Showing posts with label Chardonnay. Show all posts
Showing posts with label Chardonnay. Show all posts

Thursday, July 23, 2009

Out of the Alps, Contre le Montre

It’s been an exciting trip through the Alps. The first half of the final week of the 2009 Tour de France has seen the riders cross borders, scale peaks and stake their claims. It’s seen them suffer. It’s seen many riders implode, with pre-race contenders such as Carlos Sastre (last year’s champ) and Cadel Evans dropping by the wayside, perhaps weighed down both mentally and physically by the huge time deficits they incurred way back in the Stage 4 team time trial. It’s seen others live up to or far exceed expectations. If anyone had told me before the Tour started that Bradley Wiggins would still be in the top six after the Alps, I’d have called them crazy. The Schleck brothers have ridden stupendously, too, especially Frank. The image of them crossing the line in yesterday’s stage, finishing first and third, both with arms raised high, will be one of the classic memories from this year’s Tour, no matter where they figure in the final outcome.

Image courtesy of Roberto Bettini.

Of course, the biggest drama of the week was the ongoing question as to who would finally prove themselves strongest, the team leader of Astana: Armstrong or Contador. It’s played out just as I’d expected, and the team has played up the drama with serious panache and fine tactical sense. There’s little doubt now, barring misfortune, that Alberto Contador will finish the Tour on the top step of the podium. Even with today’s time trial and Saturday’s finish atop Mont Ventoux on the horizon, I think he’s got it locked.

Armstrong himself has been incredibly impressive, coming right back to the top of the sport after three years of retirement. I wasn’t sure he had it in him – not the performance but rather the teamsmanship. He may be struggling a tad more in the high mountains than he did in years past but only a tad. What he’s really been doing is riding in strong support of Contador’s position, watching Alberto go up the road, discouraging other riders from chasing him down by setting a tough tempo, and then managing to drop them to defend his own position in the general classification. The Schlecks may have bumped him down to 4th place after yesterday’s stage. But with today’s time trial and Saturday’s finish atop Mont Ventoux (sound familiar?), don’t count him out of the top three come Sunday’s ride into Paris. I wouldn’t be surprised to see him scratch his way back past one if not both of the Luxembourgian brothers.


Today’s post, though, is dedicated to Jens Voigt. The video above may focus upon Armstrong’s Stage 16 exploits but I like it most because it shows Jens, always the immaculate professional, riding way above his comfort zone in support of his teammates. That’s him about half way through the video, the big guy in the white and black kit of Team Saxobank, leading the group from which Armstrong had been dropped. These are the high Alps, mind you, not the rolling hills where Voigt usually launches his breakaway escapades. Regrettably, Jens crashed out of the Tour later in the same stage, wiping out horrifically during a high speed descent. Luckily, he came through it okay. His crash has been the scariest of the Tour thus far – let’s hope it stays that way. And while his crash is likely to be the image that will be remembered, I prefer to think of him leading the charge up the hill, sacrificing himself for the good of his team.

* * *

It may seem anti-climactic to bring wine into the picture at this point. But I did half-promise, half-threaten to follow the wine trail along the route of this year’s Tour, so here goes. The last few days, as I mentioned above, have seen the riders crossing not just the Alps but also borders, from France into Switzerland into Italy and back again to France. I had no wine in my cellar from the Swiss Valais or from France’s Haute-Savoie, and I didn’t manage to open anything from Italy’s Valle d’Aosta. So I opted for something from right in the midst of it all – the Jura.


Arbois Pupillin Chardonnay, Emmanuel Houillon 2006
$25. 12.5% alcohol. Cork. Importer: Louis/Dressner, New York, NY.

When last I drank Houillon’s 2006 Chardonnay, my notes brought its importer Joe Dressner out of the wings. The wine was extremely reductive; not so, this time.

This was definitely a great bottle – subtly funky on the nose and electrically alive in the mouth, with no signs of reduction. What is it about the aromas of so many Jura wines that makes me think of the beach? These are mountain wines after all, not coastal produce. But Houillon’s Chardonnay showed a pungent nose of sandy minerality tied to scents of lemon meringue pie crust that, yep, brought to mind the seashore. It’s full of lees-y high notes in the mouth, in that respect consistent with the last bottle, which made me think of sake. This time around, it was the respective citric and wild yeastiness of witbier and geuze that came to mind. A joy to drink and a great food wine, too. Its combo of mouthwatering acidity, minerality and lemony fruit paired amazingly well with a simple summer dinner of grilled chicken and feta sausages, arugula dressed with good olive oil, and my wife’s latest rendition of potato salad, made with green olives and preserved lemons. I’m quite sure this was the wine Joe D. had in mind.

The "Contre le Montre" part of today's posting title? That's the rather more poetic French for time trial. And a reference to my goal to actually write this and get it posted before today's Stage 18 race against the clock comes to an end. Mission accomplished, I think.

Thursday, June 18, 2009

Laurent Tribut and The Mystery of Picasso

Whether you’re a modern art buff, a student of painterly technique or a card carrying member of the Pablo Picasso fan club, if you’ve never seen “The Mystery of Picasso,” you should. In this 1956 release, filmmaker Henri-Georges Clouzot captured the visual aspects of Picasso’s full creative process on film. With Picasso drawing and painting on translucent paper behind which Clouzot set up his camera, the viewer is able to see the artist at work – adding, changing, completely obscuring then adding more – until each piece reaches what Picasso deemed to be completion. Most of the pieces you’ll see in the trailer below are quick and relatively minimalist. There are other works in the film, though, that are intricate, layered and intense. There are pieces where Picasso seemed to have finished but would then add another layer, even paint an entirely new picture over top of what already appeared a beautiful work. It’s a powerful demonstration of painting as an additive form of art.



* * *

Tracie B. – soon to be Tracie DoBi (congratulations, y’all!) – provided all the inspiration I needed for this post. She wrote up the exact same wine I’m about to (albeit from a different vintage) not long after I’d picked up a bottle at one of my occasional wine shopping stops.


Chablis Premier Cru “Côte de Léchet,” Laurent Tribut 2006
$20 (32). 13% alcohol. Cork. Vineyard Brands, Birmingham, AL.
Intense lime and mild washed-rind cheese aromas. Sapid minerality and medium acidity, at least by Chablis standards. The aromas aren’t so much pretty as they are brooding and profound. Pear skin and subtle vanilla notes add a touch of comfort. Served cold, this is pure Chablis, mineral and crisp, not at all unlike the best Muscadets of the Pays Nantais.
Warmer, it becomes clear that, in spite of the wine hailing from closer to Épernay than Dijon, this is indeed white Burgundy, fleshy and stony.

Don’t ask me to explain it any more clearly than I’m about to but I sensed a twisted spine in the structure of Laurent Tribut’s 2006 “Côte de Léchet,” as if its nerves and muscles had wound-up then released but never quite returned to their original position. Its quirks – from cheesy aroma, to a slightly sour/bitter note on the finish, to that crooked stance – may be signs of imperfection but those imperfect notes make the wine all the more interesting. In any event, the fact that there is no such thing as a “perfect wine” aside, I don’t think Tribut is a producer who’s aiming for a sense of polished perfection; rather, he’s simply striving to make wines that are true to their place and time.

