But here in PA they'll set you back $17 (closer to $18 after sales tax), just one of the many vagaries of our state’s entrenched, outmoded monopoly.

Thursday, September 25, 2008

Two from Jenny, François and Neil

Regular readers may remember postings from my July jaunt up to New York. One of the highlights of that trip was a very relaxed dinner at the home of one of my favorite wine bloggers, Brooklynguy (aka, Neil). As if inviting a stranger (that would be me) into his home, introducing him to his family and cooking him dinner weren’t enough, Neil all but forced two bottles of wine into my hands not long before we bid adieu for the evening. They were two of his favorite day-to-day pours that, obviously, he really wanted me to try. On the ball as Brooklynguy is I think he also knew that I would have to jump through hoops to find either wine in the Philadelphia area. Both wines come into the Eastern US thanks to Jenny & François Selections.

Coteaux du Languedoc Pic Saint-Loup “Les Tonillières,” Mas Foulaquier (Blandine Chauchat) 2005
$17. 13.5% alcohol. Cork. Importer: Millesimes Fine Wine Traders, Boston, MA (Jenny & Francois Selections, World Wide Wine, Ltd., New York, NY).
This reminded me in a lot of ways of the Minervois from Château d’Oupia that I wrote up a while back, but extra-chunky style. Snappy aromas of macerated wild berries, dark ground spices and tree bark. Very alive in the mouth, its vigorous texture delivered a sense of energy to all nooks of the palate. Hardly high acid but much brighter and fresher than far too many other wines from the Languedoc. It somehow managed to be rustic, charming, boisterous and refreshing all at once. Perfectly suited to robust comfort foods like ribs, pot pies or burgers. Though a solid value in the mid-to-high teens, it would be fantastic if under $15.

Cahors, Clos Siguier 2005
$12. 12% alcohol. Cork. Importer: USA Wine Imports, New York, NY (Jenny & Francois Selections, World Wide Wine, Ltd., New York, NY).
I heeded Brooklynguy’s advice and decanted this. I’m glad I did. When first poured, this gave off the most highly floral nose – all crushed blue flowers – I’ve ever come across in Cahors – or any Malbec based wine, for that matter. Add to that just the lightest note of the wet paint scent common to SW reds and things seemed to be off to a good start. It was lighter in weight than I’d normally expect but firm tannins and fairly high acidity provided firm sinew. Shortly thereafter the wine shutdown, becoming lean, even a little sour on the palate, like slightly unripe purple plums. The tannins softened up while the acidity heightened.

After a good thirty to sixty minutes in the decanter, though, things really turned around. The wine took on weight. Balanced structure returned. And the aromas blossomed again (no pun intended). A suggestion of bittersweet cocoa powder showed up on the palate, played off against ripe plums and damp earth. The wine remained light – it’s really not a powerhouse style of Cahors – but turned out to be full of invigorating flavors and just a beauty to smell. I found myself softly exclaiming just about every time I raised the glass to my nose. $12 for a wine with this much character is nothing to sneeze at, just as its 12% alcohol – and my palate tells me that’s an accurate level – is more than welcome in today’s climate. I found it pretty dead-on with grilled lamb chops. Neil likes it with duck. Either way, I’m indebted to him for the experience.
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