* * *

In the days since first reading Tracie’s post, in which she wrote less about Tribut’s Chablis itself than she did about the wine world’s all too often myopic anti-obsessions with Chardonnay, I’ve encountered a couple of other pieces that got me thinking along rather cubist lines. First, there was Samantha Dugan’s take on why so many people say they don’t like Champagne. (I find a similar phenomenon and have a similar pet peeve when it comes to Riesling, Sam.) And more recently, there was Christopher Watkins’ discussion of Carignane (and Chardonnay) at 4488: A Ridge Blog.

All of these vines and wines have something in common. There are plenty of bad examples floating around out there, whether coarse, saccharine, obese or headache provoking. People drink a couple of bad Chardonnays (or Champagnes or Rieslings…) and then make a blanket declaration that they don’t like Chardonnay. Period. It’s human nature, and it’s one of the most frustrating roadblocks encountered in trying to open peoples’ eyes to the pleasures in all sorts of wine, not just one color or type. Chardonnay, though, offers up a trait that makes it stand apart from these other grapes and styles of wine.

When you see Picasso at work, you see him creating something from essentially nothing. Sure, he has pens, markers, paint and a brush, but he’s adding something where nothing existed before.

In contrast, when Chardonnay is grown in a decent place by a caring farmer, its very Chardonay-ness, or its Chablis-ness, is already there when the fruit is picked and crushed. The winemaker is not working with a blank slate but rather with a medium – a sculpture, if you will – that is already largely finished. The best winemakers, at least in my opinion, will simply find the right frame for their wine and then gently guide their work to completion, adding as few strokes as possible along the way. Malolactic is fine if it’s natural to the wine’s physiology. There’s nothing wrong with barriques if the scale or spine of the wine calls for them.

But far too many winemakers place the emphasis of their title on the “making,” not the wine. Too many look at their just pressed juice as a blank slate, as a canvas wide open to the additive arts. Chardonnay offers up what’s perhaps the biggest, blankest piece of canvas in the wine world, making it far too easy for good raw material to take on monstrous proportions. And nobody likes a cheater.

Wednesday, April 22, 2009

Two from Tissot

Ever find yourself thinking eerily alike another? I stopped by a friend’s house not long ago to do a little tasting and cooking. For good measure I’d carried along a bottle of Domaine Tissot’s Arbois “Sélection,” one of a handful of interesting wines I’d picked up a few days earlier. As it turned out, he’d already lined up a bottle of Tissot’s Arbois Chardonnay. No advance discussion or planning, just a freak coincidence – a welcome one.

At work in the vineyards at Domaine André et Mireille Tissot
(photo courtesy of stephane-tissot.com).

When Stéphane Tissot began taking on more and more responsibility for the farming and winemaking at his parents André and Mireille Tissot’s estate in the mid-1990s, he immediately began a slow but sure conversion of the property to organic farming methods. That cycle moved to the next logical step with the first application of biodynamic principles in 2004, becoming “official” via full biodynamic certification by Demeter in 2005. Farming at the 32-hectare estate is natural and so too is the winemaking. All of the Tissots’ wines – as many as 28 different cuvées in any given vintage – are fermented spontaneously on their native yeasts, with sulfur used minimally if at all.

Arbois “Sélection,” Domaine André et Mireille Tissot (Stéphane et Bénédicte Tissot) 2004
$23. 13% alcohol. Cork. Importer: A Thomas Calder Selection, Potomac Selections, Landover, MD.
Tissot’s Arbois “Sélection” Blanc is a blend of 70% Chardonnay and 30% Savagnin made in an intentionally oxidative style. The two varieties are barrel fermented and aged separately for nine months, with occasional topping up of the barrels. After blending, the wine undergoes a further fifteen months of aging in barrel, this time sans ouillage (without topping up). In this environment, a partial veil of flor forms, much as with Vin Jaune though to a lesser extent, and the wine is eventually finished with a very light filtration prior to bottling, with no further sulfur treatment.

The end result is delicious. The first pour opened with a typically apple-y, oxidative nose and Sherry-like brininess and savor on the palate. As it unfolded in the glass, its flavors developed greater complexity and depth. Persimmon and kumquats, dried apricots minus their sweet-fruited aspect, sour limestone and marshmallows (yes, marshmallows). The whole package is carried along on a razor’s edge of acidity. It was mouth coating in its intensity yet not at all heavy, the flavors and texture clinging to my teeth like a free-climber might cling to a sheer rock face, with sinew, grip and desperate balance. This is certainly not for everyone but it’s one of the most exciting wines I’ve had this year. And at $23, it’s a tremendous value.

Arbois Chardonnay, Domaine André et Mireille Tissot (Stéphane et Bénédicte Tissot) 2007
$24. 13% alcohol. Cork. Importer: A Thomas Calder Selection, Potomac Selections, Landover, MD.
Quite backward – our order, that is, not the wine. In our enthusiasm to taste the “Sélection” we didn’t bother thinking about which wine to open first. It would certainly have made sense to start here but, hey, sometimes it’s more fun just to forge ahead.

This is made in a far less oxidative fashion, with spontaneous fermentation in barriques (10% new) followed by twelve months of barrel aging. Lighter and more youthful in color, as expected, it was loaded with flavors of d’Anjou pear and aromas of fresh honey and Braeburn apples, all on a taut, medium-bodied frame. Like “Sélection,” it displayed tremendous grip and energizing acidity, calling to mind Burgundian cousins such as commune level or premier cru Chablis (but with more flesh) and Viré-Clessé (but with a more intense acid and mineral profile). This could do interesting things in the cellar but it’s already drinking great. I’d love to try it with a plate of grilled scallops, completely unadorned. Definitely.

Domaine Tissot’s website, by the way, is very much worth exploring. Lots of good information about the estate as well as biodynamic farming principles, all set to a soundtrack of fermenting Savagnin.

Tuesday, July 15, 2008

Wines on the Fourth

Life on the Trail can run from feast to famine. Lately it’s been all feast, the side effect being that there’s so much to write about that I’m having a hard time keeping up with it. I suppose that’s a good problem to have. So, without further ado, here are some notes from the Fourth. No hamburgers and hot dogs, no horseshoes, no fireworks, just good friends, good food and a few bottles of vino.

Bourgogne Chitry Blanc, Alice & Olivier DeMoor 2006
Light to medium in color, this Chitry Blanc – that’s Chardonnay from the northern reaches of Burgundy in case you weren’t sure – smells much leaner and flintier, more Chablisienne, than it feels in the mouth. Fruit forward and refreshing. If it were a bit less pricy it would make for a very good every day white Burg. Quince and crisp d’Anjou pear fruit are carried on a medium-acid, medium-bodied frame. The DeMoor’s work roughly 15 acres in the Yonne Départment, producing AOC Chitry, Chablis, Aligoté and Sauvignon St. Bris. Farming is organic, fruit is hand harvested and the wines are bottled without fining or filtration. Check out Bert Celce’s blog, Wine Terroirs, for an excellent profile of the estate. $27. 13% alcohol. Cork. Importer: Vintage ’59 Imports, Washington, DC.

Bourgogne Hautes Côtes de Nuits Blanc “Cuvée Prestige Le Prieuré,” Domaine Mongeard-Mugneret 2005
Decent wine, from an estate known much more for its reds than its whites. Smells like nougat and apple pie à la mode, though it also shows some disjointed alcohol and slightly acetyl character on the nose. Wood is well integrated, adding a bit of tannic astringency that complements the wine’s structure without dominating its flavor. There’s some complexity and interest here but not enough to offset the flaws or to justify the near $30 price. $28.50. 12.5% alcohol. Cork. Importer: J.A.O. Wine Imports, McLean, VA.

Rioja Crianza Blanco “Viña Gravonia,” R. Lopez de Heredia 1998
Now we’re talking. This was stupendously good, certainly the white of the night. Concentrated, firm, youthful and beneficially touched by its time in old wood. Spot on with simply grilled scallops, where the Rioja bumped up and focused the natural sweetness of the shellfish. This could easily pass for white Burgundy crossed with good Touraine Chenin. But it’s clearly all its own. Almonds, stones, golden apples and a touch of caramelization, all accented by a Scotch-like brininess. Fantastic wine with great QPR and a long life ahead of it. For another nifty producer profile, check out Deetrane’s guest post at Brooklynguy’s place. $28. 12% alcohol. Cork. Importer: Polaner Selections, Mt. Kisco, NY.



Rioja Gran Reserva Tinto “Viña Tondonia,” R. Lopez de Heredia 1987
At twenty years of age, there’s bound to be a bad bottle once in a while, no matter how storied the producer. This was just barely alive, with only some dull, leathery notes and vaguely sweet red fruit emerging with air. It could have been heat damaged somewhere along the way, as there was a bit of run-up on the cork. Bummer. $94. 12% alcohol. Cork. Importer: Polaner Selections, Mt. Kisco, NY.



Langhe Nebbiolo “Il Favot,” Poderi Aldo Conterno 1998
You lose some and you win some. With more recent releases going for upwards of $60, the $20-ish price tag – I picked up the last bottle on the shelf at a PLCB specialty store a while back – seemed more than worth the old bottle/questionable retailer gamble. The gamble paid off this time. “Il Favot” is the only wine that Aldo Conterno ages in new barriques; while it has a reputation for early accessibility, this bottle was singing in its tenth year. The toasty oak is still there but has been incorporated. Licorice, dried raspberries, roofing tar, saddle leather and floral herbs all come out to play. Nervy acidity and gentle yet fully articulated tannins. The aromas and flavors just keep coming and developing with time in the glass. Rose petals, toasted almonds and sandalwood galore, along with sweet spice, natural perfume and animal intensity. Like lifting up a beautiful young woman’s hair and kissing the nape of her neck. I liked it. Could you tell? $23. 14% alcohol. Cork. Importer: Vias Imports, New York, NY.

Wednesday, June 25, 2008

If It’s Good, Must You Like It?

I’ve long been an upholder of a principle that is very likely to irk some readers: simply liking a wine does not mean that the wine is good. Conversely, and just as potentially irksome, simply disliking a wine does not mean that the wine is bad. Like it or not, true wine appreciation, what wine writer Matt Kramer might call “connoisseurism,” entails more than just expressing subjective, personal opinion. Coming to grips with these aphorisms is a difficult but necessary step in developing a well-rounded foundation for the understanding of wine.

I’d like to think that I’ve developed a reasonable knack over the years for knowing how to avoid buying truly bad wine (though it’s important to taste bad juice from time to time both as a reality check and as a basis for judgment). On the other hand, I don’t think anyone who’s truly interested in wine, no matter how careful, can ever be exempt from occasionally picking up a bottle – a good bottle – and finding it not to be to their liking.

In originally selecting the wine that inspired this soap boxing, I’d followed some important cardinal rules of wine shopping. It was a current vintage release procured from a reasonably good wine shop, both guidelines that reduce the chances of ending up with an abused bottle. Likewise, the capsule spun freely, with no sticky or sweet smelling signs of leakage. Just as importantly, this being European wine, it came from an importer whose selections and handling practices I trust. It even came with recommendations, strong enough to have stuck in my memory, from my cohorts Brooklynguy and Canada Joe. All of these variables considered, I opened this bottle with every expectation of liking it.


Cheverny Blanc, Domaine du Salvard (Delaille) 2006
Bright, clear straw to the eye. Intensely aromatic, redolent of grass, mint and white flowers, all of which carry through to the palate along with flavors of kumquat, lemon water ice, white pepper and gooseberry. The wine is balanced, dry but fruity, refreshing and entirely proper – essentially good wine – yet I found it not to be to my liking. Why? The primary reasons are twofold.

First, Salvard’s 2006 Cheverny said nothing to me of its place. If I’d been handed a glass of it in a blind tasting, I most likely would have guessed New Zealand Sauvignon Blanc or, in any event, certainly an unoaked, new world SB. The minerality and more subtle herbaceousness I expect from Middle-Loire Sauvignon were respectively missing and far from subtle.

Second, in spite of the clean, lively texture of the wine, I found there to be something coarse about the wine’s overall impact. Maybe my expectations are unrealistic but I want even my everyday, under $15 wines to display some elegance.

I think Brooklynguy’s pal NorthCarolinaguy put his finger on the aspect of the wine that bugged me: aromas and flavors of dandelion. I like dandelion greens in salad, at least in small quantities, for the bitter spark they provide. I like them even more when sautéed with garlic and olive oil – very nice on pasta. I even like dandelions in my yard for their diversity of color and flora. But the cattiness of their aroma doesn’t work for me when it comes to wine. The French call the dandelion “pissenlit,” literally “urinate in bed.” Wikipedia attributes that etymology to the plant’s diuretic properties. I, for one, think it’s a little simpler than that.

$14. 12.5% alcohol. Nomacorc. Importer: Kermit Lynch, Berkeley, CA.

Tuesday, June 3, 2008

Wines at the Bistro

Friends and I headed out to Bistro on the Brandywine for dinner a few nights ago. Taking advantage of their BYOB policy, which continues in spite of the recent approval of their liquor license, we carried along a few bottles with a view to ensuring enough versatility to suit the restaurant’s French bistro influenced menu.

Cheverny, Le Petit Chambord (François Cazin) 2006
François Cazin’s low-yield farming shows through in spades in the richly concentrated fruit and slightly unctuous texture of his 2006 Cheverny Blanc, a blend of 70% Sauvignon Blanc and 30% Chardonnay. Given its high alcohol (14.5%) and marked residual sugar, I can’t help but consider this atypical for Cheverny. The herbaceous and mineral edge I expect from the AOC are missing and subdued respectively, replaced by round, ripe lemon and tangerine fruit and aromas of white tree blossoms. Cazin was obviously working with some pretty ripe raw materials in this vintage. The wine stops just short of being fully honeyed. On the up side, its alcohol is not at all apparent. There’s a chalky acidity that stands out on the mid-palate. In spite of all the concentration, its purity of fruit, along with that high-toned acidity, helped to make this pretty satisfying as an aperitif. It also worked well with the daily salad special of field greens, goat cheese and roasted golden beets. $16. 14.5% alcohol. Natural cork. Importer: Louis/Dressner, New York, NY.

Irouléguy Blanc “Ilori" ("Les Jonquilles"), Domaine Brana 2004
When I learned a few years back that the shop where I spend my days would be dropping the Wine Traditions portfolio, I was dismayed. Importer Ed Addiss brings in a book of characterful wines from a cadre of small estates, with particular strength in SW France. I made sure to snag a couple bottles each of a few of my favorites before they’d no longer be easily accessible. This is one, especially tasting it now, which I wish I’d gone long on.

“Ilori” is Basque, “Les Jonquilles” French, for Narcissus jonquilla, the yellow wildflowers native to southern Europe that grow widely on the terraced hillsides in Irouléguy. This is Domaine Brana’s “basic” white, a blend of Gros Manseng and Petit Courbu, vinified without wood influence. At first sniff, it gave off a cheesy pungency that I’ve noticed before in Jurançon Sec and other Pyrenéean whites. With air, that funk transformed into a much fresher expression of lime pith, kumquat and hay, with mountain meadow floral and herbaceous notes evocative of the wine’s name. Although it’s a tad lower alcohol than typical for Irouléguy Blanc, it still shows the area’s savage power and dryness via its combination of visceral acidity and intense persistence. Lip smackingly good even at first, it just kept getting better right up to the last drop. Spot on with the saffron cream sauce in which our mussels were cooked. $14 on release. 13.5% alcohol. Composite cork. Importer: Wine Traditions, Falls Church, VA.

Barbera d’Alba “Cascina Francia,” Giacomo Conterno 2005
What can I say about this that hasn’t been said before? The wines of the Giacomo Conterno estate are a benchmark for the traditionalist style in Piedmont. They are widely considered to have few if any peers, particularly in the context of their famous Barolo Riserva, “Monfortino.” Though the winery is located in Monforte d’Alba, this Barbera is sourced from the estate’s 16-hectare vineyard, Cascina Francia, located high on the hillsides of Serralunga d’Alba. This is wine that somehow manages to capture the innately rustic personality of Barbera yet express it with elegance, structure and fine balance. The characteristic muscle of Serralunga fruit is all there. Plum and mulberry fruit and dense earthiness are followed by a hint of cocoa-driven opulence and restrained spiciness, the influence of a two-year aging regimen in old botti of Slovonian oak. Hardly every day Barbera, this is profound, a real vino di meditazione. There may not be a better pairing out there for the short ribs and gorgonzola gnocchi served at the Bistro. $30. 14% alcohol. Natural cork. Importer: Polaner Selections, Mount Kisco, NY.

Thursday, May 29, 2008

Notes from a Sunday: Memorial Weekend Edition

In between the two sessions of grilling covered in my last post, I accepted an invite from friends for a slightly different vein of Memorial weekend dining. Bill was planning to roast a leg of lamb from the highly acclaimed Jamison Farm. I was only too happy to oblige in helping to put a dent in said leg. As it turned out, he also had his mind set on pulling corks from a few heavy hitters and some bottles with sentimental associations. We actually dove straight into a Grand Cru Chablis. After a cursory taste, however, we opted to retreat temporarily toward something simpler, certainly of interest but a touch less daunting as an aperitif – and no cork involved.

Pfalz Weißer Burgunder Kabinett trocken, Weingut Münzberg (Lothar Kessler & Söhne) 2006
Along with their full range of other specialties, the Kessler sons, Gunther and Rainer, turn out pure, vibrant examples of Pfalz Weißer Burgunder (aka, Pinot Blanc) from their family estate, Weingut Münzberg. There’s an aspect right up front in this wine that The VLM and, apparently, David Schildknecht, writing about Weißer Burgunder in general, both nailed: creamed corn. While I’ve cited that flavor in a negative context in a past tasting note (on Tocai, not Pinot Blanc), here it’s an integral part of the wine, forward at first but eventually fading and intertwining with the wine’s more elegant facets. Those facets of elegance are expressed by the white peach and yellow apple fruit and the fine mineral character that emerge with aeration. There’s an overall impression of medium acidity and clean, crisp framework. The integrated nuance of corn adds freshness as well as a sweet, starchy flavor snap, which is finished off by a tactile suggestion of white grape skins. A good quaffer and quite food friendly, it’s only a shame that it no longer sells for the $15 price tag of a couple of years ago. $20. 12% alcohol. Vinolok. Importer: Petit Pois, Moorestown, NJ.

Chablis Grand Cru “Les Clos,” Vincent Dauvissat 2005
Right out of the barrel, so to speak, this showed classic Dauvissat flavors of lemon rind dusted generously over white river stones that have yet to be polished to complete smoothness. Along with good persistence, there’s a very sapid wood element, already well integrated. In fact, as far as integration goes, I was surprised at how well this terribly young wine was showing already. Plenty of lime pith and mineral laced fruit on the palate. I got the sense as the wine warmed and aired a bit that, wrapped up by its currently gripping acidity, there’s a richer, more voluptuous wine waiting to emerge. At this point in its evolution though, I was surprised by its overall lack of concentration and muscle. Very good wine but not clearly elevated above or differentiated from Dauvissat’s Premier Cru offerings. Price unknown; currently sells online for $125-225. 13% alcohol. Natural cork. Importer: Vineyard Brands, Birmingham, AL.


What goes well with purple fingerlings? Truchot's Gevrey-Chambertin worked out quite nicely.

Gevrey-Chembertin Premier Cru “Aux Combottes” Vieilles Vignes, Jacky Truchot-Martin 2003
Even though I sold Truchot's Burgundies for a short period many years ago, I owe the majority of my more recent experiences with Jacky Truchot’s wines to Bill; he’s got to be one of the now retired producer’s biggest fans. This one was a showstopper. Say what you will about the ripe-fruited or even atypical aspects of 2003 Burgundy, here the quality of the vintage brought sheer loveliness into play. Immediate impressions were of pickled plums and Christmas spice cake, with signature Truchot aromas of wild cherries and clay lurking beneath. There was another element that took me a few moments to nail down: sarsaparilla (sasparilla, if you prefer). Really beautiful wine. Silky, fine tannins, balanced acidity, sweet, nuanced fruit; it had the whole package and then some. I hope, for Bill’s sake, not mine, that he has more of this stashed away for another day. Price unknown; most likely $70-100. 11-14% alcohol. Natural cork. Importer: Weygandt/Metzler, Unionville, PA.

Sancerre “Clos la Neore,” Edmond Vatan 2006
After the Gevrey-Chambertin and a wonderful plate of roast lamb, fingerling potatoes and sautéed chard, I’ll admit to having a hard time giving Vatan’s Sancerre the attention it was due. Good company and good food put it into perspective as something that was opened just for pure enjoyment – not that the other wines weren’t as well. What I can say is that Vatan’s Sancerre is like few others. It lacks the fresh, fruity attack of lemon and grapefruit tones of much other Upper Loire Sauvignon. However, it makes up for that with intense stoniness – more round than racy – a highly perfumed aspect of lime oil and muscular, fleshy acidity. The wine’s intense physiological extract suggests both very old vines and very low yields. Though I’ve never had a mature bottle, I expect that this could get very interesting with age. Regrettably, if my understanding is correct, 2006 was Vatan’s last vintage. It’s not cheap for Sancerre but, if your budget allows, it would be worth snagging a bottle or two while the possibility of doing so remains. $49. 13% alcohol. Natural cork. Importer: Wine Cellars Ltd., Briarcliff Manor, NY. “Acquired from a Private Collection.”

Loazzolo “Piasa Rischei” Vendemmia Tardive, Forteto della Luja 2003
Given that fresh berries are coming into season, it seemed to make sense to open something sticky as accompaniment. Mr. and Mrs. Bill visited Forteto della Luja on their honeymoon and haven’t stopped raving about the Scaglione family’s wines. Loazzolo is a small DOC zone situated in the Langhe hills near Asti, Alba and Acqui Terme. The single vineyard “Piasa Rischei” is a blend of 95% Moscato and 5% Passula, one of several wines produced at Forteto della Luja but the only one that falls under the Loazollo DOC. It’s not just a late harvest wine but also a long harvest wine; picking begins in late September and continues into November. At each tri, harvesters select only fruit that is showing early signs of being affected by botrytis. About 15% of the fruit goes through the passito process, being partially dried on canvas mats.

The end result is a still wine with surprising density and concentration. Given the relatively dark flavors and lower than typical frizz of their Moscato d’Asti, which I’d tried on an earlier occasion, I shouldn’t have been surprised. Ripe, musky melon and honeyed peach fruit intermingle with the golden aromas of autumn leaves in a dry forest. Sweet, loamy and spicy, this was as contemplative as it was easy to enjoy at the end of a lovely evening. Price unknown. 11.5% alcohol. Natural cork. Purchased in situ.

Tuesday, May 13, 2008

More on Auxey-Duresses and the Question of Premature Oxidation

Much has been written over the past few years about premature oxidation of White Burgundies. The phenomenon seems to have been particularly widespread among wines produced in the second half of the 90s and early into this decade. I’ve been lucky enough to encounter the issue on only a few occasions. Whether that truly is luck or just a sign that I haven’t been drinking enough White Burgundy is a question for me to ponder. In any event, when I last wrote about the issue, it was in the context of an episode of Exploring Burgundy, focusing on Auxey-Duresses Blanc.

The wine in question was the 2002 Auxey-Duresses Blanc “Vieilles Vignes” of Domaine Diconne. Based on tasting it upon release, I’d cellared a half-case for future enjoyment and to track its development with age. So it was with dismay that I indeed found that last bottle, at least at first glance, to have suffered from early oxidative decay. As that August night wore on though, the wine seemed to recover some of its freshness and structure and ended up being fairly pleasing, if not quite what I’d hoped.

After tasting through most of Diconne’s 2005 lineup at work a few days back, it seemed like the perfect time to revisit the 2002. This time, the first glance was of somewhat muted aromatics and tight structure. But, lo and behold, there was not a hint of oxidation in evidence. As the day wore on, more and more aromatic depth was revealed while the wine’s textures and flavors unwound. Lemon custard, green apples white stones and chalk all showed up on the palate, layered atop aromas of blooming forsythia. Oak had been entirely integrated. There was loads of grip and bracing acidity, not just linear but full and mouth filling in its liveliness. The wine was at once light, lithe and airy yet had tremendous presence, with both textures and flavors lingering for minutes on the finish. As the liquid in the bottle dwindled and its temperature warmed, coconut cream and key lime emerged along with something primal, like fresh sweat after a good workout. Final impressions were of the skin of a perfectly ripe d’Anjou pear. Just brilliant. One of the most compelling wines I’ve had this year.

I could call it a happy day and leave it at that but this shift in fortunes raises a question. Was this simply a matter of bottle variation or had the wine somehow recovered, moving through and beyond an oxidative adolescence? My first thought went to the former. However, especially after looking back at my notes from the previous bottle, I wonder more and more if there’s any credence to the latter possibility. There’s a known tendency for Chenin Blancs from the Loire, for instance, to show early oxidation but then continue to live on and develop for years. But there, the oxidation seems to become an integral part of the wine rather than integrating or disappearing entirely.

I’d love to hear from others on this. Personal, anecdotal experience is more than encouraged. I’d also be particularly interested in hearing thoughts from the scientific perspective and/or from anyone with a winemaking background. Just hit the comments with your feedback. Maybe we can all learn a little something.

Saturday, March 22, 2008

Wines at Salento

Yep, that’s wines at Salento, not wines from Salento.

When eating at home most nights, casually that is, I always try to select a wine that will match well with the meal but don’t usually quibble over the cultural origins of the dish vis-à-vis the denomination of the wine. When going out to eat at a spot with a specific culinary focus, French or Italian for example, I tend to be a stickler for selecting wines from the same country, even right down to a specific region, to match. When dining at Philadelphia restaurant Salento recently, the choice should have been easy – wines from Salento itself, the heel of the Italian boot. In hindsight, wines from Tuscany and Le Marche down, especially reds from Salento and reds and whites from Campania, would have been perfectly suitable given Salento’s culinary scope.

The problem was, there was nary a thing from the southern extremes of Italy to be found in my cellar and I wasn’t up for a wine shopping excursion as prelude to a casual meal out. Red wasn’t too big an issue as there were a decent number of Tuscan bottles from which to choose. White options, on the other hand, were rather more limited. By that understatement, I mean two, just two measly vini bianci from which to pick. As one was a 500ml bottle of Josko Gravner’s Ribolla Gialla, which I wasn’t about to jostle around town, the decision was made.

Langhe Chardonnay, Ettore Germano 2005
From the opposite corner of Italy relative to Salento, this would normally have been an odd choice for pairing with southern Italian food. No matter, it worked. Sergio Germano could be considered a modernist for growing Chardonnay, not to mention Riesling, in the Langhe and for barrique aging some of his whites and reds. For his Langhe Chardonnay, however, he all but eschews wood – only about 5-10% of the wine sees any barrel time – in favor of a fresh, crisp, food-friendly style. When first released, it can be soft and fruity. With just a little bottle age though, it becomes more Burgundian. His 2005 – the current release is 2006 – smelled funky and wound-up when first opened. I was thrown off as it reminded me more of the tangy green character of a Chablis from Laurent Tribut than the usual Langhe Chardonnay. With a bit of air and warmth, it retained its Chablis-like crispness and raciness but rounded out into an easier drinking wine that paired pretty easily with my garlic-inflected bowl of linguine ai frutti di mare. $16. 13% alcohol. Natural cork. Imported by Petit Pois, Moorestown, NJ.

Indicazione Geografica Tipica Toscana “Fianesco,” Fattoria di Fiano 1999
Given that I was culling from Tuscany, a traditional style of Chianti could have made for a nice partner to my secondo of pork loin, potatoes, pancetta and Brussels sprouts. As the IGT designation suggests though, traditional this was not. A sample bottle received years ago, this had been chilling in the cellar ever since. As I knew little about its specific origins, a bit of research was in order. Fattoria di Fiano is located in the southern portion of the Chianti Colli Fiorentini zone, just north of Classico. According to the notes on Fiano’s website, Fianesco is not entirely untraditional in its blend: 80% Sangiovese rounded out with varying amounts of Colorino, Canaiolo, Merlot and perhaps some Syrah and Cabernet Sauvignon. Its darkness of color, especially for a wine approaching ten years of age (when Sangiovese should be showing some elegant fade), suggested far more than 20% of the non-native varieties. The wine was overtly modern, with big, bold fruit, polished tannins and fairly voluptuous vanillin oak notes. To its credit, it was reasonably balanced, had enough fruit brightness to stand up to the wood and showed slight traces of Tuscany’s expected dusty, spicy tannins. As hinted at above, it was over-matched to my dish and to all but the most red meat intensive of Salento’s dishes. 13.5% alcohol. Natural cork. Sample bottle: price and importer unknown.

Monday, March 17, 2008

Three Odd Whites


Neuchâtel, Caves du Château d’Auvernier 2005
Caves du Château D’Auvernier seems to dominate the export market for Swiss wines, simply by observation of what few other wines from Switzerland appear with any regularity on the shelves in shops throughout the Mid-Atlantic States. Oddly enough, though I’ve eyed this bottling many, many times over the years, I’d never actually tried it until recently. Perhaps it’s natural that I’d always given the wine a pass based on its relatively high price point, an issue it seems with just about all Swiss wine that finds its way to the US market. As it turns out, I hadn’t been missing much. This is a typically neutral expression of Chasselas, or Chasselas Fendant Roux as the locals call it in the Valais. A slightly lactic, yogurty nose leads to a somewhat dilute, nutty, mineral and lime tinged flavor profile. Though theoretically viable as an aperitif and a decent choice for sharp cheese, fresh water fish or fondue, its practical application is severely hampered by poor QPR. At a little over $20 per bottle, there’s just way too much better, cheaper wine out there to make this anything more than a passing curiosity or a comfort wine for homesick Swiss expatriates. $21. 11.5% alcohol. Natural cork. Imported by Dreyfus Ashby, New York, NY.

Arbois Chardonnay “En Chante-Merle,” Régine and Jean Rijckaert 2005
If we’d tasted blind, I’d never have guessed varietal Chardonnay. Cool climate, yes. Perhaps Cour-Cheverny or maybe even regular Cheverny Blanc, but definitely not varietal Chardonnay. The first note hit on the palate was of slight oxidation. Then came hay along with racy lemon, lime and papaya fruit. Nervy acidity blew away the oxidative tone of the wine, keeping it fresh in spite of the up-front suggestion of evolution. Add to all that a limestone streaked nose and solid persistence and you’ve got a pretty cool little wine that’s loaded with character. I’d happily enjoy it with the same range of foods suggested above for the Neuchâtel, though it’s definitely more demanding of being served with food. $16. 13% alcohol. Synthetic cork. Imported by Dionysus Imports, Lorton, VA.

Montlouis Sec “Les Petits Boulay,” Domaine Deletang 1999
Finding an older vintage on the shelves of a shop that’s not particularly renowned for buying library releases straight from producers’ caves can always be a risky gamble. When an older vintage is selling for closeout prices, the odds get stacked even more heavily against the buyer. Chances are that the wine has been lost and forgotten in the nether reaches of a distributor’s warehouse or, worse yet, returned to a distributor after collecting dust and more serious forms of abuse at a corner liquor store somewhere in Podunkville. But at $6 for a 1999 Montlouis, the risks are more than worth the potential rewards. The odds landed in our favor on this occasion, delivering not a profound example of Montlouis at its best but a wine that was fairly compelling and a sound example of mid-life, mid-range Chenin Blanc. The oxidative theme continued into this last wine of our tasting. Dry Loire Chenins often show oxidation at mid-life, even at early stages, yet can continue to live on and develop into things of beauty for many, many years. Boiled wool, almond butter, asparagus water and beeswax all turned up on the nose, with good purity of structure following on the tongue. Not a terribly giving wine, but intriguing for its stony, crackly finish. It could easily have passed for a Savennières from the same era if not for its richer touch of dried honey more typical to Chenin from the Touraine. $6. 11.5% alcohol. Natural cork. Imported by Vignobles LVDH, Woodstock, MD.

Friday, February 1, 2008

Notes from a Sunday

This past Sunday was to have been a night out with friends for dinner in Philly. When crossed signals decreased our group by one, the rest forged ahead. We ran into a road block, though, when we realized that Sunday was the opening night of Philadelphia Restaurant Week (which ends today, by the way). Fixed price specials at spots all over town, along with a promotional media blitz, seemed to have brought the hungry out of the woodwork. Spur of the moment reservations were simply not to be had.

Rather than resulting in frustration and frowns, our thwarted plans simply made for a lovely alternative: dinner at home with friends and a few bottles of wine to try. While my hosts seasoned a rack of pork, cleaned and sliced potatoes for the roasting pan, and prepped some broccoli rabe to be sautéed, I uncorked a couple of whites.


Savennières “Clos du Papillon,” Domaine du Closel 2001
I’m a Savennières lover. There’s a bunch in my cellar and I wish there were room and budget for more. After trying the 2000 “Clos des Perrieres” from Château Soucherie earlier in the week, I was keen for more. The “Perrieres” was intriguing but left some questions in its wake; it was showing depth and layered flavors but also a significant level of oxidation. Maybe it was just a less than pristine bottle. Or perhaps it was just the wine, as I’ve seen other Loire Chenins suggest oxidation at mid-life and then somehow recover with more time in the bottle.

In any event, Closel’s 2001 “Clos du Papillon” was showing beautifully. We drank it as an aperitif – I’d love to have tried it with some oysters or scallops – and it showed loads of feminine grace. At first, it was extremely subtle, almost completely shut down on the nose. Very soft, round textures greeted the mouth, like letting a perfectly polished river rock roll about on your tongue. No oxidative tones here. It was still showing structural youth. Peach butter, lime minerality, toasted marshmallows and a little mango all came to mind. Soft but balanced acidity carried through to a persistent finish. A touch of heat emerged as the wine warmed in the glass but hardly enough to diminish its pleasures.
$23. 13.5% alcohol. Natural cork closure. Importer: Louis-Dressner, New York, NY.

Mâcon Solutré Pouilly, Domaine de la Chapelle 2006
The least elevated of the whites of Pascal and Catherine Rollet, the rest of which hail from Pouilly-Fuissé, this is a strong value in unoaked white Burg. With loads of clean pear fruit right up front, it smells like classic Mâconnais Chardonnay. Fresh, lively acidity gives a crunchy, toothsome mouthfeel that marries well with the wine’s interplay between sweet and tart apple fruit. Mint, tarragon and a touch of chalkiness emerge with aeration. At just over $15, I’d be happy to give this a spot in my regular rotation.
$16. 13.5% alcohol. Natural cork closure. Importer: Weygandt-Metzler, Unionville, PA.

Marsannay “Les Longeroies,” Domaine Bruno Clair 2004
As this had been opened the day before, it was more of a taste for the purpose of satisfying curiosity than it was a drinker for dinner. Pale and bright in the glass. Sour wild cherry fruit, lean and green on the palate. Skin-driven astringency, high acidity and a vegetal mid-to-rear palate all suggested unripe fruit. Interesting from an academic perspective but not something I’ll go looking to buy, particularly at the $40ish price point.
$40. 13% alcohol. Natural cork closure. Importer: Vineyard Brands, Birmingham, AL.

With the pork roast and potatoes about to come out of the oven, we moved on to extracting corks from a couple of suitable reds.

Bourgogne, Bernard Dugat-Py 1999
As the condition of the label in the photo suggests, this bottle had come in and out of my cellar on more than one occasion. For whatever reason, I’d always been talked out of opening it. At around $25 on release, it wasn’t the price barrier but rather the hard to find nature of Dugat-Py’s Burgundies that had always made dining companions uncomfortable with its presence. On this night, I was committed to shrugging off any such objections.

As it turned out, the bottle’s previous return visits to the cellar had been propitious as this was showing very well at eight years of age. Deep garnet red in color, going just limpid around the edge of the glass. Plenty of chewy tannins suggest further aging potential but the medium-bodied, clove inflected, brambly black cherry fruit was hard to resist now. Beautifully aromatic, with spice, earth and black fruits galore. A solid pairing with the roast pork and taters.
$25 on release. 12.5% alcohol. Natural cork closure. Importer: Weygandt-Metzler, Unionville, PA.

Lessona, Aziende Agricole Sella 2001
Little known Lessona is nestled in the northeastern corner of Piedmont alongside Ghemme and Gattinara. The Nebbiolo-based wines grown here bear more in common with the wines of Valtellina, to the east in Lombardy, than with Barolo and Barbaresco, Piedmont’s more famous Nebbiolo zones. Sella’s Lessona makes for a worthy introduction to the typicity of wines from this high altitude, semi-mountainous growing region. Brisk acidity and sinewy structure combine with aromas and flavors of tar, raspberries, red licorice and stony minerality. Also a solid pairing with the evening’s meal. I’d like to see this come in closer to the $20 price point but it’s certainly compelling enough to make me want to try the estate’s other cuvées.
$27. 13% alcohol. Natural cork closure. Importer: Selected Estates of Europe, Mamaroneck, NY.

“Aurore d’Automne,” Domaine de Bellivière 2005
The wacky wine of the night for sure, “Aurore d’Automne” is also an intriguingly delicious sticky rosé from Le Loir, made from a blend of partially botrytized and partially dried Pineau d’Aunis and Grolleau. This was pulled out of the cellar primarily for something to check out and sip after dinner although it did acquit itself admirably with our simple dessert of chocolate/hazelnut gelato. The color of a new penny, with a nose that hit me right off with a whiff of curing tobacco. There was a barn used for exactly that purpose not far from where I grew up, so it’s one of those strong aroma memories left over from my childhood. Not far behind the tobacco came aromas of Douglass fir and red fruit confit. Sweetness is obvious but well balanced by firm acidity. Resin, sherry-like characteristics and rosemary all emerge as the wine develops, along with more delicate flavors of orange oil and rosewater. Even the napkin I used to wipe up a few drops lost to the table top smelled awfully good.
$48 (500ml). 11% alcohol. Natural cork closure. Importer: Louis-Dressner, New York, NY.

Saturday, January 19, 2008

Some Recent Tastes

Just a few bottles I've enjoyed with meals and/or with friends over the last couple of weeks that didn't make their way to full posts but were more than worthy of mention. I really do need to get back to Exploring Burgundy. And I can never get enough Riesling.

Mosel Ürziger Würzgarten Riesling Auslese #19, Alfred Merkelbach 2005
Far from profound but nonetheless well balanced and brimming with green apple, white peach and transparent slatiness. A confectionery hint on the rear palate picks up on the wine’s residual aspects more so than up front. A food friendly style, this would make a lovely companion to seared scallops or lightly cured ham.
$20. 9% alcohol. Natural cork closure. Importer: Michael Skurnik (a Terry Theise Selection), Syosset, NY.

Petit Chablis, Domaine Vincent Dauvissat 2004
Oyster shells and a bit of fishing pier funk on the nose. Very mineral, medium in scale, and just starting to develop a not unattractive oxidative note, followed by plenty of bitter lemon fruit. Drinking very well at the moment, it should continue to deliver immense pleasure (in spite of the pier funk) in the short term.
$20. 12.5% alcohol. Natural cork closure. Importer: Vineyard Brands, Birmingham, AL.

Chablis, Domaine Laurent Tribut 2006
Hitting lots of high notes. Steely, bright and very tight, this should begin to get interesting in another year. Good length, with plentiful limestone-driven mineral character.
$25. 12.5% alcohol. Natural cork closure. Importer: Vineyard Brands, Birmingham, AL.

Chablis Premier Cru “La Forest,” Domaine Vincent Dauvissat 2005
There’s breed showing through here, on a stony, gunflint driven frame, with green pear and lemon oil accents. However, it’s disjointed and a tad hot. Needs time to come around to a better place.
$40. 13% alcohol. Natural cork closure. Importer: Vineyard Brands, Birmingham, AL.

Dolcetto d’Alba “Coste & Fossati,” G.D. Vajra 2005
Burton Anderson singled out Vajra’s “Coste & Fossati” as the only Albese Dolcetto worthy of inclusion in his wine guide, Burton Anderson's Best Italian Wines. While I enjoy plenty of other Dolcetti d’Alba, I’m inclined to agree with his summation. This is a pleasure to drink in its youth but possesses an aromatic depth and a certain elegance that is less evident in most other Dolcetto. Dark cherry fruit, crushed flowers and freshly turned, loamy earth are at once plentiful yet subtly expressed on both the nose and palate. Very delicate, finely grained tannins. Worthy of your best Burgundy glass, where the aromas of most other Dolcetti might be prone to fall apart. Not as intense as the 2004 but still lovely, it’s just starting to come out of its shell and should hold and develop well for another five years.
$29. 14% alcohol. Natural cork closure. Importer: Petit Pois, Moorestown, NJ; Martin Scott, New York, NY.

Chianti Classico, Isole e Olena 2004
Translucent ruby in the glass and lovely right out of the gates, with pure cherry fruit, laced with rosemary accents. After 30-45 minutes of air, it becomes more clearly delineated, with the cherry taking on a sweet yet graceful vanillin tone thanks to a well-executed aging regimen in large, old oak casks. Bright acidity provides lift, lively tannins give texture and, with more air, spice notes drive home the fruit. On day two, the wine is darker, rounder and feels richer in the mouth if a bit more diffuse than on day one. Yummy stuff, built for food.
$21. 13.5% alcohol. Natural cork closure. Importer: Petit Pois, Moorestown, NJ; Martin Scott, New York, NY.

Wednesday, November 14, 2007

Exploring Burgundy: Viré-Clessé

My thanks go out to Neil, aka Brooklynguy, who’s serving as the generous host for this month’s edition of Wine Blogging Wednesday (WBW #39), which is focusing on what he’s called Silver Burgundy: the wines of the Mâconnais and Côte Chalonnaise. He’s also given me the perfect impetus to create a new installment in my continuing series on Exploring Burgundy. So, without further ado….

The villages of Viré and Clessé are situated at about the mid-point between Mâcon – the capital of the Mâconnais district of Burgundy – to the south and the town of Chardonnay to the north. Though wine villages such as Lugny do lie further north, Viré-Clessé is the northernmost of the top-level AOCs within the Mâconnais. Its soils are marly, with high limestone content and a granite-rich base.

Viré-Clessé is a relatively new appellation to Burgundy, created in November 1997 and applying to wines as of the 1998 vintage. This new AOC serves as both a combination and elevation of the Mâcon-Villages level AOCs of Mâcon-Viré and Mâcon-Clessé in recognition of the superior quality potential emanating from the zone.

As should be expected within the hierarchy of the French appellation system, the newly established requirements for Viré-Clessé are more stringent than for the previous zones and for the other “lesser” areas of the Mâcon. Yields are limited to a maximum of 55 hl/ha, whereas Mâcon-Villages guidelines allow up to 70 hl/ha. Residual sugar levels are capped at three grams per liter, thus eliminating the possibility of off-dry or late harvest versions of Chardonnay – the only vine allowed in this white wine-only appellation – being accorded AOC status.

Any short list of the best producers in Viré-Clessé must perforce include Domaine André Bonhomme. Though today considered an iconoclast (in the most positive sense), Monsieur Bonhomme was initially considered mad when, in 1957, he decided to step away from contract relationships with the négociants who dominated the Mâconnais wine scene to begin estate bottling his own wines. It was largely upon his work, which included low yields, intensively hands-on farming and fastidious wine making, that the guidelines for the AOC Viré-Clessé were based.

Today, as it was 50 years ago, André farms 10 hectares (about 25 acres) of vineyards and produces small quantities of some of the most elegant wines of the region. In most vintages he produces four wines, including a Mâcon-Villages plus three different cuvées of Viré-Clessé: a Viré-Clessé “normale,” Cuvée Spéciale, and Cuvée Vieilles Vignes.

I’ve been drinking Bonhomme’s wines without missing a year since the early 1990’s, back when they were still labeled as Mâcon-Viré. So, even though WBW often presents the opportunity to try something new, I thought I’d play to my strength for this episode. To keep things interesting, I also decided to tap my cellar rather than the current retail offerings, choosing two cuvées from the 2002 vintage.

Viré-Clessé, Domaine André Bonhomme 2002
The base Viré-Clessé of Domaine Bonhomme is vinified and aged primarily in steel, with about one-third of the wine seeing time in older barrel. At five years of age, the 2002 is eye-openingly good. It shows a bright, penetrating yellow in the glass and is still quite young in both appearance and aroma. Palate sensations are of peach skin, pear butter, clover honey, bitter orange marmalade and green figs. The wine overcomes some issues shown in other white Burgundies of the same vintage, exhibiting not the slightest hint of oxidation. The oak, barely discernible, is perfectly integrated, lending just a subtle tannic bite. Generous fruit and texture, along with vinous extract and gripping acidity, point to a long future.

On day two, the wine gives an immediate sensation of mint and beeswax. Golden apple tones have developed, persisting on the finish along with a hint of marzipan. It still shows brilliantly, with elegantly integrated acidity and good length. If I’d tasted this blind, I might have been fooled for a Chenin from Côteaux du Layon, albeit dry.

$18 on release. 13.5% alcohol. Natural cork closure. Importer: Petit Pois, Moorestown, NJ.

Viré-Clessé “Vieilles Vignes,” Domaine André Bonhomme 2002
Bonhomme’s cuvée VV comes from the oldest vines – 40 years plus – of the estate and is fully barrel aged, including a small percentage of new barriques. The only way for a shopper to differentiate the two bottlings, occasional gold medal aside, is via the "Vieilles Vignes" designation printed, along with the vintage, only on the neck label of the bottle. Tasting the wine non-blind and after the regular cuvée, it’s difficult not to think of it in relative terms. It displays a richer tone of gold in the glass, though still with the bright hues of youth. The aromas are less forthcoming yet darker and more brooding than with the normale. Peach driven fruit remains the letter of the day, yet there’s a darker core of apricot nectar here, along with a richer, rounder mouthfeel. Attractive vegetal hints play against a dark honeyed tone. The oak, though a touch less transparent, is just as well integrated as in the regular cuvée.

On day two, this morphed into a softer, rounder texture that might have fooled many a taster for a commune level Meursault. The vegetal tones dissipated, showing richer pear fruit and a silky, lightly buttery feel. Though also escaping any oxidative hints, this does seem to be more advanced than the regular Viré-Clessé, a surprise given the vine age but perhaps just a reflection of its less reductive, more barrel intensive wine making regime. I’d love to taste both wines again in five more years. But regrettably, this was my last bottle of the Vieilles Vignes. C’est tout! But it was a worthy cause.

$26 on release. 13.5% alcohol. Natural cork closure. Importer: Petit Pois, Moorestown, NJ.

Other "Silver Burgundy" posts:

Tuesday, August 21, 2007

Exploring Burgundy: Auxey-Duresses Blanc

Undeniably, Auxey-Duresses must be counted among the lesser known appellations in Burgundy. Its wines can be something that’s far too uncommon in the rather rarefied market for Burgundy: good values. Premier Cru bottlings from some of the best producers in the commune can still be had for prices that don’t exceed by much the price for the basic Bourgogne Rouges and Blancs from some estates in more illustrious areas. Auxey’s whites lack the richness of the wines from neighboring Meursault. Its reds may give something away in breed to the wines of Volnay, just to the North. However, the lean structure and lacy texture of Auxey-Duresses – I’m speaking of both red and white here – can give wines of immense character.

Auxey-Duresses Blanc “Vieilles Vignes,” Domaine Jean-Pierre Diconne 2002
Jean-Pierre Diconne is at once among the most respected and most old-fashioned of producers in Auxey-Duresses. His cellars are rustic, his wine making techniques straightforward and natural, and his personality undeniably affable. And his wines are pure expressions of place. He produces lovely examples of commune level Auxey-Duresses Rouge and a very fine Premier Cru “Les Duresses.” Nonetheless, from a village where three of every four bottles produced are of red wine, it’s with true pleasure that I look forward to the arrival, once every few years, of a tiny quantity of the Jean-Pierre’s Vieilles Vignes Blanc. In good vintages, it can be an astounding wine. When I first tasted the 2002 version, it was brimming with granny smith and greengage fruit, allied with golden flesh and tensile nerve on a medium-bodied frame. It struck me as a wine that might last for quite some time in a well kept cellar; accordingly, I hoarded away a half-case or so.

Recently revisiting the 2002, five years after the vintage, my initial reaction upon pulling the cork was one of trepidation. Sherry-like aromas, a telltale sign of oxidation, were the first scents that rose from the glass. There was still fruit – ripe pears and honeysuckle along with some toasted hazelnut notes – but that oxidative note held it at bay. For those of you who are fans of white Burg, this may come as little surprise. There have been huge discussions for the last couple of years about early, unexpected oxidation in these wines. For a good overview of the issue from various quarters of the wine world, check out:

While most of the research and comments in these articles and discussions have focused on the vintages from 1996-2000, there have been continuing worries about wines from subsequent years. Suffice it to say that I was worried, based upon my first impressions, about the fate of my remaining stash of J-P’s 2002.

Here’s the good news. As the evening continued, as the wine warmed up from its cold spell in the fridge and as the contents of our glasses met with some aeration, the oxidative notes seemed, at the very least, to dissipate. Though never as nervy as when originally tasted, elegance and fruit unfolded as the nutty, tired hints receded. In the end, the wine not only opened up beautifully but also paired surprisingly well with a salad of fresh beets, arugula and goat cheese inspired by a recent recipe in Gourmet.

All things considered, I’ll be cutting my losses and remapping the original drinking schedule for my remaining bottles. Hopefully, they’ll continue to bring pleasure over the next year or two. In the meanwhile, undaunted, I’ll be waiting for the next small shipment from M. Diconne’s cellars to grace our shores.
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